Variety's Scores

For 17,786 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17786 movie reviews
  1. Scorsese's heartfelt love letter to Italian movies up to 1961.
    • 44 Metascore
    • 40 Critic Score
    A mostly slick, intelligent psychological thriller/modern morality tale flawed by occasional lapses of subtlety and a central performance that veers just to the wrong side of empathetic.
  2. Lahti's feature directorial debut walks an innocuous middle line between the story's maudlin possibilities and its meaningful potential.
  3. Ranks as the most slapdash comedic star vehicle to hit screens since Harland Williams misfired with the career-stalling "RocketMan."
  4. The disparate but highly skilled leading trio of Bruce Willis, Billy Bob Thornton and Cate Blanchett keeps this road movie engaging even when it veers giddily onto the shoulder.
  5. A genuinely ominous and suspenseful thriller.
    • 71 Metascore
    • 90 Critic Score
    There is no denying Danny Hoch's talent. A monologist in the tradition of Eric Bogosian, Hoch assembles a cast of urban types and explores their dysfunctions and angst with a winning combination of sympathy, ironic point and dead-on mimicry.
  6. Has a terrible fascination that glues viewers to the screen. At the same time, audience patience is tested.
  7. It's the soundtrack, as much as the opticals, which makes this brief Imax trip a thoroughly sensory experience.
  8. A stunning feature -- another hypnotic meditation on popular demagogy and mental manipulation.
  9. Despite the disappointing conclusion, it's hard not to be affected by the film, because of the director's frank approach to her subject and the sheer skill with which she tells her story.
  10. The music is fine, but there's little else here to hold the attention of non-Deadheads.
  11. A retro sci-fi tale that takes its time stoking a low-key absurdism to high silliness. Initial slow going pays off in cumulative laughs.
  12. Hot-wired, white-knuckle thriller.
  13. A pleasant and polished first feature for director Gene Cajayon.
  14. Will serve as an excellent gauge of any viewer's tolerance level for schmaltzy contrivance and manipulation.
  15. The confused script makes this a tough film for audiences to dig into.
  16. Ominously atmospheric study of police corruption dangles danger and sinister motives at every turn.
  17. Surprisingly amusing.
  18. Bids to whip homoerotic iconography into something palatable for those suspicious of the cuisine.
  19. An atmospheric and cumulatively impressive feature-length debut from Argentine writer-director Lucrecia Martel.
  20. An entrancing ensemble piece, directed with calm assurance, acted by a fine ensemble, and structured and scripted with wit and precision.
    • 61 Metascore
    • 50 Critic Score
    Long on jabber but short on yocks.
  21. Richly satisfying both as subversive, music-biz primer and as gritty, true-life underdog story.
  22. "Big Night" meets "The Sopranos" in Dinner Rush.
  23. Highly enjoyable when all its gears are clicking, but rarely as good as it should be.
  24. The few who saw the embalmed adaptation of "Snow Falling on Cedars" will recognize the same stifling approach brought to this more accessible material by director Scott Hicks.
  25. Misses its comic targets as often as it hits them but is endearing all the same for the good-natured cheer with which it skewers the eminently skewerable.
  26. Generates tension from the get-go, albeit of an increasingly unpleasant variety, on its way to a disappointingly generic climax.
  27. This depiction of the trials and tribulations of a working-class Catholic family during the Depression is a far more intimate viewing experience than the similarly themed "Angela's Ashes."

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