Variety's Scores

For 17,832 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17832 movie reviews
  1. Engaging lead performances and snatches of witty repartee help lubricate the creaky plot mechanics in Weather Girl, a lightly amusing but thoroughly predictable dramedy.
    • 41 Metascore
    • 50 Critic Score
    A fur-covered "A-Team" for the kiddies, G-Force is heavy on splashy pyrotechnics and predictably light on plot.
  2. A stately, intermittently gripping, ultimately overlong drama.
    • 72 Metascore
    • 50 Critic Score
    A lazy exercise in cute minimalist humor, low-budget but visually glossy Mexican film Lake Tahoe is so dry and slight that it threatens to drift right off the screen.
  3. Beeswax, the third feature from American indie auteur Andrew Bujalski ("Funny Ha Ha," "Mutual Appreciation"), offers yet another low-key take on twentysomethings finding their way.
  4. There may be a fairly sharp line dividing those who find the whole delightfully odd, and those irked by what could be read as a faux childlike simplicity to the enterprise.
  5. An explosive performance by Johanna Wokalek gives some relief to an otherwise long and humdrum series of characters.
  6. The picture serves up intermittent pleasures but is too raggedy and laid-back for its own good, its images evaporating nearly as soon as they hit the screen.
  7. Mildly amusing result, with plenty of slack in its 100 minutes, should work OK with its target audience of female Brit tweenies, who won't notice the pic's shoddy technical package, sloppy direction and the way the original films' antiestablishment tone has morphed into a celebration of dumbed-down "yoof" culture.
  8. Picture touchingly conveys the everyday closeness of the Rashevskis, who are wont to tango their troubles away, but spiritual upheavals and tonal shifts feel artificial and strained.
    • 24 Metascore
    • 50 Critic Score
    An average slasher picture that meanders indecisively between gore and gags.
  9. The bros are built, and "Hand," with its gorgeous shots of mist-shrouded woods and sun-burnished hay, plus a brief but rapturous foray into gay sex, may attract queer auds.
  10. Many of the weaknesses and few of the strengths of Guillermo Arriaga as a scripter are evident in his directing debut, The Burning Plain.
  11. Simultaneously insightful and idiotic.
  12. Playing a negligent mother isn't usually the way to get ahead in the acting biz, but the elfin Michelle Monaghan must have seen Trucker as her vehicle out of the ingenue parking lot of sidekicks and potential hostages.
  13. Though pregnant with possibility, Motherhood fails to deliver.
  14. Shortchanging traditional animation by literalizing it while robbing actors of their full range of facial expressiveness, the performance-capture technique favored by director Robert Zemeckis looks more than ever like the emperor's new clothes in Disney's A Christmas Carol.
  15. This "Cruel Intentions"-style cesspool of teenage hanky-panky may be more scandalous than its chaste Disney counterpart, but that doesn't necessarily make it any more authentic.
  16. In attempting to address its subject's ideological discrepancies, "Kunstler" lacks the objectivity needed to put the lawyer's shift from '60s fist-pumper to '80s and '90s headline-grabber in proper context.
  17. A potentially gripping legal thriller about what happens when Western Europe attempts to solve Central European problems ends up as dull entertainment in Storm.
  18. Fix
    The diversity of visual tactics, characters, settings and incidents keep this shaggy-dog tale consistently diverting.
  19. Feels as schizophrenic as its eponymous heroine.
  20. Creepy but uneven.
  21. It is the presence of Duncan as a Mike Tyson-esque, malaprop-spouting ex-champion that, at least momentarily, lifts the pic out of its mediocrity.
    • 48 Metascore
    • 50 Critic Score
    Joshua Goldin's directing debut has soulful qualities that have been compressed into a paint-by-numbers production.
  22. Isn't about science vs. faith so much as that well-worn dramatic hook, the loss of a child.
  23. Both comely leads offer engaging presences, and there’s some pretty imagery, shot adequately on HD, but it’s all so slight and featherweight one viewer sneezing could blow it all offscreen.
  24. For all its clever design, beguiling creatures and witty actors, the picture feels far more conventional than it should; it's a Disney film illustrated by Burton, rather than a Burton film that happens to be released by Disney.
  25. It’s more like "Hamlet" -- the ending, at least, with enough blood and corpses to fill a housing project. The only thing missing is a point, which Fuqua circles for two hours without landing.
  26. Once Damon's one-man truth squad goes off the reservation and starts behaving too much like Jason Bourne for comfort, the film begins not only spilling more blood but also leaking crucial credibility.

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