Variety's Scores

For 17,786 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17786 movie reviews
  1. Seems to be playing the author's music, but like a string quartet that plays a half-beat off.
  2. Ali
    Just about everything Mann has chosen to present is valid, substantial and convincing, but by the end, the feeling persists that while certain essences have been grasped, only part of the story has been told.
  3. A thick slice of bogus inspirational cheese that only makes itself look bad by recycling so many golden movie memories.
    • 44 Metascore
    • 50 Critic Score
    A time-travel romantic comedy whose best elements -- Meg Ryan and Hugh Jackman -- overcome distracting plot holes, loose threads and assorted contrivances to make for a mostly charming and diverting tale.
  4. Consistently engrossing as an unusual character study and as a trip to the mysterious border-crossing between rarified brilliance and madness, this serious-minded but lively film is distinguished by an exceptional performance by Russell Crowe.
    • 72 Metascore
    • 80 Critic Score
    A moving love story with two exquisite central performances.
  5. A genially haphazard but frequently amusing neo-stoner comedy that plays like "Cheech and Chong Go to Animal House."
    • Variety
  6. Moppet appeal of the present feature rests in three can't-miss concepts -- cool gadgets, the desire to see grownups disappear and space travel. Pic delivers on all three points and doesn't have to do a whole lot more.
  7. An unsettling piece of filmmaking whose grimly vivid images are guaranteed to give impressionable viewers nightmares.
  8. Pretty formulaic stuff: bland self-empowerment tinged with warm fuzzies in all the right places. But what makes this "Somebody" something is Pasquin's deft touch and understanding with the material.
  9. Looks to please the book's legions of fans with its imaginatively scrupulous rendering of the tome's characters and worlds on the screen, as well as the uninitiated with its uninterrupted flow of incident and spectacle.
  10. A visually exalting, emotionally horrifying view of Afghanistan under the Taliban regime.
  11. A wonderfully acted, acutely observed psychological drama.
  12. It's a timely, noble undertaking ill-served by a dry, history-textbook style that is at once too much and not enough.
  13. Hectic, sketchy and finally dull.
  14. A triumph on the casting side but less so dramatically, Richard Eyre's Iris fails to do full justice to its subject.
  15. A nail in the coffin if not the heart of teen comedies.
  16. Underachieves in its own way by trapping an expansive, probing story in a brittle, highly artificial style that constricts character and emotional development.
  17. The picture has vitality, a fine cast and excellent craft
  18. Consummately crafted and stunningly shot in magnificent locations deep in Brazil's remote northeastern badlands, the film unapologetically courts the commercial curve of the international arthouse arena with its rustic exotica and sensory overload of poetic imagery, giving it something of a grandiose air.
  19. "It's the ultimate Dogme movie, before the birth of Dogme," is how 79-year-old Lithuanian-born independent mainstay Jonas Mekas describes peaceful, enthralling assemblage encompassing home movie footage from last three decades of his life.
  20. Highly engaging, beautifully played romancer.
  21. A thoughtful, restrained, refreshingly nonjudgmental melodrama that reflects on interesting questions regarding sexuality, identity and self-acceptance.
  22. A fine cast brings the believable, sometimes humorous characters to life and gradually draws the viewer into a well-crafted, well-paced story.
  23. Starts out slow but ends up engaging both heart and mind, despite occasional slips into straight melodrama.
    • tbd Metascore
    • 60 Critic Score
    It is a Holocaust story from a different angle, not the traditional depiction of a concentration camp or a rescue effort.
  24. Delicately handled and superbly textured, this fine adaptation of Graham Swift's Booker Prize-winning novel deals with all the really big subjects: love, friendship, death, life.
  25. Sometimes spare to a fault (especially scriptwise), low-key effort nonetheless holds attention with its naturalistic, nonsensationalized approach.
  26. While it could have used a punchier final act that distilled its themes more cogently and conclusively, this intelligently scripted drama about power and its many channels nonetheless delivers thanks to Stettner's stylish visual sense and, most of all, to the smart, commanding performances of leads Stockard Channing and Julia Stiles.
  27. As a tyro auteur, Tanovich has a heavy-handed way of delineating characters and situations that makes this well-meaning film awfully familiar at times.

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