For 17,771 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.5 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,130 out of 17771
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Mixed: 7,005 out of 17771
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Negative: 1,636 out of 17771
17771
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Andrew Barker
It’s an overlong Northern British heist caper with a wildly uneven tone and a needlessly scrambled narrative, but it suggests a higher intelligence beneath, waiting to flower down the road.- Variety
- Posted Jul 11, 2013
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Reviewed by
Joe Leydon
“Portrait” abounds in the sort of ironies and contrasts that can make a biodoc fascinating even to auds totally unfamiliar with its subject.- Variety
- Posted Jul 11, 2013
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Reviewed by
Andrew Barker
Among the slackest, laziest, least movie-like movies released by a major studio in the last decade, Grown Ups 2 is perhaps the closest Hollywood has yet come to making “Ow! My Balls!” seem like a plausible future project.- Variety
- Posted Jul 11, 2013
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Peter Debruge
Here, the laughs come not from the silly voices but a blend of snappy editing and clever character bits, including a recurring joke about an inappropriately named sidekick who calls himself White Shadow (Michael Patrick Bell).- Variety
- Posted Jul 10, 2013
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Reviewed by
Leslie Felperin
A fraction less gut-bustingly goofy than its predecessors.- Variety
- Posted Jul 9, 2013
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Boyd van Hoeij
Les Coquillettes never comes off as an elaborate in-joke; instead it feels like a sincere attempt to convey what the very particular rush of a film festival, rarely seen onscreen, can feel like from inside the bubble.- Variety
- Posted Jul 9, 2013
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Boyd van Hoeij
The film frequently privileges art direction over emotion, and a constant sense of wonder based on visuals alone proves impossible to sustain over the lengthy 130-minute runtime.- Variety
- Posted Jul 9, 2013
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- Variety
- Posted Jul 9, 2013
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Reviewed by
Ronnie Scheib
More entertaining than especially revelatory, this timely documentary adds a sprightly note to a somber subject.- Variety
- Posted Jul 9, 2013
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Joe Leydon
Deftly balancing twin goals of informing and entertaining, the pic matter-of-factly details the various ways that marketers, multinational corporations, police departments and government-run intelligence-gathering organizations obtain and exploit info.- Variety
- Posted Jul 8, 2013
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Alissa Simon
Although there are moments when it feels the plot might move in unexpected directions, in the end, the expected cliches reign.- Variety
- Posted Jul 8, 2013
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Joe Leydon
Once you get past an incredibly self-indulgent intro — an uncomfortably long mash-up of comedy sketch and road-trip-with-entourage doc that seems simultaneously apologetic and arrogant — you can enjoy approximately an hour of boisterously freewheeling and unabashedly raunchy funny stuff in Kevin Hart: Let Me Explain.- Variety
- Posted Jul 8, 2013
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Reviewed by
Justin Chang
Although assembled with consummate care and obsessive attention to visual detail, Pacific Rim manages only fitful engagement and little in the way of real wonderment, suspense or terror.- Variety
- Posted Jul 8, 2013
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Reviewed by
Justin Chang
Although fronted by solid performances from Sienna Miller and Iranian actress Golshifteh Farahani as two desperate souls who bond over their shared love of belly dancing, this tale of friendship and rebellion on the open road reps a thin, obvious reworking of a well-worn template.- Variety
- Posted Jul 5, 2013
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Reviewed by
Rob Nelson
By turns pulse-quickening and contemplative, The Crash Reel is a thoroughly winning docu portrait of former pro snowboarder Kevin Pearce.- Variety
- Posted Jul 4, 2013
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Reviewed by
Peter Debruge
Extravagant but exhausting...this over-the-top oater delivers all the energy and spectacle audiences have come to expect from a Jerry Bruckheimer production, but sucks out the fun in the process,- Variety
- Posted Jul 1, 2013
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- Critic Score
Tedious and tasteless in equal measure, the lazy horror parody Hell Baby gives grossout comedy a bad name.- Variety
- Posted Jun 28, 2013
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Reviewed by
Peter Debruge
Collectively, Thanks for Sharing boasts more than enough personalities to keep things interesting, but it lacks the casual spontaneity to make these characters’ journeys anything other than predictable.- Variety
- Posted Jun 28, 2013
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Reviewed by
Peter Debruge
While the plot — too low-key to be called a thriller — points toward obvious extramarital cliches, delicate changes in the overall mood reveal deeper truths.- Variety
- Posted Jun 28, 2013
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Justin Chang
A ludicrous melodrama that begs to be handled as an over-the-top sex farce is instead treated with the solemnity of a wake, albeit one with a rather lenient dress code.- Variety
- Posted Jun 27, 2013
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Reviewed by
Dennis Harvey
While the overall feel is a bit derivative and contrived, there are nonetheless plenty of bitingly sharp lines and performance moments to keep this well-cast ensemble piece percolating along.- Variety
- Posted Jun 27, 2013
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Reviewed by
Dennis Harvey
While written epilogues provide upbeat updates on the subjects’ endeavors, the overall impression is one of a draining uphill struggle for relatively little personal reward given the enormous stakes involved in the planet’s continued ecological destruction.- Variety
- Posted Jun 27, 2013
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Peter Debruge
Breaking it down, The Heat has been engineered to deliver the laughs, and the result certainly does, despite coming alarmingly near to botching the procedural elements along the way.- Variety
- Posted Jun 27, 2013
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Peter Debruge
A debut effort that occasionally bogs down in its own symbolism.- Variety
- Posted Jun 26, 2013
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Reviewed by
Scott Foundas
Itself owing much to such lone-man-of-action hallmarks as “Die Hard” and “Speed,” this welcome throwback to an earlier, more generously entertaining era of summer blockbusters delivers a wide array of close-quarters combat and large-scale destruction, all grounded in an immensely appealing star turn by Channing Tatum and ace support from imperiled POTUS Jamie Foxx.- Variety
- Posted Jun 25, 2013
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Reviewed by
Robert Koehler
Plentiful screen time for three generations of femme jazzers, led by energetic and witty gals from the golden age of big band and swing who unlock a treasure trove of memories, make this a real crowdpleaser.- Variety
- Posted Jun 24, 2013
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Reviewed by
Dennis Harvey
Michael Winterbottom and Steve Coogan's fourth feature collaboration is a vivid period whirlwind that impressively showcases the comic thesp's more dramatic side.- Variety
- Posted Jun 18, 2013
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Reviewed by
John Anderson
Like the film itself, Porter’s handful of devoted, charismatic attorneys do a righteous job of reminding people that the accused are innocent until proven guilty, and that the criminal justice system seems otherwise disposed.- Variety
- Posted Jun 18, 2013
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Reviewed by
Peter Debruge
While not quite as charming or unique as the original, Despicable Me 2 comes awfully close.- Variety
- Posted Jun 17, 2013
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Reviewed by
Peter Debruge
Trading her improv-based filmmaking style for a more traditional screenplay-grounded model, Lynn Shelton delivers an uneven mix of half-formed conflicts.- Variety
- Posted Jun 17, 2013
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Reviewed by