Variety's Scores

For 17,807 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17807 movie reviews
  1. The filmmakers themselves betray a lack of knowledge about the Old World, while unfailingly repeating physical hijinks one time too many.
  2. Increasingly complicated comic maneuvers turn what should have been a hip look at sexuality into an antsy pic too busy to settle down.
  3. Minimally funny comedy feels like a Disney Channel pic that got boosted to theatrical after Lohan scored a hit opposite Jamie Lee Curtis in the "Freaky Friday" remake.
  4. Though slick and diverting in some aspects, increasingly silly pic has trouble meshing disparate elements --- horror, superhero fantasy, straight-up action --- into a workable whole.
  5. Arguably the finest athlete in living memory deserves better than Michael Jordan to the Max, an honorific but unmoving portrait of the Chicago Bulls' No. 23.
  6. Has a perverse fascination, despite some technical clumsiness and stiff thesping.
    • 33 Metascore
    • 40 Critic Score
    For the most part, the fast-moving pace, thankfully slight running time, attractive leads and infectious soundtrack distract from its many inconsistencies
  7. Aimed squarely at adolescents who might find "Bill & Ted's Excellent Adventure" too intellectually taxing.
  8. Picture's dubious brand of heroism, half-baked historical sense, simplistic dialogue, flat staging and barely formed characters make for sluggish sledding.
  9. Pic fails to provide any hard facts or make any incriminating connections that a reasonably informed person doesn't already know about, so intellectually Moore is largely preaching to the converted in this blatant cinematic 2004 campaign pamphlet.
  10. Problematically structured, overly protracted and lacking in narrative fluidity.
  11. An artistically experimental, ideologically apocalyptic blast at American values that is as obvious in intent as it is murky in aesthetic achievement.
  12. A serviceable youth pic that's marginally less dumb than November's urban quasi-musical "Honey."
  13. After a string of direct-to-video excursions, this latest film remains an off-putting assault of too-screwball comedy with glints of pathos.
  14. Hoge shows no particular directorial style, bringing a bland, anonymous look to the generic Southern California suburban locations.
  15. Lacks the antic energy and inspired imagination that might have put this over as a sharp-witted community comedy in the Preston Sturges vein.
  16. Talky, repetitive and largely covering the same ground with no new thoughts, Ghost in the Shell 2: Innocence is a major let-down.
  17. Lacks so much as a single fresh idea; it lacks an entertaining way of presenting its stale ideas, too.
  18. Visually uninspired and dramatically overheated, Paparazzi has overall look and feel of generic direct-to-video production.
  19. As both political satire and noirish murder mystery, this Newmarket pickup may be too meandering and unemphatic for wide consumption.
  20. Seems bent on creating equal-opportunity offense to many groups, but more often than not is appalling simply for its silliness and lack of comedic control.
  21. Unfortunately knows no tone between schmaltzy/gooey and slapstick/gross-out. Pic is as far from the original pic and its autobiographical memoir source as it can be while retaining the same title.
  22. fFat-footed and ham-handed in its attempt to reconstitute a popular '70s TV cartoon show as a full-length, family-skewing feature.
  23. Still nothing but a gussied-up B movie.
  24. Short on real drama and incident and long on tedium.
  25. Too blandly insubstantial to expand its appeal beyond its target demographic.
  26. A simple misfire rather than a world-class fiasco. This misguided attempt to remake Lina Wertmuller's corrosive 1974 satire as a wistful romance is only unintentionally funny in the last reel.
    • 24 Metascore
    • 40 Critic Score
    With its uneven mix of comedy, melodrama and action, pic will need all the help Shaq's name and a rap soundtrack can provide.
  27. Meant to be an offbeat, darkly comic tale of a triangle of losers desperately clinging to their versions of the American dream, pic comes across as a charmless high-concept indie.
  28. There are a few bursts of sheer, irresistible idiocy -- along the lines of "Wayne's World" or even "Pee-wee's Big Adventure"-- but not enough to sustain the more arid stretches.

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