Variety's Scores

For 17,765 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17765 movie reviews
  1. A documentary as messy as the movement it tries to portray, 99%: The Occupy Wall Street Collaborative Film possesses energy, passion and about a dozen documentaries inside it yearning to breathe free.
  2. A spellbinding, sensationally effective thriller with a complex moral center.
  3. That We Are What We Are steers just shy of silliness even at its most outrageous is in large part thanks to a committed cast of non-disposable character actors.
  4. Easily one of the dopiest major studio releases since Elie Samaha got out of the business.
  5. The director’s long-overdue follow-up to “Children of Men” is at once a nervy experiment in blockbuster minimalism and a film of robust movie-movie thrills, restoring a sense of wonder, terror and possibility to the bigscreen.
  6. [A] slick, smarter-than-usual conspiracy yarn.
  7. In angling for suspense, this low-budget stunt relies a bit too heavily on our suspension of disbelief.
  8. It’s cheesy enough fun while it lasts, but in the Harlin pantheon, it isn’t a patch on “Deep Blue Sea.” Then again, few things are.
  9. Resolutely sappy and sometimes amateurish, the briskly paced doc remains heartfelt and direct about the same admirable mission Wampler had in making the climb.
  10. Despite an effective Jim Caviezel, this anecdotal drama never rises above the level of lightly likable.
  11. Hua Tien-hau’s sentimental, conventionally inspiring film offers good-natured insights on the importance — and the difficulty — of living life to the fullest at any age.
  12. Even at its most opaque, Bastards always exerts a dreamlike pull rooted in Denis’ rhythmic layerings of image, sound and music.
  13. A ludicrous, borderline-nonsensical supernatural concoction with a slightly redeeming sense of its own silliness.
  14. The film’s central fivesome prove charming pallbearers throughout the film, which alternates between inspired and insipid as it hits its hagiographic marks.
  15. Director D.J. Caruso offers a practical solution to the issue of adolescent bullying, as its two young protags respond to a case of vicious hazing not with despair or retaliation, but through teamwork and character-building.
  16. Escape From Tomorrow is a sneakily subversive exercise in low-budget surrealism and anti-corporate satire.
  17. The director commissioned Struzan to paint the one-sheet for his debut, “Sexina: Popstar P.I.,” and while this sophomore effort is no masterpiece, it’s far more deserving of Struzan’s talent.
  18. Full of warmth and refreshingly matter-of-fact sexuality, the film has its heart in the right place, yet it’s ultimately a bit blander than its subject matter ought to demand, and its chamber-piece intimacy and pileup of coincidences scan particularly awkwardly given its convincingly wide-open depiction of New York.
  19. Stevens offers a couple of revelations that bring the documentary to a dramatically and emotionally satisfying conclusion — and, not incidentally, leave a viewer with the pleasing sensation of discovering a worthy individual.
  20. The source material may be David Sedaris (this marks the first time the essayist has allowed one of his pieces to be adapted), but the tone couldn’t be more Kyle Patrick Alvarez, who once again steers auds to some gloriously uncomfortable places.
  21. While no doubt a more evenhanded documentary remains to be made on this issue, the Takatas’ effort is polished and convincing on its own terms.
  22. The constant juxtaposition of scenes showing the dark and light aspects of the characters endows the pic with a juicy moral complexity that will stimulate post-screening debates.
  23. As diverting as this action-packed caper often is, it feels not just weightless but emotionally and morally stunted whenever it veers into grown-up dramatic territory.
  24. "Spark” remains a lovingly made and shot tease, designed to ensure that what really happens at Burning Man stays at Burning Man.
  25. Sensual and horrifying, The Patience Stone plays like a mesmerizing, modern take on the tales of Scheherazade and a parable on the suffering of Afghan women.
  26. Though this sequel is just as glossy and shallow as its predecessor, the story gets juicier as the four femme friends transform from kittens to lynxes in the wake of boy troubles and corporate takeovers.
  27. Shetty’s need to maintain his characters’ romantic heroism constantly grates against his depictions of their ridiculousness.
  28. The ensemble’s crack comic timing can only go so far to compensate for uneven scripting.
  29. Director Robert Luketic’s thriller Paranoia has a host of problems, but the biggest seems to be that no one in it is nearly paranoid enough.
  30. There’s no denying, though, that Daniels knows how to push an audience’s buttons, and as crudely obvious as The Butler can be...it’s also genuinely rousing. By the end, it’s hard not to feel moved, if also more than a bit manhandled.

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