Variety's Scores

For 17,791 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17791 movie reviews
  1. Sad, compelling documentary leaves a few key questions frustratingly unanswered, but the raw materials here are sufficiently bracing.
  2. Laden with gritty action, but with an emotional undertow that carries the drama even through its weaker moments, picture reps a strong comeback by Hong Kong helmer-producer Peter Chan.
  3. An outstanding documentary exploration of the travails of four deaf entertainers.
  4. A raucously entertaining postmodern survey of guerrilla street art that appears to be one thing, only to fold back on itself and examine would-be filmmaker Thierry Guetta instead.
  5. Its modesty is what makes its very real virtues -- a tart, literate script, an adroit balance of humor and pathos, a memorable onscreen collaboration between star-scribe Scott Caan and his father James -- so cumulatively impressive.
    • 76 Metascore
    • 80 Critic Score
    A Nightmare on Elm Street is a highly imaginative horror film that provides the requisite shocks to keep fans of the genre happy.
  6. This worthy follow-up to Kosashvili's brilliant "Late Marriage" should delight auds worldwide.
  7. An insightfully observed and exceptionally acted ensemble piece precisely about what the title suggests.
  8. Jean Dujardin pulls off a charming, Peter Sellers-esque performance as he bumbles his way through retro cloak-and-dagger intrigue, displaying his character's uncanny ability to insult anyone -- and, especially in this episode, women and Jews -- who's not 100% Gallic, male and a diehard Charles de Gaulle fanatic.
  9. An energetic, nicely balanced documentary containing all the necessary elements for sports reportage with the added advantage of meatier issues attached.
  10. The deliriously entertaining and shamelessly derivative Hindi Kites owes more to Hollywood than Bollywood, though director Anurag Basu borrows plenty from both, aiming to give Indian song-and-dance pics the same sort of crossover success "Crouching Tiger, Hidden Dragon" did for Asian martial-arts movies.
  11. The perceptively balanced "Dreams" transitions seamlessly from domestic drama to 70-mph heats.
  12. A movie of no small generosity: It offers audiences the pleasures of a screenplay whose every acerbic line is firmly rooted in character, and it hands Michael Douglas one of his best roles in years.
  13. Marked by moments of remarkable stillness amid its emotional tumult, the film's classy, perceptive treatment of potentially maudlin material merits wider arthouse attention than it's likely to receive.
  14. With rare candor and a refreshing lack of piety, first-timers and combat-weary veterans exhibit their camaraderie, euphoria and burnout as the camera documents their struggles with logistics, horror, death and self-doubt.
  15. Art aficionados the world over will want to catch the pic, which PBS airs later this month; given the impact Warhol had on the world, it's a must for culture vultures.
  16. Has Gordon Gekko gone soft? The answer is, sort of -- a development that takes some of the bite out of Oliver Stone's shrewdly opportunistic, glibly entertaining sequel, which offers another surface-skimming peek inside the power corridors of global finance.
  17. In purely cinematic terms, Buried, set in late 2006, is an ingenious exercise in sustained tension that would make Alfred Hitchcock turn over in his grave.
  18. In astounding detail, Stonewall Uprising recalls the now-famous three-day riots in June 1969 after a police raid on the Stonewall Inn, a popular Greenwich Village gay bar, as homosexuals finally, openly fought back.
  19. The picture is marked by superb performances and a dazzling technical display by the helmer and praiseworthy cinematographer Eric Gautier.
  20. Veering wildly between paranoia (being judged by "12 people who voted for George Bush") and self-aggrandizement (modestly comparing himself to Da Vinci, Bach and Galileo), Spector makes a fascinating subject.
  21. There's nothing like a little world domination to melt the most dastardly evildoer's heart. Since villains so often steal the show in animation, Despicable Me smartly turns the whole operation over to megalomaniacal rogue Gru.
  22. A curious young helmer tracks down the profanity-spewing subject of a two-decade-old viral video with results at once scabrously funny and uncomfortably poignant.
  23. It's juicy, fascinating stuff, well orchestrated by Carion and finely thesped -- especially by Kusturica.
  24. In revisiting his darkly comic 1998 ensembler "Happiness," Todd Solondz may have made his best film with Life During Wartime.
  25. A lovely, soulful feature from multihyphenate Pedro Gonzalez-Rubio that plays on the border between documentary and fiction.
  26. The documentary sometimes bears an eerie resemblance to Claire Denis' brilliant "White Material" in its tense evocation of menace stalking the periphery of the frame.
  27. Spoken Word benefits from an improbably perfect storm of production circumstances: The muscular, balanced script, the brainchild of an unusual alliance between professional poet Joe Ray Sandoval and TV writer William T. Conway, consistently plays to Nunez's strengths.
  28. With a mix of sly humor, homespun grace and affecting poignancy, Get Low casts a well-nigh irresistible spell.
  29. Debuting writer-director Anusha Rizvi manages to wrest a lively feature out of a gravely serious issue, capturing the desperation of India's village farmers, as well as the nation's shift from agriculture to industrialization, without losing sight of the entertainment principle.

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