Variety's Scores

For 17,771 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17771 movie reviews
  1. It’s an overlong Northern British heist caper with a wildly uneven tone and a needlessly scrambled narrative, but it suggests a higher intelligence beneath, waiting to flower down the road.
  2. “Portrait” abounds in the sort of ironies and contrasts that can make a biodoc fascinating even to auds totally unfamiliar with its subject.
  3. Among the slackest, laziest, least movie-like movies released by a major studio in the last decade, Grown Ups 2 is perhaps the closest Hollywood has yet come to making “Ow! My Balls!” seem like a plausible future project.
  4. Here, the laughs come not from the silly voices but a blend of snappy editing and clever character bits, including a recurring joke about an inappropriately named sidekick who calls himself White Shadow (Michael Patrick Bell).
  5. A fraction less gut-bustingly goofy than its predecessors.
  6. Les Coquillettes never comes off as an elaborate in-joke; instead it feels like a sincere attempt to convey what the very particular rush of a film festival, rarely seen onscreen, can feel like from inside the bubble.
  7. The film frequently privileges art direction over emotion, and a constant sense of wonder based on visuals alone proves impossible to sustain over the lengthy 130-minute runtime.
  8. Sweetgrass offers a one-of-a-kind experience.
  9. More entertaining than especially revelatory, this timely documentary adds a sprightly note to a somber subject.
  10. Deftly balancing twin goals of informing and entertaining, the pic matter-of-factly details the various ways that marketers, multinational corporations, police departments and government-run intelligence-gathering organizations obtain and exploit info.
  11. Although there are moments when it feels the plot might move in unexpected directions, in the end, the expected cliches reign.
  12. Once you get past an incredibly self-indulgent intro — an uncomfortably long mash-up of comedy sketch and road-trip-with-entourage doc that seems simultaneously apologetic and arrogant — you can enjoy approximately an hour of boisterously freewheeling and unabashedly raunchy funny stuff in Kevin Hart: Let Me Explain.
  13. Although assembled with consummate care and obsessive attention to visual detail, Pacific Rim manages only fitful engagement and little in the way of real wonderment, suspense or terror.
  14. Although fronted by solid performances from Sienna Miller and Iranian actress Golshifteh Farahani as two desperate souls who bond over their shared love of belly dancing, this tale of friendship and rebellion on the open road reps a thin, obvious reworking of a well-worn template.
  15. By turns pulse-quickening and contemplative, The Crash Reel is a thoroughly winning docu portrait of former pro snowboarder Kevin Pearce.
  16. Extravagant but exhausting...this over-the-top oater delivers all the energy and spectacle audiences have come to expect from a Jerry Bruckheimer production, but sucks out the fun in the process,
    • 41 Metascore
    • 10 Critic Score
    Tedious and tasteless in equal measure, the lazy horror parody Hell Baby gives grossout comedy a bad name.
  17. Collectively, Thanks for Sharing boasts more than enough personalities to keep things interesting, but it lacks the casual spontaneity to make these characters’ journeys anything other than predictable.
  18. While the plot — too low-key to be called a thriller — points toward obvious extramarital cliches, delicate changes in the overall mood reveal deeper truths.
  19. A ludicrous melodrama that begs to be handled as an over-the-top sex farce is instead treated with the solemnity of a wake, albeit one with a rather lenient dress code.
  20. While the overall feel is a bit derivative and contrived, there are nonetheless plenty of bitingly sharp lines and performance moments to keep this well-cast ensemble piece percolating along.
  21. While written epilogues provide upbeat updates on the subjects’ endeavors, the overall impression is one of a draining uphill struggle for relatively little personal reward given the enormous stakes involved in the planet’s continued ecological destruction.
  22. Breaking it down, The Heat has been engineered to deliver the laughs, and the result certainly does, despite coming alarmingly near to botching the procedural elements along the way.
  23. A debut effort that occasionally bogs down in its own symbolism.
  24. Itself owing much to such lone-man-of-action hallmarks as “Die Hard” and “Speed,” this welcome throwback to an earlier, more generously entertaining era of summer blockbusters delivers a wide array of close-quarters combat and large-scale destruction, all grounded in an immensely appealing star turn by Channing Tatum and ace support from imperiled POTUS Jamie Foxx.
  25. Plentiful screen time for three generations of femme jazzers, led by energetic and witty gals from the golden age of big band and swing who unlock a treasure trove of memories, make this a real crowdpleaser.
  26. Michael Winterbottom and Steve Coogan's fourth feature collaboration is a vivid period whirlwind that impressively showcases the comic thesp's more dramatic side.
  27. Like the film itself, Porter’s handful of devoted, charismatic attorneys do a righteous job of reminding people that the accused are innocent until proven guilty, and that the criminal justice system seems otherwise disposed.
  28. While not quite as charming or unique as the original, Despicable Me 2 comes awfully close.
  29. Trading her improv-based filmmaking style for a more traditional screenplay-grounded model, Lynn Shelton delivers an uneven mix of half-formed conflicts.

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