Variety's Scores

For 17,791 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17791 movie reviews
  1. Though treating women's oppression as a political issue isn't exactly new, the clarity with which it's spelled out in Scheherazade, Tell Me a Story is both bold and brave.
  2. A remarkably intimate documentary woven out of tradition and change, and the endearing subjects who contend with both.
  3. Virtually an experimental film -- the humanity is rich, but pure image and sensation are what makes it tick.
  4. Mixing together some of helmer Aki Kaurismaki's favorite Gallic and Finnish thesps with a few newbies, Le Havre feels like a welcoming family reunion.
  5. Enjoyably upbeat and intelligently inspiring.
  6. With the blistering firecracker that is Miss Bala, next-gen Mexican director and AFI grad Gerardo Naranjo delivers on the promise of such well-respected early pics as "Drama/Mex" and "I'm Gonna Explode," revealing them as dry runs for this "Scarface"-scary depiction of south-of-the-border crime run amok.
  7. Assembly is brisk and high-grade, allowing for the variable quality of archival materials.
  8. As with his previous pics about the brood, Dutch-Indonesian helmer Leonard Retel Helmrich deploys an expressionistic, quasi-soap-opera approach to produce striking results, thanks especially to use of Steadicam. But the protagonists seem to be playing to the cameras more this time round, making "Stars" a less charming effort than earlier installments.
  9. Hope Springs is an altogether pleasant surprise: a mainstream dramedy that frankly and intelligently addresses the challenges facing a couple after 31 years of marriage.
  10. Taking the genre to a higher level of intensity, the Welsh-born Evans continues what he started in previous Indonesia-set actioner "Merantau," but this picture will seal his cult status.
  11. Hungarian schoolteacher Gyongi Mago's campaign to raise awareness of her hometown's once-vibrant, now conspicuously absent Jewish population is captured in the superior docu There Was Once ...
  12. Whereas 2007's well-traveled "Heima" reveled in scenic color imagery of the artists' homeland, this minimalist item strips the band down to its output, fashioning black-and-white performance footage into a uniquely spellbinding experience.
  13. Ultimately, the thrill of Argo is in watching how the illusion-making of movies found such an unlikely application on the world political stage, where the stakes were literally life and death.
  14. Effortlessly entertaining.
  15. Akomfrah's steady, patient pace makes it fairly easy and ultimately fascinating to absorb his many heady references.
  16. Hoop dreams die hard, and the stories in Elevate are both sobering and thrilling.
  17. When this "Enemy Within" settles into key action sequences, such as a stunning nighttime ambush or a daytime battle against Fabio, it becomes wildly entertaining.
  18. A defiantly analog rejoinder to last year's tech-savvy baseball drama, "Moneyball," Robert Lorenz's square but sturdy directing debut rests on the wonderfully spiky chemistry between Eastwood and Amy Adams.
  19. A deeply moving study of emotionally scarred adults who were illegally deported as children to Australia from Britain in the 1940s and '50s.
  20. These days, true-crime docs are a dime a dozen, and yet, returning to the "In Cold Blood" analogy, Into the Abyss dares to plumb the dark hole in America's soul. Herzog's investigation may not work as an anti-death-penalty editorial, but its findings are undeniably profound.
  21. Hoping to do for flesh-eaters what "The Twilight Saga" did for vampires, albeit on a smaller scale, writer-director Jonathan Levine spins Isaac Marion's novel into a broadly appealing date movie about a zombified Romeo and his lively Juliet.
  22. Ladies are gonna love Magic Mike, a lively male-stripper meller inspired by Channing Tatum's late-teen, pre-screen stint as an exotic dancer.
  23. The former Beatle, a longtime Maysles friend, could have found no better documentarian.
    • 93 Metascore
    • 80 Critic Score
    Here is an excellent film whose basic story could have been told within normal feature limits, but which, instead, is extended close to three hours. Longer or shorter, this panorama of British army life is depicted with a technical skill and artistry that marks it as one of the really fine pix to come out of a British studio.
  24. The film surrounds its leads with a cast whose faces capture the ragtag dignity Flynn described in his book -- no overacting required, no emotional panhandling allowed.
  25. Gushing more blood and possessing more stamina than any number of Hollywood hack-'em-ups, writer-director Na Hong-jin's pulse-pounding, mordantly funny genre piece is at times messily convoluted, yet serious and full-bodied enough to achieve a genuinely tragic dimension.
  26. Though its glacial pacing will represent a significant hurdle for many viewers, the film grows steadily more involving as dawn breaks and the men make their way back home, and its unflinching observations of the legal and medical establishment at work frequently rivet. Visually, it's as gorgeous a film as Ceylan has made.
  27. A celebration and a lament -- a celebration of Channing's seven decades as musical comedy star, and a lament that there's really no one like her anymore.
  28. The uncompromising power of Ingrid Jonker's poetry runs like a pulsing vein through Black Butterflies.
  29. The breakout here is 13-year-old Doret, the Dardennes' latest stunningly naturalistic, non-professional acting discovery.

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