Variety's Scores

For 17,777 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17777 movie reviews
  1. The writer-director's typically eccentric sixth feature is a sustained immersion in a series of hypnotic moods and longueurs, an imposing picture that thrillingly and sometimes maddeningly refuses to conform to expectations.
  2. After a promisingly funny first half, this tale of three coke-snorting gal-pals trying not to screw up their friend's nuptials all but drowns in its own catty cynicism, turning as stingy with emotion and insight as it is with real laughs.
  3. The low-budget production feels chintzy and impossibly square, even by tyke standards.
  4. The 3D is terrific in Flying Swords of Dragon Gate, but helmer Tsui Hark's costume actioner -- the first Chinese-lingo movie shown in the stereoscopic Imax format -- is let down by two-dimensional characters.
  5. A ho-hum exorcism chiller that tries to spice up a formulaic screenplay by converting a predominantly Catholic-fixated horror subgenre to Judaism.
  6. Brugger ensures it's a fairly entertaining excursion, especially when he starts to enjoy getting into character as the nefarious white man in Africa.
  7. An often hilarious living-dead comedy that just had to happen, given the current hunger for zombies, vampires and other things that refuse to keel over.
  8. Doesn't rise much above sitcom level in material or execution, but provides enough laughs and goodwill to be disarmingly entertaining.
  9. Daly deftly creates a disturbing, Chabrol-like tension that plays on immediate identification with the handsome medico's lonely, shy vulnerability and slow-building horror at the depths to which his self-delusion can sink.
  10. This enervating muddle of paranormal nonsense manages the difficult feat of seeming frenzied and lethargic all at once, while building toward the sort of ludicrous cop-out climax that often incites die-hard genre fans to shout rude things at the screen.
  11. Everyone's likable, but Katrina is the film's crowning achievement, portrayed by Bucher as if she were an irritable housekeeper on a telenovela.
  12. The lovably ridiculous bike-messenger thriller Premium Rush is a welcome throwback.
  13. A literary film that stands to work best for those who don't read, The Words is a slick, superficially clever compendium of stories about authors of uncertain talent and varying success.
  14. With its bloated running time and tonal shifts, the story tends to steer off course, though strong performances help keep it in tow.
  15. The low-key drama is well crafted and likable as far as it goes, but there's not enough narrative impetus or depth to maintain more than passing viewer interest.
  16. While it's highly unlikely that anyone predisposed to championing Obama would be won over by the sound and fury here, there's no gainsaying the value of "2016" as a sort of Cliffs Notes precis of the conservative case against the re-election of our current U.S. president.
  17. Above all, real-life couple Shepard and Bell bring genuine chemistry to this high-energy excursion.
  18. One need not fully subscribe to Peter Navarro's demonization to appreciate his lucid wake-up call to the imminent dangers of the huge U.S.-China trade imbalance and its disastrous impact on the American economy.
  19. Sparkle deals in such well-worn rise-and-fall music-bio tropes that it's hard to blame it for simply coasting on narrative shorthand at times. But the lackadaisical storytelling can inch toward outright laziness.
  20. This muscle-bound meathead extravaganza is a sometimes blissfully cretinous endeavor, delivering the maximum firepower and zero brainpower its target audience expects.
  21. With just the right dose of magic and no shortage of sentiment, this inspirational parenting tale from writer-director Peter Hedges plays like "Mary Poppins" in reverse.
  22. Although laid out with such clarity that any layperson could catch the gist of what's being discussed, Side by Side is not afraid to get nitty-gritty about more technical matters.
  23. This look back at late-'60s Haifa makes for strong, accessible, character-driven drama.
  24. An endearing indie feature about the day-to-day indecisions and nocturnal perambulations of a commitment-phobic New Yorker.
  25. Debuting helmer Jake Schreier, screenwriter Christopher D. Ford and a wry and wily Frank Langella all shine in a smart, plausible and resonant film.
  26. Nicole Karsin's beautifully crafted documentary We Women Warriors highlights the activism of three strong, extraordinarily likable women from three different regions and indigenous cultures of Colombia.
  27. Suffused with the gentle, unforced humanity viewers have come to expect from Hong Kong helmer Ann Hui, A Simple Life is a tender ode to the elderly, their caregivers and the mutual generosity of spirit that makes their limited time together worthwhile.
  28. The Sweet Inspirations ranked as one of the most important backup singing groups in record-industry history, having performed with Aretha Franklin, Van Morrison, Dionne Warwick, Jimi Hendrix, Nina Simone, the Drifters, Wilson Pickett, Dusty Springfield and Elvis Presley. Yet, aside from an occasional still photograph, not a single frame of archival footage from their illustrious careers shows up in This Time.
  29. Rob Schroder and Gabrielle Provaas' raunchy, hilariously uninhibited documentary should wow arthouse audiences.
  30. Watching people take their lives into their hands shouldn't be as tedious as Nitro Circus: The Movie 3D, which could be described as "Jackass" with a death wish (or "Wipeout" without the water).

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