For 17,777 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,133 out of 17777
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Mixed: 7,008 out of 17777
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Negative: 1,636 out of 17777
17777
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Ronnie Scheib
Rob Schroder and Gabrielle Provaas' raunchy, hilariously uninhibited documentary should wow arthouse audiences.- Variety
- Posted Aug 8, 2012
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Reviewed by
John Anderson
Watching people take their lives into their hands shouldn't be as tedious as Nitro Circus: The Movie 3D, which could be described as "Jackass" with a death wish (or "Wipeout" without the water).- Variety
- Posted Aug 8, 2012
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Reviewed by
John Anderson
Ultimately, this is perhaps useful, since "never forget" only applies if you know something in the first place, and in that regard The Lion of Judah serves as a cautionary tale.- Variety
- Posted Aug 8, 2012
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Reviewed by
Justin Chang
An eerily precise match of filmmaker and material, Cosmopolis probes the soullessness of the 1% with the cinematic equivalent of latex gloves.- Variety
- Posted Aug 7, 2012
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Reviewed by
Leslie Felperin
Mixed-media approach is eye-catching, and the subject is unquestionably powerful, but the sentimental score and stridently drawn imagery detract from picture's impact.- Variety
- Posted Aug 6, 2012
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Reviewed by
Dennis Harvey
Though handsome to look at, so-so supernatural chiller The Awakening recalls "The Others," "The Orphanage" and other haunted-house tales of recent vintage, making an impression more derivative than memorable.- Variety
- Posted Aug 6, 2012
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Peter Debruge
Subbing character actor Jeremy Renner into a franchise that requires Matt Damon-caliber magnetism, series scribe Tony Gilroy takes over the helming duties with an overlong sequel that features too little action and an unnecessarily complicated plot.- Variety
- Posted Aug 6, 2012
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Reviewed by
John Anderson
Sushi: The Global Catch offers an intriguing mix of history, process and state-of-the-fish reports, advocating a reversal of the world's assault on bluefin tuna fisheries and a short course on the alternatives.- Variety
- Posted Aug 5, 2012
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Joe Leydon
The script is so thinly written that the main characters are defined almost entirely by the actors playing them. Fortunately, seasoned pros Slater, Rhames and Cromwell are able to flesh out their boilerplate parts.- Variety
- Posted Aug 5, 2012
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Reviewed by
Dennis Harvey
He's a nondescript protagonist, his benefactors, and he's never truly in need; as is made clear at the start, he has a comfortable life to return to whenever he chooses. So the picture becomes simply the moderately diverting record of an offbeat vacation.- Variety
- Posted Aug 5, 2012
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Peter Debruge
Roach, who also counts such lowbrow laffers as "Austin Powers" and "Meet the Fockers" on his resume, manages to keep things broad without sacrificing smarts.- Variety
- Posted Aug 5, 2012
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Jay Weissberg
The same winning balance of seriousness and humor that made "Persepolis" such a hit works equally well in Chicken With Plums.- Variety
- Posted Aug 4, 2012
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Reviewed by
Justin Chang
Few movies so taken with death have felt so rudely alive as ParaNorman, the latest handcrafted marvel from the stop-motion artists at Laika ("Coraline").- Variety
- Posted Aug 4, 2012
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- Variety
- Posted Aug 2, 2012
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Reviewed by
Charles Gant
A riveting tale of a onetime vivacious personality, described by those who knew her as "stunning," "lovely," and "very well liked," but who nevertheless died alone, friendless and seemingly missed by nobody.- Variety
- Posted Aug 2, 2012
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Reviewed by
Rob Nelson
First-time writer-director Aurora Guerrero beautifully captures the fluctuating dynamics of friendship between 15-year-old girls in Mosquita y Mari.- Variety
- Posted Aug 2, 2012
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Reviewed by
Joe Leydon
Yet another attempt to mix raunchy excess and romantic-comedy sweetness in an anything-goes raucous farce, The Babymakers offers a few big laughs between ho-hum stretches of frenetic vamping.- Variety
- Posted Aug 2, 2012
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Reviewed by
Ronnie Scheib
Collectivist in spirit, this mostly entertaining film lacks an official host or voiceover narration, which first works swimmingly but eventually becomes too diffuse.- Variety
- Posted Aug 2, 2012
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- Critic Score
Formulaic in adhering to the sitcom-style tone of the first two films, picture finds the chronically underappreciated Greg facing a summer break replete with parental expectations and anxiety over his first crush.- Variety
- Posted Aug 2, 2012
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Reviewed by
Justin Chang
Crazy new gadgets, vigorous action sequences and a thorough production-design makeover aren't enough to keep Total Recall from feeling like a near-total redundancy.- Variety
- Posted Aug 2, 2012
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Reviewed by
John Anderson
Helmer-writer Padraig Reynolds creates a dizzying pastiche of genre conventions, and he has a terrific actress in Anessa Ramsey, who's that rare thing in horror, a thoroughly convincing victim.- Variety
- Posted Aug 1, 2012
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Reviewed by
Justin Chang
Hope Springs is an altogether pleasant surprise: a mainstream dramedy that frankly and intelligently addresses the challenges facing a couple after 31 years of marriage.- Variety
- Posted Aug 1, 2012
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Reviewed by
Justin Chang
Celeste & Jesse Forever earns points for bucking formula, but its fusion of snark and sincerity has a calculated slickness that rings increasingly hollow.- Variety
- Posted Jul 30, 2012
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Reviewed by
Dennis Harvey
Grief doesn't rate high among emotional states suited to high-octane presentation; hence the disconnect between excessive style and sober content in Burning Man, a feature-length montage posing as a serious drama about loss and anger.- Variety
- Posted Jul 30, 2012
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Reviewed by
Rob Nelson
This monotonously deadpan coming-of-age comedy has little to recommend it beyond some beautiful widescreen cinematography and the momentary kick of seeing David Duchovny looking like a stoned Jesus as Goat Man.- Variety
- Posted Jul 28, 2012
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Reviewed by
Justin Chang
What's onscreen feels as half-assed and juvenile as it was probably always envisioned to be, suggesting an umpteenth retelling of "Invasion of the Body Snatchers" by way of "The Hangover," or perhaps a far less inspired version of "Attack the Block" transplanted to small-town Ohio.- Variety
- Posted Jul 26, 2012
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Reviewed by
John Anderson
A David-and Goliath story that delves into corporate scare tactics, legal effrontery, brand protection, media manipulation, online propagandizing and craven behavior.- Variety
- Posted Jul 25, 2012
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Reviewed by
Andrew Barker
Step Up Revolution, the fourth entry in the venerable dance franchise, is a narrative failure but a triumph of sheer spectacle.- Variety
- Posted Jul 25, 2012
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Reviewed by
Peter Debruge
The film is a good start, but such an important artist deserves a more rigorous portrait.- Variety
- Posted Jul 23, 2012
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Reviewed by
Leslie Felperin
Sacrifice is practically a chamber piece, and duly draws its strength from its performances, especially those of Ge and Wang.- Variety
- Posted Jul 23, 2012
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