Variety's Scores

For 17,791 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17791 movie reviews
  1. Despite good acting from the entire cast, yarn is a bit dull and predictable, straining too hard to convey its spiritual message.
  2. Awful and subversively spunky at the same time.
  3. Dryly funny and benevolently shrewd.
  4. A colorful, enjoyable ride most of the way but could have been even better if Beatriz Flores Silva's direction had more often risen above the functional and had not gotten a bad attack of conscience in the closing reels.
  5. Third outing for prairie auteur Gary Burns is his most ambitious, and most uneven, effort yet.
  6. A film whose charms are odd and indefinable by design.
  7. While devotees expecting Moretti's wry worldview may feel shortchanged, others will find this a profoundly moving experience, giving it fuel to cross borders into the arthouse niche.
  8. Director Mark Pellington hardly lets a moment pass without suggesting some bad vibes creeping onto the edges of the screen, but he's let down by Richard Hatem's script, based on John A. Keel's book, which delivers an ounce when it promised a gallon.
  9. Despite occasional bad-taste outrageousness, overall tone is surprisingly sweet, even lyrical and romantic at times.
  10. A lavishly mounted and appealingly old-fashioned swashbuckler with nary a trace of wink-wink irony or revisionist embellishment.
  11. Overplays its slim hand by a good two reels.
  12. A glossy teen-weepie romance that often plays like an inspirational indie skewed toward Christian niche market.
  13. Consistently silly and intermittently laugh-out-loud funny spoof.
    • 53 Metascore
    • 70 Critic Score
    Emerges as an intelligent portrayal of the repercussions of single-minded religious fervor, and of the way the willingness to suffer for a cause does not necessarily translate into selfless acts.
  14. The most nonconfrontational and thus accessible title in the Dogma lot to date, and will speak the international language of proletariat love to arthouse auds who go for such fare.
  15. Result is fairly good-looking video shot down by a hackneyed script, atrocious acting and a total lack of redeeming social value.
  16. Small children will be amused by the frenetic antics of Cuba Gooding Jr. Grownups, however, will be far less enchanted.
  17. It’s a film about the excruciating pursuit of money and self-gratification, which Hyams makes strangely analogous to the everyday workplace, suggesting that the conflicts and aggressions being worked out in the no-holds-barred ring are merely a more primal expression of what anyone who works any kind of job encounters daily.
  18. A little Sergio Leone here, a little "Sleepy Hollow" there, a grand helping of late royal-era Gaul with its wigs and finery, and, uh, martial arts-style confrontations galore are all deftly melded in Brotherhood of the Wolf.
  19. Plays out in quite a different offscreen context than did last year's similarly themed sleeper "Startup.com."
  20. A fine group of comic performers manages to keep the screen worth looking at despite the obsessively one-note nature of this curious matchup between MTV Films and producer Scott Rudin.
  21. After several years of transition, Jackie Chan finally gets the mix right in The Accidental Spy, an entertaining meld of far-flung locales and criminal shenanigans that sees the 47-year-old action star comfortably combining the twin demands of action and maturity.
  22. A sibling survivor story of uncommon personal and political breadth.
  23. Imposter is a penny-pinched "Blade Runner," a stubbornly unexciting ride into the near future.
  24. Takes a beautifully lensed look at the work of Scottish "landscape sculptor" Andy Goldsworthy, whose unique creations -- composed of icicles, leaves, sticks, rocks, etc. -- are often as not simply swept away by the next tide or wind gust.
  25. A bland and dour screen version of Sebastian Faulks' highly engrossing bestseller.
  26. An especially insipid example of the Hollywood message movie.
  27. Sverak's sheer technical finesse, and ability to spin on a dime between comedy and tragedy, the personal and the historical, makes Dark Blue World succeed where other similarly themed movies, from "Battle of Britain" to "The Blue Max," seem heavy-handed by comparison.
  28. Goes down like stiff medicine, leaving one feeling exhausted relief when it's finally over.
  29. Taking advantage of a splendid cast, a sharply focused script and the fresh English setting, "Gosford Park" emerges as one of the most satisfying of Robert Altman's numerous ensemble pictures.

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