Variety's Scores

For 17,832 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17832 movie reviews
  1. This broad ethnic farce serves up a full-on culture collision, but -- thanks to a handful of diverting performers -- stops just short of becoming a train wreck.
  2. The modestly scaled film delivers some moving and affecting moments amid a preponderance of scenes of frequently annoying people behaving badly.
  3. Even by recent standards for mainstream comedy packaging, "Tub" looks dull and ugly.
  4. Sexual suspicion and game-playing spiral down from the exotically intriguing to outright silliness in Chloe.
  5. The documentary has but one revelatory insight -- that "The Lion King" can be read as an allegory of the territorial peeing match between big cats Michael Eisner, Roy Disney and, least flatteringly, Katzenberg.
  6. Most impressive in an objective sense, as a technical exercise -- its staccato technique preventing greater involvement.
  7. Meandering melodrama about gay relationships, friendship, loneliness and the elastic notion of family is considerably overlong and hampered by too many superfluous scenes.
  8. Sports some tasty scenes, mostly in the first half, but also pushes 007 into CGI-driven, quasi-sci-fi territory that feels like a betrayal of what the franchise has always been about.
  9. Choreographed by long-term Li collaborator Corey Yuen, the martial arts confrontations supply plenty of spark, though they lack the more exhilarating stylistic flourishes of those in "Romeo."
  10. Despite recurrent narrative and dramatic problems, each of Bigelow's pics provides a visual treat, and this film is no exception.
  11. Scripters Robert Lee King and Lamar Damon leave no national cliche or double entendre unturned in this good-looking but relentlessly lowbrow outing which plays like "Clueless Does South Fork" with a side order of garlic.
  12. The 2003 edition written by Nat Mauldin and Ed Solomon and helmed by Andrew Fleming places the Douglas-Brooks combo inside a much more complicated if not quite as funny world.
  13. A half-broken adaptation of Cormac McCarthy's great modern Western novel. Neither dull nor exciting.
    • 61 Metascore
    • 50 Critic Score
    Long on jabber but short on yocks.
  14. With half a dozen roles to her credit, Portman is a natural performer who brings rough edges to any role she plays -- the movie is inconceivable without her.
  15. Nancy Savoca's workmanlike record of a La Mama stage performance taped last December finds the comic spinning some not-especially-interesting anecdotes about her bewildered actions that day, before turning toward more incisive political commentary.
  16. Despite fine casting...familiarity sets in and lack of surprises directly lessen what could have been emotionally gripping.
  17. Never really busts out of second gear.
  18. Strong performances, a few dramatically potent scenes and a vividly specific evocation of locale barely offset hackneyed and muddled elements in a script that plays like a first draft.
  19. Encapsulates the turbulent times of the Students for a Democratic Society.
  20. While the direction is a little anonymous and could use some verve, the comedy-drama gets by thanks to a solid script, witty dialogue and engaging performances.
  21. Interesting structure provides pic with plenty of opportunities for social satire, human comedy and chance encounters, but few setups are ever dramatically fulfilled.
  22. A film that ultimately feels stagebound and excessively talky, but which showcases an exceptional performance.
  23. Chalk it up as a middling B-pic that, with a bit more wit and style, could have been at least a cult item.
  24. An often intriguing, sometimes hypnotic work, but one that quickly starts to unravel in the final hour as it becomes clear there’s not much beneath the emperor’s clothes.
  25. Might spark controversy in mainland China, not only because it deals with a homosexual relationship between a member of the Chinese establishment and a peasant, but also because it touches on events such as the 1989 massacre in Beijing's Tiananmen Square. However, pic is unlikely to raise eyebrows anywhere else.
    • 68 Metascore
    • 50 Critic Score
    The material is more interesting than the film's rather dry mode of presentation, which is somewhat hampered by a dearth of archival footage.
  26. Too mild-mannered and fuzzily focused for its own good.
  27. Has all the classic faults of a picture not only directed by an actor but by an actor who is his own producer.
  28. Smoothly maneuvering within the limitations of genre conventions, Bats emerges as a vigorously paced and surprisingly satisfying piece of work.

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