For 17,791 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,139 out of 17791
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Mixed: 7,015 out of 17791
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Negative: 1,637 out of 17791
17791
movie
reviews
- By Date
- By Critic Score
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- Variety
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Reviewed by
Leslie Felperin
"Doomsday," horror-trained British helmer Neil Marshall flexes strong action muscles and carves copious flesh here, creating the sort of broadsword-based bedlam that will thrill fans of ancient martial movies.- Variety
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Reviewed by
Boyd van Hoeij
At first, the picture seems a slow-moving, particularly well-framed ethnographic study of life in the big city in Peru; it only gradually becomes clear that Llosa's second feature perfectly aligns form and content.- Variety
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Reviewed by
Justin Chang
The behind-the-camera talent Ben Affleck displayed so bracingly in "Gone Baby Gone" is confirmed, if not significantly advanced, in The Town. Again proving a fine director of actors (this time with himself in a starring role), Affleck delivers another potent, serious-minded slice of pulp set on Boston's meanest streets, where loyalty among thieves runs thicker than blood.- Variety
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Reviewed by
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Reviewed by
Justin Chang
The ever-perceptive writer-director further hones her gifts for ruefully funny observation and understated melancholy with this low-key portrait of a burned-out screen actor.- Variety
- Posted Dec 11, 2010
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- Variety
- Posted Jan 12, 2011
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Reviewed by
Todd McCarthy
On balance, this is a meaty, strongly realized dramatic work of considerable accomplishment.- Variety
- Posted Dec 20, 2010
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Reviewed by
Ronnie Scheib
A highly engaging picture with a post-apartheid edge (certain scenes play like a farcical "Invictus").- Variety
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Reviewed by
Jordan Mintzer
Combining the glamour of "To Catch a Thief" with the ruckus of a Ben Stiller movie, TV vet Pascal Chaumeil's French Riviera-set intrigue stars Romain Duris.- Variety
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Reviewed by
Peter Debruge
While Franco can sometimes be a wild card, getting increasingly self-conscious with recent roles, his take on Ralston feels both credible and compelling; few actors could have made us care so much, or disappeared so completely into the role.- Variety
- Posted Oct 27, 2010
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Reviewed by
Alissa Simon
The director's magisterial control over the proceedings makes something fresh and heartrending out of predictable material, particularly for older, thoughtful audiences.- Variety
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Reviewed by
Peter Debruge
While far from easy, both roles provide a delightful opportunity for Firth and Rush to poke a bit of fun at their profession.- Variety
- Posted Dec 11, 2010
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Reviewed by
Peter Debruge
Rather than a case of the Dude doing the Duke, Bridges' irascible old cuss is a genuine original who feels larger than the familiar saga that contains him.- Variety
- Posted Dec 6, 2010
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Reviewed by
John Anderson
For all the information here, Gibney is unusual among investigative documentarians in that he never forgets he's making cinema.- Variety
- Posted Nov 1, 2010
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Reviewed by
Peter Debruge
Grief may be the topic under examination, but humor -- incisive, observant and warm -- is the tool with which it's dissected in Rabbit Hole, a refreshingly positive-minded take on cinema's ultimate downer: overcoming the death of a child.- Variety
- Posted Dec 7, 2010
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Reviewed by
Peter Debruge
Lucy Walker's Waste Land takes his (Vik Muniz) project one step deeper by actually getting to know Muniz's models, which brings a compelling human-interest dimension to the sort of art documentary otherwise better suited for TV.- Variety
- Posted Oct 24, 2010
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Reviewed by
John Anderson
A surprise, a delight and a whimsical experiment.- Variety
- Posted Dec 12, 2010
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Reviewed by
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- Critic Score
Haynes has composed three distinctive stories that constitute case studies of antisocial aberrations, shot them in three strikingly different styles and intercut them in surprisingly successful ways.- Variety
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Reviewed by
Derek Elley
As in "Divine," there's an uneven quality to Suleiman's often surreal ideas, but in general there are way more hits than misses this time round, some of them laugh-out-loud.- Variety
- Posted Jan 4, 2011
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Reviewed by
John Anderson
Briskly constructed and rich in Ochs' music and period notables, Kenneth Bowser's film will be a must for the artist's fans, but its fresh take on an overexamined decade should also appeal to Kennedy-era completists.- Variety
- Posted Jan 4, 2011
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Reviewed by
John Anderson
A rollicking, violent, Western-cum-comedy that serves many masters, but adds up to an entertaining hot pot of wry political commentary and general mischief.- Variety
- Posted Feb 28, 2012
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Reviewed by
Peter Debruge
However didactic the film's final scenes, there's no denying the sheer dramatic intensity Bier achieves.- Variety
- Posted Mar 28, 2011
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Reviewed by
Robert Koehler
The 10-year run of the “Fast and Furious” roadshow isn’t slowing down a bit in Fast Five, by most measures the best of the bunch, combining fresh casting choices, interesting Rio locales and literally smashing bookended action sequences.- Variety
- Posted Apr 15, 2017
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Reviewed by
Justin Chang
An exuberantly crafted chase thriller that pulses with energy from its adrenaline-pumping first minutes to its muted bang of a finish.- Variety
- Posted Mar 30, 2011
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Reviewed by
Andrew Barker
The film captures a wealth of spectacular and wrenching conflicts, and even if its ability to spin a story out of the footage falls somewhat short of the gold standard set by "March of the Penguins," it's nonetheless a remarkably cohesive piece of work.- Variety
- Posted Apr 19, 2011
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Reviewed by
Justin Chang
Paring down narrative and character concerns in favor of a breathtaking application of pure thriller technique, Soderbergh's latest picture is a lean, efficient exercise tossed off with his customary sangfroid and wickedly dry sense of humor.- Variety
- Posted Nov 8, 2011
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Reviewed by
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- Variety
- Posted Mar 25, 2011
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- Variety
- Posted Feb 7, 2011
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Reviewed by
Justin Chang
Calmer and less shattering than his masterly psychodrama "Secret Sunshine" (2007), Poetry is a deceptively gentle tale with a tender ache at its center, as well as a performance from Yun Jung-hee that lingers long in the memory.- Variety
- Posted Feb 7, 2011
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Reviewed by
Justin Chang
With its accelerated rhythm, relentless flow of incident and wizard-war endgame, "Part 2" will strike many viewers as a much more exciting, involving picture than the slower, more atmospheric "Part 1."- Variety
- Posted Jul 6, 2011
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