Variety's Scores

For 17,791 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17791 movie reviews
  1. Any buyer who's had success with Troma fare in the past will find the makings to delight the self-selecting audience that generates grosses from gross-out humor.
  2. Emphasis on its combustible emotions, suspense and surprising humor should help draw sophisticated audiences who, once lured, will quickly find themselves hooked for the duration.
  3. Although decked out with a legitimate star and handsome production carpentry, pic takes no greater interest in creating three-dimensional characters or fleshing out a credible storyline than does the run-of-the-mill straight-to-video thriller.
  4. Riveting, often haunting.
  5. Clever and jokey in a vaudeville sort of way, but lacks the heart and sheer imagination of the company's best work for Disney, "Toy Story 2" and "A Bug's Life."
  6. Fresh, funny, exquisitely bittersweet tour de force.
  7. The combo of cheesy effects and martial arts choreographer Cory Yuen's unimaginative staging results in something that's martial artless.
  8. Slick, ingratiating and high-spirited enough to win over gay men of all colors.
  9. Result is a weird hodgepodge that has the audience doing mental somersaults in an attempt to keep up with this highly original festival head-scratcher.
  10. The Coen brothers tread into James M. Cain territory with The Man Who Wasn't There, but with less tasty results than either Cain or the Coens themselves at their best.
  11. Guediguian's seemingly sprawling but in fact quite precise picture takes a while to establish itself, but is eventually rewarding viewing.
  12. Offers radical sexual politics in a jester's surprise package of impudent humor and Situationist-style found-footage monkeyshines.
  13. An entertaining chick pic for all ages and sexes.
  14. The atmosphere is properly bizarre and in moments even scary, but there's no involving story or characters to sustain the feature-length narrative.
  15. Perfectly harmless, often humorous, featherweight confection -- think "Serendipity" re-imagined as a teen-skewing Saturday morning sitcom.
  16. Frustratingly fritters away what fascination it develops and bows to the basic conventions of a standard detective story mixed with the theme of a physician healing himself.
  17. A family melodrama that becomes less authentic as it progressively takes itself more seriously.
  18. Cheekily diverting, decidedly feel-good, tremendously sexy entertainment.
  19. The actors manage to keep from being upstaged by the sets, though just barely. Abraham goes over the top, then further still.
  20. A quietly subversive my-sister-is-turning-into-a-werewolf movie that doesn't wimp out at the end.
  21. Delightful comedy of manners.
  22. Has plenty of problems. But most stem from a young filmmaker overswinging on his first time up to the plate and hitting a deep fly out rather than a home run.
  23. A sly mix of haunted house melodrama, slasher pic mayhem and retro-blaxploitation iconography, spiced with dollops of grisly, dark comedy.
  24. While seemingly insoluble divide between personal identity and collective belief lends the documentary an intense focus, it's also a narrow one.
  25. An exercise in improv-derived filmmaking that simply proves once again that there's no substitute for a good script.
  26. A stilted, heavy-handed parable about fascistic intolerance.
  27. The result under Penny Marshall's direction is a film with genuinely serious intentions that falls considerably short of its intentions.
  28. A tortured reflection on the complex relationship between love, sex, desire and obsession, distinguished by courageously raw performances from leads Mark Rylance and Kerry Fox.
  29. A disappointingly pedestrian prison meller that falls between stools artistically and politically.
  30. Surprisingly conventional Olde London Towne gaslight mystery, gussied up with some doctored visuals, and an eccentric performance by Johnny Depp.

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