Variety's Scores

For 17,777 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17777 movie reviews
  1. Of particular interest to gay-rights activists and their adversaries, this "War Room"-like but extremely civil documentary seems best suited to community venues and the smallscreen.
  2. Few could dispute the obvious physical and mental benefits derived from the practice of this ancient discipline. One could, however, wish that this endless encomium played less like a PowerPoint sales pitch, illustrated with clip-art imagery, scored with generic music and narrated in mellifluous tones by Annette Bening.
  3. A blockbuster melange of Motown, metal, hip-hop, world and gospel influences, bound by trailblazing production, "Bad" has stood in its predecessor's shadow too long, and Spike Lee convincingly makes the case for reassessment with this exhaustive and entertaining if less-than-penetrating documentary on its creation.
  4. Walking a sometimes wobbly line between charming and cloying.
  5. This teen romance proves perilously short on substance, insight and novelty, unless you count its characters being afflicted with a case of "Juno" mouth.
  6. A cumulative feeling of urgency and you-are-there world-beating are key to the picture's seductive appeal, though lack of informed dissenting opinions reps an unfortunate editorial choice.
  7. Less reliant on slow-burn suspense and larded with fake-out jump scares, this is the first sequel in the series that fails to advance the overall mythology in any meaningful way.
  8. The cross-dressing "Madea" star seems out of his depth playing the hard-boiled detective made famous by Morgan Freeman in "Along Came a Spider" and "Kiss the Girls." Even action helmer Rob Cohen ("The Fast and the Furious," "XXX") seems to be off his game here.
  9. Audaciously giving itself license to do whatever it wants, Leos Carax's narratively unhinged, beautifully shot and frequently hilarious Holy Motors coheres -- arguably, anyway -- into a vivid jaunt through the auteur's cinematic obsessions.
  10. Denzel Washington is aces as a commercial airline pilot who pulls off a miraculous mid-air stunt while flying with a 0.24 blood alcohol concentration, only to face his demons on the ground.
  11. Putting the "intelligence" in MI6, Skyfall reps a smart, savvy and incredibly satisfying addition to the 007 oeuvre, one that places Judi Dench's M at the center of the action.
  12. Has a whole new director, cast and crew, with slightly higher production polish and more familiar faces onscreen. Nonetheless, it's consistent with its predecessor as a somewhat awkward translation of Ayn Rand's 1957 novel to our current era, handled with bland telepic-style competency.
  13. While she creates an affectionate portrait of the charismatic musician, helmer Sylvia Caminer is really concerned with the meaning of fandom; anyone harboring an inexplicable or arcane passion could conceivably be interested.
  14. Modeled on his 2005 hit "C.R.A.Z.Y.," Vallee's fourth feature is another dense, decades-spanning tale that lets a cherry-picked soundtrack and impressive visual sequences do the heavy lifting.
  15. A film of tenderness and humor married to the unlikeliest of subjects.
  16. A Whisper to a Roar traces a too-familiar step-by-step political pattern: the transformation of a liberator into a despot, his subsequent reign of tyranny and the popular uprising against it.
  17. None of this will be news to informed viewers, and the documentary's broad theme necessitates quick, superficial treatment of myriad underlying causes. But it's a solid, fairly even-handed spur for discussion that will be particularly welcome in classroom settings.
  18. A catchy but irrelevant title is the first of many problems with Excuse Me for Living, which throws together a lot of superficially flashy elements that never gel in any organic way.
  19. Though it retains the narrative complexity of the Swedish bestseller on which it's based, WWII saga Simon and the Oaks never creates an emotional or intellectual throughline of its own.
  20. The forced plotting and Lifetime movie-style tearjerking are a chore, and commercial prospects look narrow, but if this is indeed a good-faith effort to preach beyond the choir, it deserves plaudits.
  21. By-the-numbers slasher picture Smiley starts by borrowing the key concept of "Candyman," ends with a denouement heavily indebted to "Scream," and stuffs its middle with a dismayingly high quotient of lazy false scares.
  22. A perceptive, ultra-wordy stab at catching the zeitgeist at a time of change in Spain, David Trueba's two-hander nonetheless feels like a working-out of social and personal themes that hasn't quite achieved the full leap from page to film.
  23. Although it traffics freely in stereotypes and sitcom-style one-liners, Gayby is never less than likable.
  24. Hands of stone meet heads of air in Here Comes the Boom, a sports story so daffy it may as well star Kevin James.
  25. According to "Caesar's Messiah," Jesus Christ is an entirely fictional character and the New Testament is nothing but pro-Roman, anti-Semitic propaganda. That's quite a provocative premise for such a didactic, monotonous and unconvincing documentary.
  26. That original was split between charms and minuses, suffering primarily from careless scripting. Here, those faults are indulged wholesale, with so little attention paid to overall narrative development or individual scene-shaping that the bloated pic often suggests a crowd-funded venture existing solely to pay back (and showcase) the crowd.
  27. Butter might have been a dark comedy; here, the humor is twisted but the world is bright as can be. Conservatives and liberals alike take a licking, and yet the art of butter carving emerges unscathed.
  28. A risibly overheated, not unenjoyable slab of late-'60s Southern pulp trash, marked by a sticky, sweaty atmosphere of delirium and sexual frustration that only partly excuses the woozy ineptitude of the filmmaking.
  29. A vibrant catalogue of his outdoor pieces presented in context with an exhaustive portrait of Borba as a boundlessly energetic, iconoclastic creator, the documentary ties itself too tightly to its subject, mimicking forms and rhythms it never fully makes its own.
  30. Lacking the outrage and wit of Michael Moore's "Sicko," which dealt with the different matter of health insurance, this documentary is stronger on finding viable solutions.

Top Trailers