For 17,791 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,139 out of 17791
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Mixed: 7,015 out of 17791
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Negative: 1,637 out of 17791
17791
movie
reviews
- By Date
- By Critic Score
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- Critic Score
Though its credibility is undermined by a fanciful ending, Mississippi Burning captures much of the truth in its telling of the impact of a 1964 FBI probe into the murders of three civil rights workers.- Variety
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- Critic Score
Ghostbusters II is babyboomer silliness. Kids will find the oozing slime and ghastly, ghostly apparitions to their liking and adults will enjoy the preposterously clever dialog.- Variety
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- Critic Score
An ambitious, keenly observed, and often very funny look at one of life's most daunting passages, Parenthood's masterstroke is that it covers the range of the family experience, offering the points of view of everyone in an extended and wildly diverse middle-class family.- Variety
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Henry V is a stirring, gritty and enjoyable pic which offers a plethora of fine performances from some of the U.K.'s brightest talents.- Variety
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Reviewed by
Dennis Harvey
Acreditable mix of character study and thriller elements, Tim Hunter's The Maker skirts but manages to elude several current genre traps - particularly those cliches surrounding both angstful-teen dramas and hip neo-noirs.- Variety
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A 13-year-old junior high kid Josh (David Moscow) is transformed into a 35-year-old's body (Tom Hanks) by a carnival wishing machine in this pic which unspools with enjoyable genuineness and ingenuity.- Variety
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Steady readers of the National Lampoon may find National Lampoon's Animal House a somewhat soft-pedalled, punches-pulled parody of college campus life circa 1962. However, there's enough bite and bawdiness to provide lots of smiles and several broad guffaws.- Variety
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Reviewed by
David Stratton
It is at first daunting but ultimately awesomely impressive and beautiful.- Variety
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One-time cameraman, DiCillo exploits pastel colors to advantage in order to flesh out Johnny's fantasy world. Brad Pitt, fresh from stealing scenes in Thelma & Louise, gives Johnny the right kind of innocent appeal, and the rest of the cast surround him with loving care.- Variety
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Reviewed by
Leonard Klady
Though somewhat overplayed and coy about its destination, the film packs a helluva wallop.- Variety
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Clue is campy, high-styled escapism. In a short 87 minutes that just zip by, the well-known board game's one-dimensional card figures like Professor Plum and others become multi-dimensional personalities with enough wit, neuroses and motives to intrigue even the most adept whodunnit solver.- Variety
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Writer-director Allan Moyle's story about a shy high school student who galvanizes an Arizona suburb with a rebellious pirate radio show has rambunctious energy and defiant attitude.- Variety
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Writer-director Bob Clark had long dreamed of making a movie based on Shepherd’s work and his reverence for the material shows through as detail after nostalgic detail rings true with period flavor.- Variety
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Jim Henson, Muppet originator, and Frank Oz, creative consultant, have abandoned the successful format of their vidshow, and inserted their creations into a well-crafted combo of musical comedy and fantasy adventure.- Variety
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The cinema of paranoia and persecution reaches an apogee in After Hours, a nightmarish black comedy from Martin Scorsese. Anxiety-ridden picture would have been pretty funny if it didn't play like a confirmation of everyone's worst fears about contemporary urban life.- Variety
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James Cameron's vault into the big time after scoring with the exploitation actioner The Terminator makes up for lack of surprise with sheer volume of thrills and chills - emphasis is decidedly on the plural aspect of the title.- Variety
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Reviewed by
Jordan Mintzer
Mademoiselle Chambon offers a touching, soft-spoken portrait of two adults fighting to contain their carnal passions from spilling over into a full-blown affair.- Variety
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Reviewed by
Peter Debruge
Employing a bigger budget, better effects and an edgier director ("Hard Candy's" David Slade), Eclipse focuses on what works -- the stars.- Variety
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Peter Debruge
An uproarious odd-couple remake of Francis Veber's hit French farce "The Dinner Game."- Variety
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Reviewed by
Dennis Harvey
Mixing hilarious standup footage with admiring if not exactly cuddlesome behind-the-scenes glimpses.- Variety
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Reviewed by
Rob Nelson
Turning the volume of his slapstick surreality down from 11 to 10, Gallic auteur Jean-Pierre Jeunet ("Amelie") hits the sweet spot with Micmacs.- Variety
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Reviewed by
Eddie Cockrell
Universally embraceable subject matter, coupled with helmer's sterling rep as benevolent booster of humanistic pioneers.- Variety
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Reviewed by
Dennis Harvey
Expertly edited chronicle doesn't lead to any major explosion, but reveals plenty -- little of it pleasant -- en-route.- Variety
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A powerful, heartfelt and funny documentary that serves as a respectful nod to the aging generation of WWII survivors.- Variety
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- Variety
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Reviewed by
Todd McCarthy
A knockout documentary with a renegade personality ideally suited to its anarchic subject matter.- Variety
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Reviewed by
Todd McCarthy
The lively visuals, busy story, zippy pace and TV show running time will make this go down very easily with the target moppet audience.- Variety
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Reviewed by
Lisa Nesselson
The daunting logistics and emotional juggling act of child custody and visitation rights post-divorce are examined via spot-on acting and deft helming in docu-styled Children of Love.- Variety
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- Variety
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Reviewed by
Derek Elley
A terrific performance by young actress Patricia Kovacs makes the high-stakes gamble of Down by Love -- a light psychodrama almost entirely centered on one character in an apartment -- into an engrossing 90-odd minutes.- Variety
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