Variety's Scores

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For 17,791 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,139 out of 17791
  2. Mixed: 7,015 out of 17791
  3. Negative: 1,637 out of 17791
17791 movie reviews
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  1. Fred Claus
    Alternates between unpleasantness and Hallmark-sweet sappiness.
  2. Lions for Lambs
    Amounts to a giant cry of "Americans, get engaged!" wrapped in a star-heavy discourse that uses a lot of words to say nothing new.
  3. P2
    What "Psycho" did for the shower, P2 tries very hard to do for the parking garage, spending most of its time below ground, and below an adequate level of convincing dread.
  4. Saawariya
    A really small movie done up in a big, moody package, Saawariya entices, fitfully springs to life but finally outstays its welcome by a good half-hour.
  5. War Dance
    While the pic may be targeting Westerners who want to feel less awful about genocide and global negligence, it's hard to imagine War Dance appealing to that crowd -- or any other.
  6. Holly
    Though treading a firm, clear-eyed line between education and exploitation, the well-acted and technically proficient drama -- too chaste to scandalize, too dark for general audiences -- works as a mobilizing tool for its cause.
  7. The Life of Reilly
    With equal measures of prickly wit, gleeful pride and bemused gratitude, Charles Nelson Reilly looks back at his life, and invites his audience to share the view, in this thoroughly engaging filmization of his one-man stage show.
  8. Electric Apricot
    Generates enough mild humor to keep the spoof rolling, but lacks the commitment and scope.
  9. Steal a Pencil for Me
    Fortunately, helmer Michele Ohayon ("Cowboy del Amor") treats her tricky subject matter with sufficient sensitivity to keep doc from ever seeming offensively flip or overly sentimental.
  10. My Name Is Albert Ayler
    My Name is Albert Ayler brings a sense of logic and humanity to a man whose music was as unsettling as it was untethered to the tenets of jazz.
  11. Fat Girls
    Wins no points for delicacy. Still, it does score some laughs.
  12. American Gangster
    Absorbing, exciting at times and undeniably entertaining, and is poised to be a major commercial hit. But great it's not.
  13. Bee Movie
    Amiable but no more, Bee Movie puts a hiveful of potent talent at the service of a zig-zigging, back-of-an-envelope story that's short on surprise and originality.
  14. Martian Child
    Knockout performances by John Cusack and child actor Bobby Coleman help legitimize a whimsical but sententiously moralizing script.
  15. Sharkwater
    As an eco-political inquiry, the film is compelling even if its grounding in scientific fact could be more solid.
  16. Before the Devil Knows You're Dead
    The wrenching tale has something for anyone who likes their melodrama spiked with palpable tension and genuine suspense.
  17. Bella
    Mexican-born helmer Alejandro Monteverde's debut will be remembered as a curious case of a mediocre film that wows crowds.
  18. Dan in Real Life
    Deftly interlaces heart and humor in a witty, warm and well-observed comedy about the unexpected and inconvenient blooming of romance at the weekend gathering of an extended family.
  19. Jimmy Carter Man from Plains
    Thanked and vilified from coast to coast, Carter remains steadfast in his belief that Israel's policies in the Occupied Territories are unjust and counterproductive.
  20. Music Within
    Helmed by Steve Sawalich, this real-life dramedy is anchored by Michael Sheen’s captivating performance as the severely handicapped, profoundly acerbic Art Honeyman.
  21. Rails & Ties
    Reserved, careful and largely predictable in the way it plays out its wrenching emotional crises.
  22. Saw IV
    Even by the standards of the recent "Saws," which have enjoyed considerably larger budgets than the first pic, the new edition is more frenetically cut (by editors Kevin Greutert and Brett Sullivan), more dimly lit (by lenser David A. Armstrong), sweatier in terms of perfs by the grimly serious cast, more madly packed with micro-incidents and action, and more brazen in requiring suspension of disbelief.
  23. Slipstream
    Apparently needing to release some private thoughts, musings and images to the world, Anthony Hopkins takes a leap into stunning self-indulgence with his directorial debut, Slipstream.
  24. Mr. Untouchable
    Alternately seduced and repelled by its subject, the garish and power-hungry Harlem gangster and '70s cocaine kingpin Nicky Barnes, Mr. Untouchable is one seriously confused documentary.
  25. 30 Days of Night
    Excels at bloodthirsty action, though dialogue and human-interest aspects are a tad anemic. Result is a mixed bag but has a catchy premise and quite enough splatter to satisfy gorehounds.
  26. The Comebacks
    An exceptionally lame genre parody that plumbs depths of ineptitude heretofore charted only by the marginally less abysmal "Date Movie."
    • Variety
  27. Gone Baby Gone
    Moral ambiguity is the real star of Ben Affleck's helming debut, Gone Baby Gone, an involving Boston-set tale of mixed motives, selflessness and perfidy in the wake of a 4-year-old girl's disappearance.
  28. Out of the Blue
    Chilling, often moving docudrama focuses not so much on the mayhem or murderer, but on the bewildered, occasionally courageous reactions of ordinary citizens caught in the inexplicable violence.
  29. Rendition
    By underplaying the melodrama in the presumed hope of seeming subtle when Kelley Sane’s script is so baldly melodramatic, the “Tsotsi” helmer drains the life out of an obviously explosive subject.
  30. Reservation Road
    A dramatic situation that should be wrenching is mostly tedious in Reservation Road.
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