Variety's Scores

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For 17,765 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,125 out of 17765
  2. Mixed: 7,004 out of 17765
  3. Negative: 1,636 out of 17765
17765 movie reviews
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  1. Shuddh Desi Romance
    A beautifully made rocky-road-to-love comedy in which many obstacles intrude before the right people finally get together, although not in quite the way you might expect.
  2. Mother of George
    Simply relating the narrative of Andrew Dosunmu’s seductive immigrant drama Mother of George would do little to convey the film’s stark, poetic power, much less its extraordinary visual and sonic acumen.
  3. 36 Saints
    This confused and confusing pic delivers no thrills, chills or anything remotely surprising.
  4. Thérèse
    Serviceable but uninspired.
  5. Diana
    While mostly swerving past the pitfall of tastelessness, this sincerely intended account of the last two years of Princess Diana’s life risks an even more perilous roadblock: dullness.
  6. Concussion
    Acquitting herself capably in a lead role that strips her bare in more ways than one, Robin Weigert (HBO’s “Deadwood”) proves worthy of a future in features, whereas first-time writer-director Stacie Passon mainly exposes her background in commercials.
  7. Out of the Clear Blue Sky
    The novelty of helmer Gardner’s approach to 9/11, her insider’s look at the almost unimaginable difficulties faced by Cantor Fitzgerald in the weeks following the attack, and the abundance of coverage spanning 10 years of inhouse interactions more than compensate for the docu’s occasional unevenness.
  8. Fire in the Blood
    Though the film comprehensively details the political and economic subtleties of what it declares “the crime of the century,” its narrative remains primarily a human-focused one, highlighting the stories of selected steadfast victims, as well as the heroic movers and shakers in the struggle.
  9. The Ultimate Life
    At least the narrative sloppiness and ineptly delivered themes in the script by Brian Bird and Lisa G. Shillingburg (freely adapted from the novel by Jim Stovall) feel of a piece with the entire production.
  10. TV Man: The Search for the Last Independent Dealer
    Charged by alternating currents of nostalgic bemusement and wistful melancholy, TV Man: The Search for the Last Independent Dealer evinces all the amiable enthusiasm and discursive rambling one might expect from a do-it-yourself labor of love.
  11. Kill Your Darlings
    Directed with an assured sense of style that pushes against the narrow confines of its admittedly fascinating story, John Krokidas’ first feature feels adventurous yet somewhat hemmed-in.
  12. Captain Phillips
    There is something too dry and austere about Greengrass and Ray’s telescoped vision, which touches only fleetingly on the pirates’ motives, the suffering of the Somali people and the collateral damage of global capitalism.
  13. Red Obsession
    The film’s rather simplistic cultural juxtapositions, pitting artistic appreciators against status-seeking philistines, work best when narrowly focused on the subject of wine.
  14. Abigail Harm
    Though never dull, the result is a curiously distant meditation on intimacy.
  15. The Last Christeros
    The final days of a band of 1930s Christian rebels in the central Mexican wilderness are depicted with majestic stoicism in Matias Meyer’s elegant ode to independence.
  16. I Declare War
    The concept is thought-provoking but the execution is flat-footed.
  17. Dark Tourist
    Character actor Michael Cudlitz’s first leading role is the sole selling point of Dark Tourist, a well-acted but rote and ultimately repellent character study of a psychologically disturbed loner.
  18. Instructions Not Included
    Instructions Not Included is a sporadically amusing but unduly protracted dramedy that slowly — very slowly — devolves into a shameless tearjerker during its third act.
  19. Tokyo Waka: A City Poem
    “Waka” refers to an ancient form of poetry still widely popular today, and helmers Haptas and Samuelson, through their serene lensing and fluid editing, propose a visual thread linking the past to the present “as the crow flies.”
  20. Ass Backwards
    Ass Backwards proves that no amount of comic talent can shine — or raise a chuckle — in the absence of even halfway decent material.
  21. Riddick
    An improbable but very enjoyable sequel that recaptures much of the stripped-down intensity of Diesel and director David Twohy’s franchise starter "Pitch Black."
  22. American Milkshake
    Milkshake sucks all the flavor out of a tasty premise.
  23. Winnie Mandela
    Decently acted despite screenplay shortcomings.
  24. Salinger
    It’s difficult to get past the film’s restless, ill-fittingly bombastic style.
  25. My Father and The Man In Black
    Holiff Sr.’s extensive audio diaries and taped phone conversations with Cash give authentic voice to the film’s otherwise stodgy re-creations of this true odd couple’s stormy relationship.
  26. La Maison de la Radio
    Two minor problems in the closing reels hold the film back from instant-classic status.
  27. Il Futuro
    Even though mood trumps character psychology, the entire cast provides mesmerizing, evocative performances.
  28. Labor Day
    To the extent that Adele’s hunger for affection resonates with audiences, what emerges is a powerful — if implausible — romance.
  29. Rush
    Not just one of the great racing movies of all time, but a virtuoso feat of filmmaking in its own right, elevated by two of the year’s most compelling performances.
  30. 12 Years a Slave
    Though the film brims with memorable characters, the show ultimately belongs to Ejiofor, who upholds the character’s dignity throughout.
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