For 17,832 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,164 out of 17832
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Mixed: 7,031 out of 17832
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Negative: 1,637 out of 17832
17832
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Robert Koehler
Costner is as uneven as the storytelling itself, stone cold at moments, shimmeringly real in others.- Variety
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Reviewed by
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Reviewed by
Robert Koehler
A family melodrama that becomes less authentic as it progressively takes itself more seriously.- Variety
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Reviewed by
Eddie Cockrell
Another ferocious perf by Janet McTeer and an atmospheric Malaysian jungle location are nearly lost in the DV muddiness of period drama The Intended.- Variety
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Reviewed by
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Reviewed by
Todd McCarthy
Falls somewhere in between standing on its own feet as a real movie worth the price of a ticket and merely being a glorified TV episode refitted for theaters.- Variety
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Reviewed by
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Reviewed by
Scott Foundas
Lackluster pic fails both as suspense and as character study.- Variety
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Reviewed by
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Reviewed by
Todd McCarthy
The picture is stronger the closer it sticks to the streets and raw emotions and the more it avoids routine dramatic crutches and forced comedy.- Variety
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Reviewed by
Dennis Harvey
Though interviews here are primarily with former camp followers and pic was made by one, overall perspective is just critical enough to satisfy both New Age types and curious skeptics.- Variety
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Reviewed by
Scott Foundas
Burns' films are invariably better directed and scripted than they are performed, and Ash Wednesday is no exception. Pic's biggest drawback is that the helmer has again cast himself in the leading role.- Variety
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Reviewed by
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- Variety
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Reviewed by
Robert Koehler
In the end, under-realized direction and characters deliver less than a full deck.- Variety
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Reviewed by
Leonard Klady
Though the material is more intelligent than the norm and has an unusual third-act twist, it also employs some very clunky stereotypes.- Variety
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Reviewed by
Todd McCarthy
What they have done is taken a few second-hand ideas from noir and speculative fiction and mixed them in occasionally striking ways, even if, in the end, the result isn't all that much fun.- Variety
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Reviewed by
Todd McCarthy
Desperately uncertain in tone and able to generate only sporadic laughs, pic decks out its meager story of revenge and comeuppance with a vulgar, flashy shimmer that will no doubt attract teenage girls, or the core "Clueless" audience.- Variety
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Reviewed by
Joe Leydon
There's a pronounced lack of emotional pay-off that likely will derail any attempts to position Word Wars as an aud-friendly crowd-pleaser with breakout potential comparable to "Spellbound."- Variety
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Reviewed by
Dennis Harvey
Enough to keep pic entertaining, though not enough to ultimately make it more than a routine genre effort.- Variety
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Reviewed by
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Reviewed by
Joe Leydon
Might be extremely effective while preaching to the converted, but it's no great shakes as secular entertainment.- Variety
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Reviewed by
Dennis Harvey
Script just doesn’t have it in terms of fresh narrative developments or individual gags.- Variety
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Reviewed by
Emanuel Levy
Despite good acting from the entire cast, yarn is a bit dull and predictable, straining too hard to convey its spiritual message.- Variety
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Reviewed by
Todd McCarthy
This comically intended battle of the species is family entertainment for families that will buy anything.- Variety
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Reviewed by
Brian Lowry
Mostly squanders some very gifted performers. Guided by a slapdash script, this vehicle for Cedric the Entertainer is tantamount to embarking on a cross-country journey without a map, making the ride predictably uneven.- Variety
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Reviewed by
Robert Koehler
Girls -- a big part of the Pokemon crowd and what makes it such a humongous commercial success -- will feel left out in the cold.- Variety
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Reviewed by
Robert Koehler
Darts back and forth from being a psychological thriller to a vaguely metaphysical drama to a fate-driven romance -- it all becomes a blur.- Variety
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Reviewed by
Todd McCarthy
A woefully predictable imperiled-yuppie-family-under-siege suspenser that hardly seems worth the attention of its relatively high-profile participants.- Variety
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Reviewed by
David Stratton
Though Hotel has brilliant moments, and an energetic first half, it falls away badly in the later stages.- Variety
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Reviewed by
Lisa Nesselson
An acceptably entertaining but borderline bland vehicle for Jean Reno.- Variety
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Reviewed by
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- Critic Score
A time-travel romantic comedy whose best elements -- Meg Ryan and Hugh Jackman -- overcome distracting plot holes, loose threads and assorted contrivances to make for a mostly charming and diverting tale.- Variety
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Reviewed by
Todd McCarthy
For those always on the lookout for the "funny" Allen, this one definitely has its moments, but too much of the picture is flat, dispiriting and frankly unbelievable in fundamental ways that defy the granting of poetic license.- Variety
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- Variety
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Reviewed by
Scott Foundas
Two superb, nervy and delicately nuanced performances by newcomers Clint Jordan and Kirsten Russell enliven and momentarily elevate writer-director Joe Maggio's Virgil Bliss above the familiar post-prison-drama cliches to which it so strenuously adheres.- Variety
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Reviewed by
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- Variety
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