Variety's Scores

For 17,791 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17791 movie reviews
  1. Despite its grim subject, the powerful storytelling projects the strongly affirmative message that it's a miracle to be alive and bear witness to those who did not survive. This memorable film, one of Techine's best, is in no way limited to gay viewers.
  2. Arguably stronger conceptually than visually, surreal mix of the unexpected and the banal is definitely not to everybody's taste. But the music is inarguably sublime.
  3. Stallone (who looks fit but mostly keeps his shirt on) has no intention of bogging the action down, but it's still a notably cheerless exercise, without knowing winks or stabs (pardon the expression) at humor. It is in all respects, rather, a completely workmanlike effort.
  4. Title refers not only to its heroine's physical gyrations but also her moral maneuverings as she strives to break out of her lower-class surroundings in this moody, intelligent take on conventional material.
  5. Lazy, lame and painfully unfunny, Meet the Spartans is yet another scrambled-genre parody.
  6. Unfolding like a better-than-average episode of a first-rate TV police procedural, Untraceable is a satisfying slice of solidly crafted meat-and-potatoes filmmaking.
  7. Functions swimmingly as both a bigscreen inflation of smallscreen icons and a fairly hilarious stand-alone.
  8. Stellar thesps gamely strive to elevate the one-note material, but gravity ultimately defeats them in this relentless downer.
  9. Money (and maybe a little bit of love) makes the world go around in Lost in Beijing, an involving, highly accessible portrait of an emotional menage a quatre in the modern-day Chinese capital.
  10. If telenovelas were convincingly real, they would no doubt look like the tumultuous world of domestic strife and libido deftly limned in Alice's House. Documaker Chico Teixeira gives a light, natural feel to his small but fetching first feature.
  11. Pitch perfect and brilliantly acted, 4 Months, 3 Weeks & 2 Days is a stunning achievement, helmed with a purity and honesty that captures not just the illegal abortion story at its core but the constant, unremarked negotiations necessary for survival in the final days of the Soviet bloc.
  12. The title says it all. Compact and exuberant, U2 3D may be no more than a pint-sized concert film with a lustrous surface, but the lensing is so vibrant and the music so buoyant, even nonfans may find their eyes popping and their heads bobbing.
  13. Fourth feature by Mainland helmer Lou Ye ("Suzhou River," "Purple Butterfly") shoots for metaphysical drama but ends up saying very little beneath all the poetic voiceovers, sexual encounters and political seasoning.
  14. A game, disarming lead performance from Jess Weixler, who won a jury acting prize at Sundance, goes some way toward making palatable this mish-mash, whose provocative nature could carve out a certain commercial niche.
  15. Like a tragic overture played at the wrong tempo and slightly off-key, Woody Allen's London-set Cassandra's Dream sends out more mixed signals than an inebriated telegraphist.
  16. Despite its indie-flavored shooting style, first-rate visual effects, reasonable intensity factor, nihilistic attitude and post-9/11 anxiety overlay, this punchy sci-fier is, in the end, not much different from all the marauding creature features that have come before it.
  17. Banking on the appealing chemistry of Diane Keaton and Queen Latifah -- with co-star Katie Holmes awkwardly upsetting the balance -- this strained heist comedy about three cash-strapped femmes is watchable enough for a few reels, but lacks the requisite wit and amoral energy to capitalize on its get-rich-quick premise.
  18. Frothy, funny and formulaic, 27 Dresses is a pleasantly predictable romantic comedy that sees Katherine Heigl following “Knocked Up” with smooth moves at the wheel of her first starring vehicle.
  19. Photos and video of torture at Bagram and Abu Ghraib are the most viscerally disturbing elements of Taxi to the Dark Side, but the way soft-spoken soldiers were transformed into beasts with the tacit approval of the higher-ups is just as profoundly chilling.
  20. Has almost zero plot but molto mood. It will appeal to the most faithful of the director's camp-followers and no one else.
  21. A near-claustrophobic comedy that manages to be both predictable and preachy. Solid actors in supporting roles offer minor redemption.
  22. A plodding patchwork of derivative fantasy-adventure, medieval production design, risible dialogue, unimpressive CGI trickery and haphazardly edited action sequences.
  23. Won't do anything for adult auds, but this second bigscreen adventure from the popular VeggieTales franchise should easily win over tots with its reliable menu of silly songs, easily digestible morals and wholesome (if not always fresh) produce-based characters.
  24. Documentary seems best suited to cable: Lake's informal, Oprah-like concern invites the intimacy of home viewing. But the chick-chat approach in no way undermines the gravity of the problems the docu addresses.
  25. A wonderful, serious-minded romantic comedy-drama.
  26. This decent if derivative scare machine should benefit from a lack of genre competition.
  27. Anchored by a fearless, commanding lead perf by newcomer Jonas Ball as deranged assassin Mark David Chapman, The Killing of John Lennon is a harrowing, impressionistic, widescreen tour-de-force that unfolds with the propulsive urgency of a scrapbook thrown into a howling wind.
  28. The result is one of Sayles' best films. The music, a mix of blues, seminal rock and newcomer Gary Clark Jr.'s performance, will be an obvious draw, as will the performances by some leading African-American actors.
  29. A fastidiously grim ghost story that rattles the bones of the haunted-house genre and finds plenty of fresh (but not too bloody) meat.
  30. Boldly and magnificently strange, There Will Be Blood marks a significant departure in the work of Paul Thomas Anderson.

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