Variety's Scores

For 17,832 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17832 movie reviews
  1. Costner is as uneven as the storytelling itself, stone cold at moments, shimmeringly real in others.
  2. A family melodrama that becomes less authentic as it progressively takes itself more seriously.
  3. Another ferocious perf by Janet McTeer and an atmospheric Malaysian jungle location are nearly lost in the DV muddiness of period drama The Intended.
  4. Falls somewhere in between standing on its own feet as a real movie worth the price of a ticket and merely being a glorified TV episode refitted for theaters.
  5. Lackluster pic fails both as suspense and as character study.
  6. The picture is stronger the closer it sticks to the streets and raw emotions and the more it avoids routine dramatic crutches and forced comedy.
  7. Though interviews here are primarily with former camp followers and pic was made by one, overall perspective is just critical enough to satisfy both New Age types and curious skeptics.
  8. Burns' films are invariably better directed and scripted than they are performed, and Ash Wednesday is no exception. Pic's biggest drawback is that the helmer has again cast himself in the leading role.
  9. Entertaining but never fully engrossing.
  10. In the end, under-realized direction and characters deliver less than a full deck.
  11. Though the material is more intelligent than the norm and has an unusual third-act twist, it also employs some very clunky stereotypes.
  12. What they have done is taken a few second-hand ideas from noir and speculative fiction and mixed them in occasionally striking ways, even if, in the end, the result isn't all that much fun.
  13. Desperately uncertain in tone and able to generate only sporadic laughs, pic decks out its meager story of revenge and comeuppance with a vulgar, flashy shimmer that will no doubt attract teenage girls, or the core "Clueless" audience.
  14. There's a pronounced lack of emotional pay-off that likely will derail any attempts to position Word Wars as an aud-friendly crowd-pleaser with breakout potential comparable to "Spellbound."
  15. Enough to keep pic entertaining, though not enough to ultimately make it more than a routine genre effort.
  16. Might be extremely effective while preaching to the converted, but it's no great shakes as secular entertainment.
  17. Script just doesn’t have it in terms of fresh narrative developments or individual gags.
  18. Despite good acting from the entire cast, yarn is a bit dull and predictable, straining too hard to convey its spiritual message.
  19. This comically intended battle of the species is family entertainment for families that will buy anything.
  20. Mostly squanders some very gifted performers. Guided by a slapdash script, this vehicle for Cedric the Entertainer is tantamount to embarking on a cross-country journey without a map, making the ride predictably uneven.
  21. Girls -- a big part of the Pokemon crowd and what makes it such a humongous commercial success -- will feel left out in the cold.
  22. Darts back and forth from being a psychological thriller to a vaguely metaphysical drama to a fate-driven romance -- it all becomes a blur.
  23. A woefully predictable imperiled-yuppie-family-under-siege suspenser that hardly seems worth the attention of its relatively high-profile participants.
  24. Though Hotel has brilliant moments, and an energetic first half, it falls away badly in the later stages.
  25. An acceptably entertaining but borderline bland vehicle for Jean Reno.
    • 44 Metascore
    • 50 Critic Score
    A time-travel romantic comedy whose best elements -- Meg Ryan and Hugh Jackman -- overcome distracting plot holes, loose threads and assorted contrivances to make for a mostly charming and diverting tale.
  26. For those always on the lookout for the "funny" Allen, this one definitely has its moments, but too much of the picture is flat, dispiriting and frankly unbelievable in fundamental ways that defy the granting of poetic license.
  27. A well intentioned but uneven and overly sentimental film.
  28. Two superb, nervy and delicately nuanced performances by newcomers Clint Jordan and Kirsten Russell enliven and momentarily elevate writer-director Joe Maggio's Virgil Bliss above the familiar post-prison-drama cliches to which it so strenuously adheres.
  29. Occasionally biting but excessively melodramatic.

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