For 17,832 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,164 out of 17832
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Mixed: 7,031 out of 17832
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Negative: 1,637 out of 17832
17832
movie
reviews
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- By Critic Score
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Reviewed by
Joe Leydon
Engaging lead performances and snatches of witty repartee help lubricate the creaky plot mechanics in Weather Girl, a lightly amusing but thoroughly predictable dramedy.- Variety
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A fur-covered "A-Team" for the kiddies, G-Force is heavy on splashy pyrotechnics and predictably light on plot.- Variety
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Reviewed by
Eddie Cockrell
A stately, intermittently gripping, ultimately overlong drama.- Variety
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A lazy exercise in cute minimalist humor, low-budget but visually glossy Mexican film Lake Tahoe is so dry and slight that it threatens to drift right off the screen.- Variety
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Reviewed by
Alissa Simon
Beeswax, the third feature from American indie auteur Andrew Bujalski ("Funny Ha Ha," "Mutual Appreciation"), offers yet another low-key take on twentysomethings finding their way.- Variety
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Dennis Harvey
There may be a fairly sharp line dividing those who find the whole delightfully odd, and those irked by what could be read as a faux childlike simplicity to the enterprise.- Variety
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Boyd van Hoeij
An explosive performance by Johanna Wokalek gives some relief to an otherwise long and humdrum series of characters.- Variety
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Todd McCarthy
The picture serves up intermittent pleasures but is too raggedy and laid-back for its own good, its images evaporating nearly as soon as they hit the screen.- Variety
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Derek Elley
Mildly amusing result, with plenty of slack in its 100 minutes, should work OK with its target audience of female Brit tweenies, who won't notice the pic's shoddy technical package, sloppy direction and the way the original films' antiestablishment tone has morphed into a celebration of dumbed-down "yoof" culture.- Variety
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Ronnie Scheib
Picture touchingly conveys the everyday closeness of the Rashevskis, who are wont to tango their troubles away, but spiritual upheavals and tonal shifts feel artificial and strained.- Variety
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An average slasher picture that meanders indecisively between gore and gags.- Variety
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Reviewed by
Ronnie Scheib
The bros are built, and "Hand," with its gorgeous shots of mist-shrouded woods and sun-burnished hay, plus a brief but rapturous foray into gay sex, may attract queer auds.- Variety
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Derek Elley
Many of the weaknesses and few of the strengths of Guillermo Arriaga as a scripter are evident in his directing debut, The Burning Plain.- Variety
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- Variety
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Reviewed by
John Anderson
Playing a negligent mother isn't usually the way to get ahead in the acting biz, but the elfin Michelle Monaghan must have seen Trucker as her vehicle out of the ingenue parking lot of sidekicks and potential hostages.- Variety
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- Variety
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Reviewed by
Todd McCarthy
Shortchanging traditional animation by literalizing it while robbing actors of their full range of facial expressiveness, the performance-capture technique favored by director Robert Zemeckis looks more than ever like the emperor's new clothes in Disney's A Christmas Carol.- Variety
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Peter Debruge
This "Cruel Intentions"-style cesspool of teenage hanky-panky may be more scandalous than its chaste Disney counterpart, but that doesn't necessarily make it any more authentic.- Variety
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Rob Nelson
In attempting to address its subject's ideological discrepancies, "Kunstler" lacks the objectivity needed to put the lawyer's shift from '60s fist-pumper to '80s and '90s headline-grabber in proper context.- Variety
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Derek Elley
A potentially gripping legal thriller about what happens when Western Europe attempts to solve Central European problems ends up as dull entertainment in Storm.- Variety
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Dennis Harvey
The diversity of visual tactics, characters, settings and incidents keep this shaggy-dog tale consistently diverting.- Variety
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Alissa Simon
Feels as schizophrenic as its eponymous heroine.- Variety
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- Variety
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Ronnie Scheib
It is the presence of Duncan as a Mike Tyson-esque, malaprop-spouting ex-champion that, at least momentarily, lifts the pic out of its mediocrity.- Variety
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Joshua Goldin's directing debut has soulful qualities that have been compressed into a paint-by-numbers production.- Variety
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Reviewed by
Dennis Harvey
Isn't about science vs. faith so much as that well-worn dramatic hook, the loss of a child.- Variety
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Leslie Felperin
Both comely leads offer engaging presences, and there’s some pretty imagery, shot adequately on HD, but it’s all so slight and featherweight one viewer sneezing could blow it all offscreen.- Variety
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Todd McCarthy
For all its clever design, beguiling creatures and witty actors, the picture feels far more conventional than it should; it's a Disney film illustrated by Burton, rather than a Burton film that happens to be released by Disney.- Variety
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John Anderson
It’s more like "Hamlet" -- the ending, at least, with enough blood and corpses to fill a housing project. The only thing missing is a point, which Fuqua circles for two hours without landing.- Variety
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Reviewed by
Todd McCarthy
Once Damon's one-man truth squad goes off the reservation and starts behaving too much like Jason Bourne for comfort, the film begins not only spilling more blood but also leaking crucial credibility.- Variety
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