Variety's Scores

For 17,765 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17765 movie reviews
  1. Ten
    10 dazzling and perceptive snapshots of women with which femmes everywhere can identify.
  2. Choreographed by long-term Li collaborator Corey Yuen, the martial arts confrontations supply plenty of spark, though they lack the more exhilarating stylistic flourishes of those in "Romeo."
  3. Callahan mostly overcomes its grungy technical quality with entertaining dialogue, nervy confrontation scenes, decent thesping and some truly spectacular shooting on the green velvet.
  4. Unfortunately, Wolman's flat direction accentuates the predictable course of his soft narrative.
  5. A dignified second film for Caetano.
    • 77 Metascore
    • 90 Critic Score
    Poignant, thoughtful and utterly absorbing, Susanne Bier's Dogme film Open Hearts is a gem.
  6. This dank, gloomy essay into the supernatural tries hard to create an intriguing mood in which fate guides the lives of its wounded protagonists, but few will be interested in the outcome.
  7. Refreshingly devoid of flashiness or artificially pumped-up action, this consistently gripping, well-constructed police thriller… showcases a tightly controlled performance from Kurt Russell.
  8. This slyly humorous, cleverly constructed comedy-drama wends its way through different takes on similar time frames to a warm, inclusive ending.
  9. Gods and Generals is American history transformed into a museum movie, consistently making the flawed human characters at the heart of the Civil War into flawless figures Olympian in their statuesque remoteness.
  10. This year's kinder, gentler "Animal House."
  11. Punches the expected buttons without being entirely convincing.
  12. While it's clear where the filmmaker's sympathies lie, the view presented is relatively balanced.
  13. Exhaustively informative and powerfully emotional.
  14. Pleasant if slightly pokey documentary.
  15. Its central theme being the struggle between Christianity and homophobia -- though what's onscreen is far too vanilla in both content and execution to spark much enthusiasm.
  16. Grounded by a vigorous, physical performance from Choi Min-Sik, who brings both earthiness and grandeur to the central role, the film vividly evokes the world of an obsessive natural talent.
  17. The feel of a direct-to-video title that's been upgraded to theatrical status in the hopes of wringing a few extra bucks out of it and improving its not-too-distant homevid marketability.
  18. Defiantly uncommunicative picture.
  19. Turns on an intellectual gimmick in the vein of "Memento," weaving down sinister byways, the better to click with satisfying symmetry.
  20. Director David Gordon Green has created some fresh, penetrating, beautifully drawn scenes of one-on-one intimacy…But some of what surrounds these interludes is variously misguided, fuzzy and borderline pretentious.
  21. This franchise-hungry champion of the underdog brings no sense of fun to his pursuit of bad guys; it's just the fate he's stuck with.
  22. A debut of enormous craft, surety and resourcefulness -- a superlative, soul-baring non-fiction work that will generate torrential word-of-mouth among auds lucky enough to catch it.
    • 36 Metascore
    • 40 Critic Score
    Pictures general subject matter was given a more intimate and graceful treatment in last year's Los Angeles Film Festival entry "Maryam." This comparatively jumbled, unevenly paced item lacks nuance or distinction.
  23. About as vigorous and intricate as a glossy romantic comedy can get without collapsing under the weight of its own merriment.
  24. Well-cast relationship comedy-drama is played too broadly in the early going, but gradually settles into a more appealing groove as a glossy date-movie.
  25. A largely dull history lesson…stripped of any backgrounding, peopled with archetypes rather than fully-drawn characters, and features self-consciously arty direction that gets in the way of story-telling.
  26. This is the kind of movie that was doomed on the page, both by an inherently problematic premise and ill-conceived character motivations.
  27. A hugely entertaining and more lavishly mounted follow-up to 2000's "Shanghai Noon," the high-concept East-meets-Western that first teamed top-billed duo, pic rides even taller in the saddle as a fleet and funny crowd-pleaser.
    • tbd Metascore
    • 100 Critic Score
    Words can't do justice to the visual masterpiece Baraka.

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