For 17,825 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,159 out of 17825
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Mixed: 7,029 out of 17825
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Negative: 1,637 out of 17825
17825
movie
reviews
- By Date
- By Critic Score
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- Variety
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Reviewed by
Todd McCarthy
Essentially approaches its subject seriously, but does take stabs both at horror and grotesque comedy, neither with much success.- Variety
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Reviewed by
Todd McCarthy
Like "Waiting to Exhale" except more so, film jerks from scene to scene with little sense of rhythm, continuity or dramatic shaping.- Variety
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- Variety
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Reviewed by
Brian Lowry
Think of Against the Ropes as a "Rocky" story -- if, that is, the vintage is somewhere between "Rocky IV" and "V," and the action centered around the Burgess Meredith character as played by Meg Ryan wearing "Barbarella" outfits.- Variety
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Reviewed by
David Rooney
The lure of Halle Berry as the leather-clad feline should help this mangy misfire claw out a decent opening before a quick slink to DVD.- Variety
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- Variety
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Reviewed by
Robert Koehler
The latest and most calculated re-do on the formulaic fantasy of an innocent conquering Gotham.- Variety
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Derek Elley
Pic maintains a likable, breezy tone throughout but looks increasingly threadbare of real inspiration or originality as it proceeds.- Variety
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- Variety
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Reviewed by
Lisa Nesselson
Valiant attempt to create a modern fairytale ends up being frustratingly creepy instead of haunting and memorable.- Variety
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Reviewed by
David Rooney
An appealing female cast gives the hollowly formulaic Mona Lisa Smile more dignity than it perhaps deserves, yet it's Julia Roberts in an ill-suited starring role that represents one of the film's chief shortcomings.- Variety
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- Critic Score
Hamill is not enough of a dramatic actor to carry the plot load here, especially when his partner in so many scenes is really little more than an oversized gas pump, even if splendidly voiced by James Earl Jones.- Variety
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Reviewed by
Robert Koehler
Lacks the consistent tone, pace and point of view for either a science fiction thriller or medieval war adventure.- Variety
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Todd McCarthy
Revives the format but not the fun of classic Hollywood screwball comedies about rediscovering the virtues of a former mate.- Variety
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Reviewed by
Todd McCarthy
Breaks down when it gets to the distant future, which in this case isn't a good place to be stranded.- Variety
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David Rooney
A one-joke affair about conjoined twins that feels like it bypassed the scripting stage and was filmed directly from the pitch, the comedy remains resoundingly unfunny.- Variety
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Reviewed by
Todd McCarthy
Harmless tale of the giant pooch helping out some itinerant performing animals while longing for home will go down smoothly with the preschool faithful, but anyone over 5 will feel antsy even given the brief running time.- Variety
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Robert Koehler
Uninspired star turns from Ben Affleck and Uma Thurman suggest something less than full belief in this quickly forgettable thriller.- Variety
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Reviewed by
Todd McCarthy
A lot of talent on both sides of the camera operating in low gear.- Variety
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Reviewed by
Todd McCarthy
Will serve as an excellent gauge of any viewer's tolerance level for schmaltzy contrivance and manipulation.- Variety
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Reviewed by
Leslie Felperin
Striking visuals help, but pic won't make the final cut with either genre fans, who've seen it all and better before, or the arthouse crowd, who will sneer at pic's cliches.- Variety
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Joe Leydon
A curiously bland drama that fails to fulfill the promise of its early scenes.- Variety
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David Rooney
This obsessive love story about a guy seeking closure after being dumped by his Latino boyfriend awkwardly juggles screwball and noir elements with macabre black comedy in a mix that calls for a far lighter, more stylish touch than the obvious one at work here.- Variety
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Reviewed by
Derek Elley
High on charm but extremely low on content, Blue Gate Crossing is a half-hour short stretched to feature length.- Variety
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Brian Lowry
A plodding and familiar "cop sees what the killer sees" riff that plays like a poorly inflated "The X-Files" episode.- Variety
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Deborah Young
Only partially succeeds in interweaving questions of family loyalty with historical memory and the fate of Italian Jews in WW2.- Variety
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Reviewed by
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Enjoyable in an undemanding way, and with a few interesting flourishes.- Variety
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Reviewed by
Todd McCarthy
A very vulgar pro-faith comedy rather than a sacrilegious goof, Dogma is an extraordinarily uneven film.- Variety
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Reviewed by
Robert Koehler
Suffers from the same rancid dialogue and acting problems as the original but with a much funnier pulse. The real progenitor here is less the previous pic than the sick-funny horror cinema of George Romero.- Variety
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