Variety's Scores

For 17,777 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17777 movie reviews
  1. Even the hackiest of Hollywood writers would have known how to fix its considerable script problems.
  2. The director retains his controlled style even as he moves toward a more traditional narrative mode.
  3. An accomplished but singularly unpleasant immersion in Mexico's vicious cycle of drug-fueled violence.
  4. A reasonably entertaining, adeptly crafted kidpic whose biggest crime is its near pathological reliance on overfamiliar tropes and trappings.
  5. Apart from its general knock against ageism in Hollywood, The Congress doesn’t have much insight to offer on the subject.
  6. The wallpaper emotes more than Ryan Gosling does in Only God Forgives, an exercise in supreme style and minimal substance.
  7. Ditching the hangovers, the backward structure, the fleshed-out characters and any sense of debauchery or fun, this installment instead just thrusts its long-suffering protagonists into a rote chase narrative, periodically pausing to trot out fan favorites for a curtain call.
  8. In the Fog explores the moralities of wartime with restraint and exacting execution.
  9. Inside Llewyn Davis is a revelatory showcase for Isaac, who sings with an angelic voice and turns a potentially unlikable character into a consistently relatable, unmistakably human presence — a reminder that humility and genius rarely make for comfortable bedfellows.
  10. This disarmingly cheeky, intermittently gorgeous trifle would create the perfect bookend to a career begun almost 50 years ago.
  11. Not so much a probing examination as a fulsome celebration.
  12. An entertaining profile of the self-avowed participatory journalist and his tumultuous life and times.
  13. This one is shorter and has fewer segments, but also earns a much higher batting average. In fact, there’s nary a dud among the four main tales (not including the titled bookends), which each whip elements of terror, macabre humor and the fantastical into a giddy frenzy.
    • 84 Metascore
    • 30 Critic Score
    The burning topic of Muslim (mis)representation in U.S. media is not well served by Michael Singh’s amateurish and ill-defined docu Valentino’s Ghost.
  14. The Bling Ring traces an intriguing feedback loop of which it is knowingly a part: a movie that affords its subjects the very immortality they so aggressively sought.
  15. A spare but stealthily powerful tale.
  16. Though high-octane stunts have always been the primary selling point here, Lin and veteran “Fast” screenwriter Chris Morgan have labored to add depth, dimensionality and inner conflict to the now-sprawling cast of recurring characters — so much so that, at times, “Furious 6” plays like a glossy gearhead melodrama.
  17. If the emotional mathematics don’t quite add up, enough diversion is provided by pic’s broader comic setpieces to paper over the cracks.
  18. A mood piece, a character study and an exercise in poetic gesture possessed of a sort of evanescent, secular spirituality.
  19. Von Trotta’s Arendt biopic feels like a movie stuck in another era, stolid and rote, more of an outline for a dramatic treatment than the real thing.
  20. Anchored by two intense, intertwined perfs by veteran Vincent Lindon and relative newcomer Soko, a musician who also composed the pic’s growling, atmospheric score, this period drama offers a coolly febrile study of madness, Victorian sexual politics and power.
  21. Icily disquieting rather than scary, the film is less an exercise in narrative than in tonal mastery.
  22. Plop plop. Fizz fizz. Oh, what a missed opportunity it is! In the well-cast but seldom funny satire And Now a Word From Our Sponsor.
    • tbd Metascore
    • 80 Critic Score
    An unquestionably eye-opening, deeply human, strikingly lensed look at an impoverished family whose rudimentary living conditions are a sharp riposte to the illusion of China’s economic boom.
  23. Jean-Francois Laguionie’s consistently enjoyable, inventive and beautifully crafted tale is a color riot suitable for all ages.
  24. While much of The World Before Her speaks to global womanhood, other aspects are more specific to India, but that’s what gives the film much of its life and spark.
  25. This scattershot documentary — an undiluted advertisement for this temple of high-end consumerism — jumps skittishly from subject to subject, disjointed and repetitive for all but dyed-in-the-wool fashionistas.
  26. There are no big surprises in store in terms of where this setup is headed...But the pic’s pleasures are nonetheless numerous, starting with its talented cast.
  27. Peeples may appropriate its entire premise and plot structure from “Meet the Parents,” but its heart is suffused with French cinema.
  28. More often, Gatsby feels like a well-rehearsed classic in which the actors say their lines ably, but with no discernible feeling behind them.

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