Variety's Scores

For 17,777 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17777 movie reviews
  1. Rob Schroder and Gabrielle Provaas' raunchy, hilariously uninhibited documentary should wow arthouse audiences.
  2. Watching people take their lives into their hands shouldn't be as tedious as Nitro Circus: The Movie 3D, which could be described as "Jackass" with a death wish (or "Wipeout" without the water).
  3. Ultimately, this is perhaps useful, since "never forget" only applies if you know something in the first place, and in that regard The Lion of Judah serves as a cautionary tale.
  4. An eerily precise match of filmmaker and material, Cosmopolis probes the soullessness of the 1% with the cinematic equivalent of latex gloves.
  5. Mixed-media approach is eye-catching, and the subject is unquestionably powerful, but the sentimental score and stridently drawn imagery detract from picture's impact.
  6. Though handsome to look at, so-so supernatural chiller The Awakening recalls "The Others," "The Orphanage" and other haunted-house tales of recent vintage, making an impression more derivative than memorable.
  7. Subbing character actor Jeremy Renner into a franchise that requires Matt Damon-caliber magnetism, series scribe Tony Gilroy takes over the helming duties with an overlong sequel that features too little action and an unnecessarily complicated plot.
  8. Sushi: The Global Catch offers an intriguing mix of history, process and state-of-the-fish reports, advocating a reversal of the world's assault on bluefin tuna fisheries and a short course on the alternatives.
  9. The script is so thinly written that the main characters are defined almost entirely by the actors playing them. Fortunately, seasoned pros Slater, Rhames and Cromwell are able to flesh out their boilerplate parts.
  10. He's a nondescript protagonist, his benefactors, and he's never truly in need; as is made clear at the start, he has a comfortable life to return to whenever he chooses. So the picture becomes simply the moderately diverting record of an offbeat vacation.
  11. Roach, who also counts such lowbrow laffers as "Austin Powers" and "Meet the Fockers" on his resume, manages to keep things broad without sacrificing smarts.
  12. The same winning balance of seriousness and humor that made "Persepolis" such a hit works equally well in Chicken With Plums.
  13. Few movies so taken with death have felt so rudely alive as ParaNorman, the latest handcrafted marvel from the stop-motion artists at Laika ("Coraline").
  14. Much of this makes little sense, but it's hard to care.
  15. A riveting tale of a onetime vivacious personality, described by those who knew her as "stunning," "lovely," and "very well liked," but who nevertheless died alone, friendless and seemingly missed by nobody.
  16. First-time writer-director Aurora Guerrero beautifully captures the fluctuating dynamics of friendship between 15-year-old girls in Mosquita y Mari.
  17. Yet another attempt to mix raunchy excess and romantic-comedy sweetness in an anything-goes raucous farce, The Babymakers offers a few big laughs between ho-hum stretches of frenetic vamping.
  18. Collectivist in spirit, this mostly entertaining film lacks an official host or voiceover narration, which first works swimmingly but eventually becomes too diffuse.
    • 54 Metascore
    • 60 Critic Score
    Formulaic in adhering to the sitcom-style tone of the first two films, picture finds the chronically underappreciated Greg facing a summer break replete with parental expectations and anxiety over his first crush.
  19. Crazy new gadgets, vigorous action sequences and a thorough production-design makeover aren't enough to keep Total Recall from feeling like a near-total redundancy.
  20. Helmer-writer Padraig Reynolds creates a dizzying pastiche of genre conventions, and he has a terrific actress in Anessa Ramsey, who's that rare thing in horror, a thoroughly convincing victim.
  21. Hope Springs is an altogether pleasant surprise: a mainstream dramedy that frankly and intelligently addresses the challenges facing a couple after 31 years of marriage.
  22. Celeste & Jesse Forever earns points for bucking formula, but its fusion of snark and sincerity has a calculated slickness that rings increasingly hollow.
  23. Grief doesn't rate high among emotional states suited to high-octane presentation; hence the disconnect between excessive style and sober content in Burning Man, a feature-length montage posing as a serious drama about loss and anger.
  24. This monotonously deadpan coming-of-age comedy has little to recommend it beyond some beautiful widescreen cinematography and the momentary kick of seeing David Duchovny looking like a stoned Jesus as Goat Man.
  25. What's onscreen feels as half-assed and juvenile as it was probably always envisioned to be, suggesting an umpteenth retelling of "Invasion of the Body Snatchers" by way of "The Hangover," or perhaps a far less inspired version of "Attack the Block" transplanted to small-town Ohio.
  26. A David-and Goliath story that delves into corporate scare tactics, legal effrontery, brand protection, media manipulation, online propagandizing and craven behavior.
  27. Step Up Revolution, the fourth entry in the venerable dance franchise, is a narrative failure but a triumph of sheer spectacle.
  28. The film is a good start, but such an important artist deserves a more rigorous portrait.
  29. Sacrifice is practically a chamber piece, and duly draws its strength from its performances, especially those of Ge and Wang.

Top Trailers