Variety's Scores

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For 17,765 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,125 out of 17765
  2. Mixed: 7,004 out of 17765
  3. Negative: 1,636 out of 17765
17765 movie reviews
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  1. The Patience Stone
    Sensual and horrifying, The Patience Stone plays like a mesmerizing, modern take on the tales of Scheherazade and a parable on the suffering of Afghan women.
  2. Tiny Times 2.0
    Though this sequel is just as glossy and shallow as its predecessor, the story gets juicier as the four femme friends transform from kittens to lynxes in the wake of boy troubles and corporate takeovers.
  3. Chennai Express
    Shetty’s need to maintain his characters’ romantic heroism constantly grates against his depictions of their ridiculousness.
  4. A.C.O.D.
    The ensemble’s crack comic timing can only go so far to compensate for uneven scripting.
  5. Paranoia
    Director Robert Luketic’s thriller Paranoia has a host of problems, but the biggest seems to be that no one in it is nearly paranoid enough.
  6. Lee Daniels' The Butler
    There’s no denying, though, that Daniels knows how to push an audience’s buttons, and as crudely obvious as The Butler can be...it’s also genuinely rousing. By the end, it’s hard not to feel moved, if also more than a bit manhandled.
  7. The Good Son: The Life of Ray "Boom Boom" Mancini
    Director Jesse James Miller’s bio of ‘80s-era World Boxing Council lightweight champ Ray “Boom Boom” Mancini connects on emotional levels in the telling of an up-from-nothing brawler whose colorful career climaxed in tragedy.
  8. About Time
    Curtis ends up making a virtue out of the narrative’s episodic quality, a tendency that’s been criticized in his previous work; the film, like life, is just one damn thing after another, and that’s really the rather lovely point.
  9. Zipper: Coney Island's Last Wild Ride
    The director’s double vision establishes a level of equality on film that in some ways defies the disparity in power between the two opposing forces.
  10. Planes
    Diverting in bits and pieces, but absent the heart, soul and ingenuity one associates with the best of Disney animation, the endlessly merchandisable picture could very well soar at the box office, but it won’t stick the landing where word of mouth is concerned.
  11. Percy Jackson: Sea of Monsters
    An epic showcase for mediocre CGI and slapdash screenwriting.
  12. Kid-Thing
    Spearheaded by phenomenal pint-sized lead Sydney Aguirre, this challenging third feature from the Zellner Brothers retains much of their provocative trademark idiocy but navigates darker waters.
  13. Big Words
    The dialogue — natural, vibrant and totally embedded in the moment, never sententious or showoff-y — is delivered with consummate believability by an excellent cast.
  14. Jug Face
    The brisk, brief feature appears more atmospheric than terrifying, but its bare-bones tale gets under the skin.
  15. We're the Millers
    Even a premise this stupidly contrived stands a fair chance of working if there are a few decent yuks to be had, but absent any such inspiration, We’re the Millers falls back on the sort of lazy but desperate, sexually fixated non sequiturs that have become de rigueur in studio comedies, jabbing repeatedly at the human groin in hopes of eventually hitting something funny.
  16. National Security
    As worthy as the movie’s intentions are, scripting lets the team down with too many cliched speeches from accusers and accused alike. What’s not in question are the outstanding central perfs by Park and Lee.
  17. Jayne Mansfield's Car
    A fine cast can only do so much with the script’s pileup of generational conflict and long-winded introspection, resulting in a willfully out-of-step picture.
  18. A Teacher
    As first features go, A Teacher demonstrates a willingness to provoke, but doesn’t seem to understand the minimum expectations most audiences place on films in terms of both incident and characterization.
  19. When Comedy Went to School
    Ron Frank and Melvut Akkaya’s docu isn’t exactly groundbreaking, but as a brief history of the Catskill resorts, liberally laced with well-edited archival promos, songs, homemovies and extended excerpts from routines by Jewish comics who performed there, it consistently entertains.
  20. The Frozen Ground
    [A] solid if unmemorable true-crime drama.
  21. Smash & Grab: The Story of the Pink Panthers
    Marking does an admirable job of ceding centerstage to the Panthers without letting the film turn soft or letting her subjects turn themselves into latter-day Robin Hoods.
  22. Elysium
    Even working within a more conventional framework, Blomkamp again proves to be a superb storyteller. He has a master’s sense of pacing, slowly immersing us into his future world rather than assailing us with nonstop action, and envisioning that world with an architect’s eye for the smallest details.
  23. Colossus
    Hendrickson shot “Colossus” from a partial script, leaving room for improvisation, and the movie’s loose, shapeless feel and scenes that go on far too long are the telltale signs of a filmmaker who fell so in love with his own material that he couldn’t bring himself to kill his darlings.
  24. Drift
    Manages to get a fair bit right about early 1970s surf culture when it isn’t trafficking in the hoariest of David-vs.-Goliath cliches.
  25. 2 Guns
    Kormakur shows he knows his way around an action movie better than most, keeping the pace quick, the banter lively and the old-school, mostly CGI-free thrills delivering right on schedule.
  26. The Canyons
    The major exception is Lohan, who gives one of those performances, like Marlon Brando’s in “Last Tango in Paris,” that comes across as some uncanny conflagration of drama and autobiography. Lohan may not go as deep or as far as Brando, but with her puffy skin, gaudy hoop earrings and thick eye makeup, there’s a little-girl-lost quality to the onetime Disney teen princess that’s very affecting.
  27. Una Noche
    Writer-director Lucy Mulloy’s sexy, pulsing debut feature has an undercurrent of ribald comedy that doesn’t entirely prepare the viewer for the harrowing turn it eventually takes, but it nonetheless amounts to a bracing snapshot of desperate youths putting their immigrant dreams into action.
  28. Linsanity
    Evan Jackson Leong’s film makes the most of its superior access and exciting basketball footage, overcoming repetitive stretches by sheer dint of a tremendous underdog story.
  29. Evidence
    The movie itself is conclusive proof that the found-footage horror cycle sparked by “The Blair Witch Project” and mined successfully by the “Paranormal Activity” series has finally reached its low ebb.
  30. The Machine Which Makes Everything Disappear
    Those already well-versed in Georgia’s recent history will get the most from a series of real-life character sketches occasionally cryptic for their lack of contextualizing explanation. But the docu’s ample human interest and handsome lensing, despite much visual evidence of a struggling economy, will hold interest for most viewers.
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