Variety's Scores

For 17,832 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17832 movie reviews
  1. An elegant but empty and frustrating meditation on desire, obsession, love and possession, The Captive intellectualizes those subjects almost beyond the level of art-film parody.
    • 80 Metascore
    • 50 Critic Score
    Lacks the suspense, characterization and deft direction of the predecessor "Rififi."
  2. Director Mark Pellington hardly lets a moment pass without suggesting some bad vibes creeping onto the edges of the screen, but he's let down by Richard Hatem's script, based on John A. Keel's book, which delivers an ounce when it promised a gallon.
  3. Young male auds should warm to its cool criminal ethos, sharp dialogue, charismatic cast and wry humor.
  4. A screwball road movie set in a middle-of-nowhere town, Kwik Stop suggests "It Happened One Night" as reimagined by David Lynch or Hal Hartley.
  5. Aggressively stylish but dramatically flaccid.
  6. Middling drama about euthanasia, worked out through a sprawl of underdeveloped characters.
  7. Story's spurts of violence are designed to tear Seymour's world apart , but Rosenfeld's scripting and directing choices tend to lessen impact of a potentially gut-wrenching urban tale.
  8. A slackly paced but modestly diverting trifle, with cameos by recording artists Beck, Beth Orton and Hank Williams III to elevate the hipper-than-thou quotient.
  9. Haphazard mix of boisterously crude comedy, romantic entanglements, class-conscious clashes and intensely competitive hardball.
  10. Original in every sense.
  11. Respectably crafted to avoid lurid excess, feature is nonetheless a bit potboilerish in its pileup of sexy, violent, duplicitous circumstances that plague the consciences of latter-day clergymen.
  12. An almost plotless effort that features charismatic stars and plentiful scenes of finely choreographed mayhem.
  13. Toddlers and pre-teens will be entertained, and parents will be pleasantly surprised, by this more-than-just-bearable musical road movie.
  14. Gets into trouble when it reaches for laughs.
  15. Unfortunately, story's tension climaxes a half-hour before the film is over, and thereafter dissipates much of the charge and good will generated up to that point.
  16. Playing like a moribund hybrid of "Thelma and Louise" and "The Trouble With Harry," lesbian-themed thriller Gasoline lacks sex drive.
  17. An intriguing spin on the British crime genre that's more a series of strong performances than a fully worked-out character drama.
  18. Broomfield's shaggy p.o.v. always troubles -- blurring the lines between tabloid and serious reportage, morbid curiosity and hard facts, objectivity and amusing, quasi-amateur stuntsmanship.
  19. An unsparing, if light-touched, look at obsession, denial and where to find the cheap seats in Manhattan.
  20. Contains some brilliant invention between duller stretches.
  21. Fails on a number of counts, mostly because the individual stories aren't very gripping.
  22. The dilemma in this Perfect Murder is its singular failure at creating a rooting interest for a character or situation.
  23. Like a light buffet of tasty morsels rather than a full and satisfying meal; all the episodes are more or less agreeable, but as a whole it lacks a knockout punch, one dynamite sequence that will galvanize viewers.
  24. A time-warp comedy that starts out kinda "Pleasantville" and gets pretty Tepidsville, Blast From the Past expends scant imagination or style on a fun premise that seems an open invitation to both.
  25. An affable but undernourished romantic comedy that fails to match the freshness of the actress-producer and writer's previous collaboration, "Miss Congeniality."
  26. Not quite a documentary, it's more like a musical travelogue that doesn't quite sustain feature length and seems ideally suited to a shorter TV version for music webs.
  27. Seems to be playing the author's music, but like a string quartet that plays a half-beat off.
  28. Can be taken to task for its overt point-making, lackluster style and some late-on dramatic contrivances seemingly dragged in to provide a little violence.
    • tbd Metascore
    • 50 Critic Score
    Bunuel's anger at society, particularly its attitude on morality, seems not only dated today, but laugh provoking. [Review is of a 1964 screening at Lincoln Center, NY, first showing of pic in the US.]

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