Variety's Scores

For 17,777 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17777 movie reviews
  1. Writer-director Brian Savelson drags four characters all the way out to the woods to orchestrate the sort of politely confrontational chamber piece best suited to an Off Off Broadway stage in In Our Nature, an eloquent but overly rehearsed drama.
  2. Adopting a postmodern method quite different from that of his remarkable "The Inner Tour," Ra'anan Alexandrowicz poses his questions from a legal angle, and finds these minds stumped by a system they've professionally defended.
  3. A powerful, necessary contribution to a chilling body of reportage that, one senses by film's end, has just begun to take stock of the human costs of a monstrous conspiracy.
  4. The material itself has a formulaic solo-bioplay rhythm neither performer nor director can fully elude.
  5. Turning one of the darkest moments in modern French history into syrupy historical drama, writer-director Rose Bosch's The Round Up is a polished, pathos-driven re-creation of the Vichy regime's mass imprisonment and disposal of 13,000 Parisian Jews in summer 1942.
  6. With a first-rate cast led by Keith David and Sheryl Lee Ralph, generously funny dialogue and a supporting cast capable of crisp comic timing, writer-director David Raynr's feature is warm and likable enough to jumpstart the holiday movie season.
  7. Heckerling always manages to get her finger firmly on the pulse of the contemporary moment, and while her club-hopping heroines may be undead, they serve as adorable metaphors for what the filmmaker sees as a zombified moment in cultural history.
  8. Writer-director Ciaran Foy skillfully taps into primal fears and urban paranoia to keep his audience consistently unsettled in Citadel, an intensely suspenseful horror-thriller.
  9. Lacking much dramatic or intellectual stimulation, it's ultimately a limp effort.
  10. Though named after a party girl's pet Chihuahua, Starlet could just as easily describe the two exceptional first-timers making their debuts in this brittle, beautifully understated San Fernando Valley character study.
  11. LUV
    Heartfelt and formulaic in equal measure.
  12. For a catalog of aggressively stupid, socially deviant male behavior, Rick Alverson's cheekily titled The Comedy is not without a certain subversive intelligence.
  13. Following the exhaustive efforts of photographer-scientist James Balog to capture irrefutable evidence of the world's glaciers in retreat, first-time helmer Jeff Orlowski's documentary supplies a heroic human-interest angle on global warming that's ultimately less remarkable than the grandeur of its arctic imagery.
  14. The result looks as much like a Natural History Museum diorama as it sounds: a respectful but waxy re-creation that feels somehow awe-inspiring yet chillingly lifeless to behold, the great exception being Jones' alternately blistering and sage turn as Stevens.
  15. As endearing as it is exhausting, The Man With the Iron Fists bears strong resemblance to a hyperactive puppy: sloppy, scatterbrained, manic and migraine-inducing, but possessing an earnest sense of excitement.
  16. Brief Encounters reps a must-see for art lovers.
  17. Quirky, hilarious and moving, Sorrentino's first English-lingo production is a road trip of stunning scope yet deep intimacy, featuring an aged rock star-turned-Nazi hunter played by Sean Penn at his transformative best.
  18. With plenty to appeal to boys and girls, old and young, Walt Disney Animation Studios has a high-scoring hit on its hands in this brilliantly conceived, gorgeously executed toon, earning bonus points for backing nostalgia with genuine emotion.
  19. A cheaper, cheesier sequel that's worse than its predecessor on every level (save being a half-hour shorter) and takes no special advantage of the stereoscopic process.
  20. Gut
    A psychological thriller requires some psychology as well as thrills, two things almost entirely absent from Gut. Its title isn't the only terse thing about this monotonous quasi-horror tale, which aims for a minimalist intensity by providing precious little character detailing or location color.
  21. The outstanding big-wave footage proves more credible than the overfamiliar dramatics in Chasing Mavericks.
  22. Of course, questionable propriety would be a moot point if the film were consistently funny, but its hit-to-miss ratio is dire.
  23. While the result is sure to appeal to the star's fans, they may find this less-than-definitive portrait distractingly arty at times, while viewers attracted by such up-to-the-moment talents as Lady Gaga will wonder why the picture doesn't bother providing a little more explanatory background about that old guy she's singing with.
  24. The kinetically shot concert footage captures the volatile dynamic between performers and audience, as Mick Jagger's provocative posturing is followed by fans storming the stage.
  25. Tulip has the conviction as well as the artlessness of a saber-rattling speech at a political fundraising dinner, one that preaches fire and brimstone to inflame the already converted. Those seeking a more nuanced portrayal of the challenges facing the country will be less satisfied.
  26. Despite lively commentaries by a pantheon of master musicians and magnificently performed classical pieces, "Exiles" only distantly echoes Huberman's visionary adventure.
  27. An adequate if never surprising effort from French helmer Lorraine Levy.
  28. What's missing cast-wise is an appealing personality in the sidekick role, and Webb is no match for Mads Mikkelsen.
  29. Manages the curious feat of being at once relentlessly energetic and almost continually uninvolving; the title more or less sums up the amount of pleasure to be had here.
  30. This transparent piece of propaganda blatantly overplays its hand.

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