For 17,786 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,137 out of 17786
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Mixed: 7,013 out of 17786
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Negative: 1,636 out of 17786
17786
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Peter Debruge
Ben Gourley packs this excursion with enough contrived quirkiness and latent angst to win over the college crowd, but adds nothing particularly insightful about his generation.- Variety
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Todd McCarthy
James Mangold's remake walks a fine line in retaining many of the original's qualities while smartly shaking things up a bit.- Variety
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Ronnie Scheib
Whenever Sutherland comes on scene, any inadequacies in the film's depiction of the well-to-do become irrelevant.- Variety
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Justin Chang
Joel David Moore leads a cast full of token minorities and bickering bimbos, whom writer-helmer Adam Green dispatches with knowing glee and an obvious love for genre conventions that almost overcomes the derivative scripting.- Variety
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Todd McCarthy
The excitement, majesty and extraordinary human accomplishment of the American lunar program of the '60s and early '70s is rousingly captured in In the Shadow of the Moon.- Variety
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Derek Elley
Chockfull of ideas and with an irreverence that irresistibly recalls late '60s American cinema, thesp John Turturro's third outing in the helmer's chair, Romance & Cigarettes, alternately shines and sputters.- Variety
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Reviewed by
Peter Debruge
Good taste is the first fatality in this gonzo thrill-seeker, sure to offend mainstream dispositions, yet too stylistically audacious to dismiss outright.- Variety
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Peter Debruge
If "Hot Rod" and "The Ex" couldn't attract an audience, this full-blown comedy miscarriage stands no chance.- Variety
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- Variety
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Robert Koehler
Alternately glib, superficial and amusing, pic vainly attempts to absorb some degree of Serbian irony into a story that's unavoidably lessened by its privileged American vantage point.- Variety
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- Critic Score
Buddhist legend brings warnings of bad karma in Milarepa, a worthy and engaging period pic from Bhutan.- Variety
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Ronnie Scheib
Never completely takes off, yet somewhat overestimates the surrounding zaniness. Still, any opportunity to witness the improvisatory skills of Sarah Silverman, Bonnie Hunt and Amy Sedaris should not be missed.- Variety
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- Variety
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Robert Koehler
With intermittently amusing glee, writer-director Ryan Shiraki's tyro film, Freshman Orientation, frolics through the political minefields of a typical college campus.- Variety
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Dennis Harvey
The Nines arcs from witty Hollywood insiderdom to a climactic metaphysical leap that may leave many viewers nonplussed. Nonetheless, there's more than enough intelligence, intrigue and performance dazzle to make this an adventuresome gizmo for grownups.- Variety
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Dennis Harvey
Leaves nothing to the imagination: Michael Myers is always right there in plain sight, committing mayhem sans suspenseful buildup or mystique.- Variety
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- Variety
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Justin Chang
Searing portrait of an out-of-control youth who winds up in a decidedly shady rehab center has more than its share of teen-angst cliches but still makes a surprisingly trenchant tearjerker, thanks to strong acting from all quarters and an especially blistering perf from Lapica.- Variety
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Brian Lowry
Relentlessly silly in spoofing martial-arts movie conventions, Balls of Fury has roughly enough laughs for a first-class trailer but wheezes, gasps and finally goes flat through much of its 90 minutes.- Variety
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Leslie Felperin
Using material shot sporadically over six years, TV-experienced helmer Pernille Rose Gronkjaer builds an affectionate but admirably unsentimental portrait of her eccentric, headstrong protagonists.- Variety
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Todd McCarthy
Individual scenes in actor Justin Theroux's directorial debut possess a certain flair, but the central issue on which the story turns -- how obnoxious and mean-spirited can you be and still get someone to love you? -- presents a forbidding obstacle.- Variety
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Deborah Young
As it explores the limits of human endurance, the pic should suck even landlubbers into a whirlpool of gripping adventure, overblown ambitions and sheer human folly.- Variety
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Joe Leydon
Too muted to have much lasting impact, and remains modestly diverting only on a scene-to-scene basis. There's no quotable dialogue, no standout action sequence, no flashy supporting performances -- in short, nothing to lift Illegal Tender from the level of competent but inconsequential B-movie.- Variety
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Derek Elley
This is a thoroughly Euro bedmate to the 1997 "Bean," with the Gauls rather than the Yanks as the butt of Bean's bumblings.- Variety
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- Variety
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John Anderson
Overly sentimentalized and the execution is slack. If not for Samuel L. Jackson's performance as the ravaged boxer, "Champ" would be of limited interest.- Variety
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Todd McCarthy
Chris Gorak grabs the viewer by the throat in the first few minutes, but quickly fritters away involvement by concentrating almost exclusively on two characters who are both annoying and boring.- Variety
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Justin Chang
The didactic presentation, grim speechifying and tacked-on love story all signify a less-than-healthy regard for the audience's intelligence.- Variety
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Joe Leydon
Quickly devolves into a standard-issue crime drama laced with routine martial artistry.- Variety
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Joe Leydon
There's a pleasantly dreamy quality to much of Eye of the Dolphin, and that goes a long way toward enabling audiences to ignore the formulaic plot and enjoy the laid-back charms of this innocuous indie.- Variety
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