Variety's Scores

For 17,825 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17825 movie reviews
  1. It's a silly but enjoyable farrago from the cult quickie-meister, again set in an amoral universe-on-a-budget.
  2. Does get slightly better as it goes along.
  3. Would have worked better with a few more ersatz coming-attraction trailers and considerably less filler. More than likely, it would have worked best of all as an hourlong special on Comedy Central.
  4. Schneider hams it up as a paunchy middle-aged Hawaiian stoner in an eyebrow-raising ethnic caricature that more than once calls to mind Mickey Rooney's unfortunate Japanese turn in "Breakfast at Tiffany's."
  5. Energetic but poorly structured.
  6. Too familiar in its basic trajectory to be fresh or compelling.
  7. A generally entertaining but rather old-fashioned romantic comedy.
  8. Hobbled by uninspired stabs at cleverness and surreal narrative curlicues, The Big Empty goes nowhere, replete with a question mark of an ending that isn't worth answering.
  9. Small children will be amused by the frenetic antics of Cuba Gooding Jr. Grownups, however, will be far less enchanted.
  10. Stumbling its way down the comedy runway, Miss Congeniality is yet another miscalculated vehicle for the ever-feisty Sandra Bullock.
  11. Could scarcely be more dazzling on a purely visual level, but it's mortally anemic in the story, character and thematic departments.
  12. Scarcely more amusing than spending 90 minutes in a pre-K classroom.
  13. Emerges as the most conventional and least imaginative of the recent crop of high-class fright movies that includes "The Others," "Session 9" and "Wendigo."
  14. Pic's busy direction and bright performances partly compensate for a script that goes in too many directions at the same time.
  15. This Dog won't hunt. Although well crafted and handsomely mounted, pic lacks sufficient sizzle.
  16. Lahti's feature directorial debut walks an innocuous middle line between the story's maudlin possibilities and its meaningful potential.
  17. A model of cohesion and clarity as long as it's dealing with Brown's exemplary public achievements. However, pic quickly becomes mired in tedium and confusion when it turns to Brown's scandal-ridden private life.
  18. This is really a shaggy devil story whose giddy, ironic tone may throw viewers expecting a scary movie.
  19. A slow, empty, over-mannered snoozer that shows Taiwanese helmer Hou Hsiao-hsien asleep at the wheel.
  20. As overblown as it is overlong, Bad Boys II is an enervating case of more is less.
  21. Director Renny Harlin has unfortunately adopted a let's-try-anything attitude that translates into a chaotic and unattractive visual style.
  22. Begins as a high-spirited romp before running out of gas and ideas about halfway up the tarmac.
  23. Bloody but anemic story.
  24. Imposter is a penny-pinched "Blade Runner," a stubbornly unexciting ride into the near future.
    • 89 Metascore
    • 40 Critic Score
    The film's biggest limitation is its oversexed, underdeveloped male duo. Playing like a south-of-the-border version of Beavis and Butt-head, the teenagers have but one thought in their heads.
  25. Could use a little extra comic poundage. The Farrelly brothers' latest sees the team tapping a sweeter, milder vein of humor than their outrageous norm.
  26. By far the least ambitious, and certainly the least interesting, animated feature to come out of Disney in quite some time.
  27. Often nastily violent, and defiantly foul-mouthed in a realistic but dramatically unnecessary way, this portrait of a ruthless young hood in '60s London has several fine qualities but dilutes them with disorganized direction.
  28. As generic in every aspect as Brian De Palma's original was inventive.
  29. A contrived but entirely workable premise is given a well-tooled treatment in Sweet November, a femme-slanted doomed romance with a heavily calculated feel to it.

Top Trailers