For 17,847 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,172 out of 17847
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Mixed: 7,036 out of 17847
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Negative: 1,639 out of 17847
17847
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Rob Nelson
Director Argento half-heartedly mixes schlocky 3D f/x with one-dimensional characters for a near-two-hour joke that ought to have been funnier.- Variety
- Posted Sep 30, 2013
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Reviewed by
Leslie Felperin
One of Wiseman’s best, a summation of sorts of a career’s worth of principled filmmaking from a director in his ninth decade.- Variety
- Posted Sep 30, 2013
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Joe Leydon
Too many stretches of Wedding Palace are so garishly lit and broadly overplayed that they seem more cartoonish than the actual animated sequences that pepper the live-action production. That’s a pity, since this indie romantic comedy is not without its minor charms during its infrequent quiet moments.- Variety
- Posted Sep 29, 2013
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Reviewed by
Joe Leydon
An initially intriguing but ultimately exhausting tale of grieving parents left quite literally dazed and confused in the wake of their young son’s death.- Variety
- Posted Sep 29, 2013
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Reviewed by
Dennis Harvey
Serviceable but uninspired, this latest version of Emile Zola’s much-adapted 1867 novel “Therese Raquin” sends its characters to their doom on schedule without stirring much sense of tragedy or emotional involvement.- Variety
- Posted Sep 27, 2013
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Reviewed by
Geoff Berkshire
Despite an impressive global scope and admirable ethnic diversity among the interview subjects, the central thesis that women are leading the charge on green issues receives nothing but anecdotal support.- Variety
- Posted Sep 27, 2013
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Ronnie Scheib
Incandescent performances by Naomi Watts and Matt Dillon and an unerring grasp of strip-mall-dominated Florida distinguish Sunlight Jr.- Variety
- Posted Sep 27, 2013
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Dennis Harvey
It’s an inspiring picture, particularly given the difficulty of imagining one of today’s sports superstars going so far out on a limb for unpopular beliefs.- Variety
- Posted Sep 26, 2013
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Justin Chang
A carefully constructed and beautifully acted tale of two very different sisters brought together when their aging father falls seriously ill.- Variety
- Posted Sep 26, 2013
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Andrew Barker
Runner Runner’s appeal increases dramatically whenever Affleck enters the frame.- Variety
- Posted Sep 25, 2013
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Maggie Lee
The story flatlines as the crisis escalates, falling prey to pedestrian human drama and improbable conspiracy subplots.- Variety
- Posted Sep 25, 2013
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Reviewed by
Geoff Berkshire
Carefully repeated imagery, in-camera tricks and well-executed fx combine to create a tantalizing visual puzzle that demands full attention, even as the flavorless characters and largely so-so performances risk audience indifference.- Variety
- Posted Sep 25, 2013
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Reviewed by
Peter Debruge
What Erica Rivinoja, John Francis Daley and Jonathan Goldstein’s script lacks in lingering nutritional value, it compensates for with amusing food puns. If nothing else, the pic’s zany tone and manic pace are good for a quick-hit sugar high.- Variety
- Posted Sep 25, 2013
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Reviewed by
Scott Foundas
There’s precious little glory — and not even that much cage fighting — in Chavez: Cage of Glory.- Variety
- Posted Sep 25, 2013
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John Anderson
The Square is journalism, but Noujaim’s agenda is greater than mere reportage.- Variety
- Posted Sep 25, 2013
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- Variety
- Posted Sep 25, 2013
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Reviewed by
Maggie Lee
There’s little in the way of drama, character depth or mise-en-scene to distract from Tiger Chen’s technically dazzling display of human combat in Keanu Reeves’ helming debut.- Variety
- Posted Sep 25, 2013
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Jay Weissberg
Von Stuerler’s debut showcases nature, but its real theme is its subjects’ engagement with their work.- Variety
- Posted Sep 24, 2013
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- Variety
- Posted Sep 24, 2013
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Reviewed by
Peter Debruge
Ultimately, the enigmatic surface conflict — in which a man must contend with his own carbon copy as rival — proves to be the film’s own worst enemy, for its dark, David Lynchian allure proves almost too compelling, obscuring the material’s deeper themes.- Variety
- Posted Sep 24, 2013
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Reviewed by
Justin Chang
While Sal means to honor its subject, it’s too clunky and amateurish to really illuminate him.- Variety
- Posted Sep 23, 2013
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Reviewed by
Peter Debruge
Affectionately captures the tail end of a culture in which specialized dice, character sheets and hand-painted figurines were the gateway to elaborate flights of imagination.- Variety
- Posted Sep 23, 2013
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Reviewed by
Boyd van Hoeij
Sophisticated cutting brings out the story’s complex emotional undercurrents, though “Breakdown’s” less convincingly scripted second half sputters more often than it shines.- Variety
- Posted Sep 23, 2013
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Reviewed by
Dennis Harvey
Utterly routine futuristic horror-thriller The Colony substitutes the term “ferals” for plain old zombies (the modern, fast-moving kind), and that’s about it for originality.- Variety
- Posted Sep 22, 2013
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Reviewed by
Rob Nelson
The ups and downs of a decades-long friendship are charted with warmth and sensitivity in Shepard and Dark.- Variety
- Posted Sep 21, 2013
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Reviewed by
Dennis Harvey
A definitive document for anyone who’s ever hoisted the devil-horn fingers in metalhead solidarity.- Variety
- Posted Sep 20, 2013
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Andrew Barker
Covering a broad swath of liberal economic theory in brisk, simply stated fashion, Inequality for All aims to do for income disparity what “An Inconvenient Truth” did for climate change.- Variety
- Posted Sep 20, 2013
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Reviewed by
Guy Lodge
Michael Polish’s Big Sur offers an elegantly muted take on the midlife ennui of Kerouac’s autobiographical 1962 novel.- Variety
- Posted Sep 20, 2013
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Reviewed by
Justin Chang
While it earns high marks for Jon Henson’s production design, this murkily derivative sci-fi-horror entry sets its sights disappointingly low in terms of story and ideas.- Variety
- Posted Sep 20, 2013
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Reviewed by
Justin Chang
Working from a tightly compressed screenplay by David Nicholls, director Mike Newell strikes the beats of a deservedly oft-told tale with dour competence but little in the way of dramatic inspiration or visual flair.- Variety
- Posted Sep 20, 2013
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