Variety's Scores

For 17,777 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17777 movie reviews
  1. Unfortunately, with its unconvincing action, preachy script and flat performances, the picture winds up less moving than most typical journeyman documentaries on the subject.
  2. A ballsy mix of interviews and editorializing that's daring enough to question a costly crackdown that has long had the public's support.
  3. Affecting performances and effective storytelling are the hallmarks of Fat Kid Rules the World.
  4. Luft grounds the film with an insistently believable performance, while other thesps float in and out of cliche.
  5. A technically competent but painfully broad dramedy about a larcenous mother-and-son duo in the Midwest. This gender-flipped, latter-day "Paper Moon" lacks that film's judicious restraint, among other things, alternating hick Americana cartoonishness with maudlin appeals to the tear ducts.
  6. This strong, well-crafted documentary preaches eloquently to the choir.
  7. Setting his fact-based tale on the eve of democratic elections in 1980 Peru, Vila tends to err on the side of melodrama whenever possible, and John Robinson's lead performance offers no end of privileged American naivete. But the characters are solid and the action sound.
  8. By narrowing its range of voices to Christian leaders, thinkers and writers, Kevin Miller's sober, stimulating documentary on the hot topic of eternal damnation necessarily limits its audience, but achieves a level of rhetorical eloquence that would theoretically appeal to open-minded viewers of any religious stripe.
  9. There's something perversely fascinating about helmer John Hyams' freewheeling yet deliberately paced mashup of noirish mystery, splatter-movie intensity, first-person-shooter vidgame and "Apocalypse Now"-style surrealism.
  10. Despite the considerable impediment of a premise arguably even sillier than that of the original "Red Dawn," helmer Dan Bradley's long-delayed remake of John Milius' 1984 kids-vs.-Commies adventure delivers enough thrilling action sequences and rock-'em, sock-'em fantasy-fulfillment to amp its B.O. potential.
  11. This exquisitely beautiful adaptation of Yann Martel's castaway saga has a sui generis quality that's never less than beguiling, even if its fable-like construction and impeccable artistry come up a bit short in terms of truly gripping, elemental drama.
  12. A terrific performance by Mary Elizabeth Winstead as a rock-bottom alcoholic is only one reason to appreciate Smashed, an affecting and immersive addiction drama about the unforeseen pitfalls along the road to recovery.
  13. Reminiscent of 2010 Sundance breakout "The Kids Are All Right," Ry Russo-Young's Nobody Walks captures the fallout of an open-minded Los Angeles family shaken up by the arrival of a sexy outsider, only this time, it's the outsider whose perspective takes precedence.
  14. Solidly acted but aloof and slow as molasses.
  15. The segments vary in quality and the whole overstays its welcome at nearly two hours.
  16. As spirited and irresistible as the college a cappella craze it celebrates, Pitch Perfect is a cheeky delight.
  17. Grossly oversimplifying the issue at hand, writer-director Daniel Barnz's disingenuous pot-stirrer plays to audiences' emotions rather than their intelligence, offering meaty roles for Maggie Gyllenhaal as a determined single mom, and Viola Davis as the good egg among a rotten batch of teachers, while reducing everyone else to cardboard characterizations.
  18. Satirist and "Daily Show" ex-contributor Mo Rocca's faux-disingenuous tone and nonstop jocularity dominate the documentary to quickly grating effect, significantly diminishing its impact.
  19. This crude, shrill day in the life of three ill-matched Manhattan women will prove as irksome to most viewers as it is to the protags.
  20. This muscular yet monotonous "Kane" just isn't much fun.
  21. Smartly engineered to engage sports fans and non-fans, the picture's account of Lithuania's 1992 Olympics bronze medal-winning team, presented as a symbol of post-Cold War freedom.
  22. The scares are not just intense but unyielding in this compelling horror yarn from "The Exorcism of Emily Rose" director Scott Derrickson.
  23. This beautifully designed canine-resurrection saga feels, somewhat fittingly, stitched together from stray narrative parts, but nonetheless evinces a level of discipline and artistic coherence missing from the director's recent live-action efforts.
  24. A stale overprotective-dad story set within a location that could easily house a more inspired mix of characters and events.
  25. Exploiting Lawrence's newfound fame is the only hope this ill-conceived, poorly executed venture has of connecting with audiences before poisonous word of mouth sends potential buyers in search of a more attractive address.
  26. When discussing tastemakers of the 20th century, few names conjure "style" with the zest of Diana Vreeland, and documentary The Eye Has to Travel gets the zing just right.
  27. A behind-the-scenes comedy about the making of a reality TV show, My Uncle Rafael looks suspiciously like an outright sitcom itself, with the same careful dosage of sententiousness and one-liners.
  28. What starts as an impassioned exploration of the medical establishment's court-proven conspiracy to "contain and eliminate" the chiropractic profession soon turns into a scattershot expose of the entire health care field in Doctored.
  29. Parents could be making their kids wear helmets to the library by the conclusion of helmer Steve James' science-and-sports docu Head Games, which scores solid hits on everyone from the NFL down to peewee hockey as it links contact sports, concussions and those calling for widespread reformation of the nation's athletic philosophies and priorities.
  30. Passably pleasant but thoroughly predictable.

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