Variety's Scores

For 17,771 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17771 movie reviews
  1. The major exception is Lohan, who gives one of those performances, like Marlon Brando’s in “Last Tango in Paris,” that comes across as some uncanny conflagration of drama and autobiography. Lohan may not go as deep or as far as Brando, but with her puffy skin, gaudy hoop earrings and thick eye makeup, there’s a little-girl-lost quality to the onetime Disney teen princess that’s very affecting.
  2. Writer-director Lucy Mulloy’s sexy, pulsing debut feature has an undercurrent of ribald comedy that doesn’t entirely prepare the viewer for the harrowing turn it eventually takes, but it nonetheless amounts to a bracing snapshot of desperate youths putting their immigrant dreams into action.
  3. Evan Jackson Leong’s film makes the most of its superior access and exciting basketball footage, overcoming repetitive stretches by sheer dint of a tremendous underdog story.
  4. The movie itself is conclusive proof that the found-footage horror cycle sparked by “The Blair Witch Project” and mined successfully by the “Paranormal Activity” series has finally reached its low ebb.
  5. Those already well-versed in Georgia’s recent history will get the most from a series of real-life character sketches occasionally cryptic for their lack of contextualizing explanation. But the docu’s ample human interest and handsome lensing, despite much visual evidence of a struggling economy, will hold interest for most viewers.
  6. Another blandly competent, thoroughly forgettable low-budget sci-fier assembled from the stray parts of other, better movies.
  7. The genially goofy shenanigans, incredibly corny punchlines and Hank Azaria’s go-for-broke performance as the incompetent wizard Gargamel are very much the same ― an entirely welcome thing in a summer movie season full of so much apocalyptic Sturm und Drang.
  8. As it is, your monthly rent is probably scarier than what writer-director Michael Taverna has cooked up in this inept and derivative tale of a Detroit flat that mysteriously drives its tenants to suicide.
    • 66 Metascore
    • 80 Critic Score
    A scissor-sharp comedy of ineptitude and failure.
  9. Well contextualized and sensitively shot with extraordinary access, the pic reflects the personal, moral and ethical struggles of the doctors as well as their patients.
  10. Director Ron Maxwell’s adaptation of Harold Frederic’s 1893 novel elicits a certain amount of admiration for its old-fashioned carpentry and earnest, worthy approach, but its stilted dramaturgy and endless speechifying defeat the committed efforts of a sprawling ensemble.
  11. Without a dominant storyline, the film feels more like a collage of photogenic moments than a full-fledged narrative.
  12. Like a school pageant with a Broadway-sized budget, this noisy production is a pileup of extravagant dance numbers, candy-colored sets and vintage props that, sans the requisite heart or hip factor, soon overstays its welcome.
  13. The Wolverine boasts one of the best pulp-inspired scripts yet. It’s still full of corny dialogue...but there’s a genuine elegance to the way it establishes Logan’s tortured condition and slowly brings the character around to recovering his heroic potential, methodically setting up and paying off ideas as it unfolds.
  14. This rare femme-centric addition to the loss-of-virginity canon (dominated by the likes of “Porky’s,” “Risky Business” and “American Pie”) hits its fair share of outrageously funny highs amid lots of so-so filler, but stays buoyant and likable throughout thanks to the winning presence of “Parks and Recreation” star Aubrey Plaza in the lead.
  15. Snowpiercer has been brought to the screen with the kind of solid narrative craftsmanship, carefully drawn characters and — above all — respect for the audience’s intelligence rarely encountered in high-concept genre cinema.
  16. Pic’s monotone edges towards monotony by the end of the third act, but as no-budget calling-card features go, Frankenstein’s Army remains a grisly cut above.
  17. Thank heavens — or at least the “Department of Eternal Affairs” — for Jeff Bridges, whose hilariously free-associative performance as a 19th-century frontier marshal-turned-21st-century undead lawman is like an adrenaline shot to the heart of R.I.P.D.
  18. Blanchett’s performance is so dominant in terms of screentime and emotional impact that the film succeeds as not only a virtuoso ensemble piece, but also an unflinchingly intimate study of the character in the title.
  19. For once, truth in advertising: Dealin’ With Idiots spends 83 minutes doing exactly that.
  20. That sly toying with audience sympathies is, alas, all that’s notable about this otherwise poverty-row quickie produced for the Chiller cable network.
    • 72 Metascore
    • 70 Critic Score
    A brisk, eye-opening documentary about the Nixon White House as seen from the inside, this triumph of editing is composed of home movies shot by the president’s staff, accompanied by later TV interviews and priceless audio from the secret tapes, making it a must-see for anyone interested in Americana.
  21. A nail-biter that’s actually quite light on action but so well-scripted and shot, it’s nonetheless edge-of-your-seat material.
  22. A valuable albeit overproduced history lesson.
  23. Lively, entertaining and well made, pic is thankfully neither mawkish nor grueling, though its refusal to confront some of the harsher realities of its dramatic situation does leave it feeling somewhat bland.
  24. While Bruce Willis, John Malkovich, Helen Mirren, et al. are still good for a few chuckles as a gang of superannuated government assassins, this globe-trotting action-comedy diversion applies a bigger-is-better philosophy across the board, upping the stakes, the firepower and the travel budget, but keeping real thrills and laughs at a modest trickle.
  25. Meticulously crafted by Ecuadorian helmer Sebastian Cordero and his team, this futuristic tale of astronauts searching for signs of life near Jupiter was ostensibly shot using cameras positioned aboard their spacecraft; their video diaries have been cannily reassembled into something coherent and genuinely compelling on their own low-key terms, if a touch over-earnest at times.
    • 53 Metascore
    • 50 Critic Score
    Norris’ film does find a beating heart, if not exactly a focus, in the tender father-daughter relationship between Archie and Skunk, nicely underplayed by Roth and Laurence.
  26. A sensationally entertaining old-school freakout and one of the smartest, most viscerally effective thrillers in recent memory.
  27. Lambert brings a forlorn dimension to his seductive young role, but Bell never really convinces as the older woman. Despite flirting with controversy, the actress seems reluctant to plunge fully into potential unlikability, nor does the film quite give her the chance.

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