For 17,791 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,139 out of 17791
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Mixed: 7,015 out of 17791
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Negative: 1,637 out of 17791
17791
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Joe Leydon
Provides enough cheap thrills and modest suspense to shake a few shekels from genre fans before really blasting off as homevid product.- Variety
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Lisa Nesselson
This autobiographical tour de force is completely accessible and art of a very high order.- Variety
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Todd McCarthy
A feel-good film about death, a sitcom about mortality, "Ikiru" for meatheads. It's also a picture about two cancer patients confronting reality, and deciding how they want to spend their presumed last days, that has not an ounce of reality about it.- Variety
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Reviewed by
Todd McCarthy
Tailor-made for maximum inspirational, historical and educational impact, The Great Debaters shines a bright spotlight on a remarkable example of black achievement long forgotten in the sorry history of the Jim Crow South.- Variety
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Justin Chang
Though it strikes some predictable coming-of-age notes, this moving, well-wrought adventure should appeal to fans of "E.T." and Carroll Ballard.- Variety
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John Anderson
"Ghost" with a brogue, "The Notebook" without the burden of old people, this post-life comedy will have the sentimentally challenged weeping openly, while clutching desperately to the pants-legs of boyfriends and husbands who are trying to flee up the aisle.- Variety
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Todd McCarthy
Charlie Wilson's War is that rare Hollywood commodity these days: a smart, sophisticated entertainment for grownups.- Variety
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Justin Chang
Graced with some extra star wattage courtesy of Helen Mirren and Ed Harris, this diminishing-returns sequel sends Nicolas Cage on another quest to strike it rich, get young auds excited about history and solve puzzles that are generally less stimulating than yesterday's Sudoku.- Variety
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John Anderson
Like its sister films in the surfing-movie genre, the extreme-skiing movie Steep is less a documentary than a sales pitch -- not for a product or a place, but for a sport, one its practitioners feel requires pugnacious self-promotion.- Variety
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Todd McCarthy
Both sharp and fleet, Sweeney Todd: The Demon Barber of Fleet Street proves a satisfying screen version of Stephen Sondheim’s landmark 1979 theatrical musical.- Variety
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Brian Lowry
Strums the genre for considerable laughs, with John C. Reilly playing the title balladeer from teen to senior citizen, generating enough goodwill to offset the flat sections and a decidedly juvenile streak.- Variety
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- Variety
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Reviewed by
Todd McCarthy
Remarkably eerie yet annoyingly larded with cheap horror-film shock effects, I Am Legend stands as an effective but also irksome adaptation of Richard Matheson's classic 1954 sci-fi novel.- Variety
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Reviewed by
Alissa Simon
While the largely unknown cast and subtitled dialogue may present a marketing challenge, they also create a feeling of authenticity in this poignant, intimate epic, which should attract a strong following among discerning audiences.- Variety
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Robert Koehler
Conceit often stretches -- and breaks -- the limits of what the tales can handle, though the implication of viewers as voyeurs gives pic a subversive edge.- Variety
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Reviewed by
Jay Weissberg
Attempting to harness multiple genres, pic is brought down by ponderous dialogue (much of it dubbed) and an inability to connect with its characters.- Variety
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Reviewed by
Derek Elley
Both the pic's power and its problems stem from Love deliberately taking no moral position nor offering any solutions; he gives his audience what it wants at a gut level and doesn't wimp out at the end.- Variety
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Reviewed by
John Anderson
Neither perfect nor much of a holiday, more like a fruitcake passed around from arthritic aunt to demented uncle -- stale, predictable and made with fossilized ingredients.- Variety
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Justin Chang
The horrific 1937-38 massacre of more than 200,000 Chinese during the early days of the Japanese occupation gets a polished presentation in Nanking.- Variety
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Reviewed by
Derek Elley
Rarely has a book sprung so vividly to life, but also worked so enthrallingly in pure movie terms, as with Atonement, Brit helmer Joe Wright’s smart, dazzlingly upholstered adaptation of Ian McEwan’s celebrated 2001 novel.- Variety
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Robert Koehler
Taking control of what would otherwise be a trite and preachy fable about the need for African American families to accept their gay brethren, Devine builds a jolly and touching character from the stock figure of a Georgia mom coming to terms with her disaffected gay son.- Variety
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- Variety
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Reviewed by
Lisa Nesselson
Suspenseful, funny, touching, sexy and painlessly pertinent.- Variety
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Todd McCarthy
Although clearly coming from an antiwar perspective, the story's emotional effectiveness and family grounding give the film a real shot at connecting with general audiences across the political spectrum.- Variety
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Todd McCarthy
Guy Ritchie shoots a blank with Revolver, which replays the low-life criminal shtick from his first two features with an ill-advised overlay of pretension. The action, attitude and wise-guy talk all feel moldy this time around.- Variety
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- Variety
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Reviewed by
Robert Koehler
De Felitta seems a born documaker. He brilliantly constructs a tale born of a genuine love of jazz and a need to understand how Paris went from sensation to footnote in a generation.- Variety
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Robert Koehler
As a showcase for rising young star Michael Angarano and Christopher Plummer, pic offers the pleasures of connecting Hollywood traditions and generations in the spirit of Peter Bogdanovich's films about and inspired by the movies.- Variety
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Todd McCarthy
An ultra-smart-mouthed comedy about a planned adoption that goes weirdly awry.- Variety
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John Anderson
One of the more irresponsible eruptions in the current rash of populist nonfiction cinema.- Variety
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