For 17,832 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,164 out of 17832
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Mixed: 7,031 out of 17832
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Negative: 1,637 out of 17832
17832
movie
reviews
- By Date
- By Critic Score
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- Variety
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Reviewed by
Emanuel Levy
A simplistic, highly contrived romantic comedy about the mysterious workings of fate.- Variety
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Reviewed by
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- Variety
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Reviewed by
Emanuel Levy
Schumacher takes a step in the right direction with Flawless, a small-scale, intimate serio-comedy.- Variety
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Reviewed by
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- Variety
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Reviewed by
Eddie Cockrell
Intense but inscrutable tale involving a woman's gradual remembrance of a long-suppressed trauma.- Variety
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Reviewed by
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Reviewed by
Todd McCarthy
As eye and ear candy, pic has its modest pleasures, beginning with the attractive Diggs and Lathan.- Variety
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Reviewed by
Derek Elley
But there's little sense of a longer dramatic arc stretching across the characters: Rozema can't seem to hold a single tone for more than a few minutes, and she has too many other axes to grind besides just getting the story up on the screen.- Variety
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Reviewed by
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Reviewed by
Todd McCarthy
Columbus' approach is intended to cloak such topics as mortality and human identity in the warm glow of greeting card sentiment, which renders the prescription palatable for mass consumption but hopelessly diluted.- Variety
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Reviewed by
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Reviewed by
Emanuel Levy
The stylistic devices used, which recall early Woody Allen and Paul Mazursky, get increasingly tedious, disrupting not only the sequence of events but also squelching audience sympathy for the protagonists.- Variety
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Reviewed by
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Reviewed by
Derek Elley
What gives Quitting its freshness is its setting in a country that often denies it has such problems and the decision to anchor the film strongly within the Chinese family fabric.- Variety
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Reviewed by
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Reviewed by
Derek Elley
Has some fine individual moments but fails to cohere into a grander, more substantial statement on the themes it aspires to tackle.- Variety
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Reviewed by
Joe Leydon
Modestly engaging but thoroughly formulaic drama about a boxer turned preacher who returns to the ring to fund a community-outreach center.- Variety
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Reviewed by
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Reviewed by
Todd McCarthy
A broad and obvious approach to ambiguous material that's virtually all plot mechanics with little nuance or characterization.- Variety
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Reviewed by
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- Variety
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Reviewed by
Todd McCarthy
Entombs its characters so thoroughly in a prison of palpably predestined tragedy that one knows from the outset that the very worst that can happen most certainly will.- Variety
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Reviewed by
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Reviewed by
Dennis Harvey
Never quite dull, neither does it ever find a viable rhythm, narrative arc or crux of emotional engagement.- Variety
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Reviewed by
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- Variety
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Reviewed by
Todd McCarthy
Lack of much substance or dramatic payoff makes the whole significantly less than sum of its parts.- Variety
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Reviewed by
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- Variety
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Reviewed by
Joe Leydon
Too tepid to interest anyone old enough to operate a TV remote control.- Variety
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Reviewed by
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- Variety
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- Variety
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- Variety
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- Variety
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Reviewed by
Joe Leydon
A handsome but ho-hum swashbuckler that springs to life only during a few spirited scenes of acrobatic swordplay.- Variety
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Reviewed by
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Reviewed by
Derek Elley
Though solidly crafted, with a host of well-etched performances, film is unable to establish a consistent, engaging tone.- Variety
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Reviewed by
Deborah Young
Like characters out of some Carnival hell, a macho butcher and his born-again wife, a forlorn barmaid, a sinister sadist and the gay manager of a flophouse called the Hotel Texas run in and out of each other's lives in a film as sloppy, sluttish, scruffy and vital as they are.- Variety
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Reviewed by
Lisa Nesselson
Adequately entertaining but not particularly memorable.- Variety
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Reviewed by
David Stratton
This dank, gloomy essay into the supernatural tries hard to create an intriguing mood in which fate guides the lives of its wounded protagonists, but few will be interested in the outcome.- Variety
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Reviewed by