Variety's Scores

For 17,833 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17833 movie reviews
  1. Reygadas' typically arresting widescreen visuals and the presence of non-pro actors speaking in German-derived Plautdietsch makes for an initially hypnotic combination, but the spell breaks its hold well before the end of the picture's inflated running time, signaling an endurance test for all but the most ascetic arthouse auds.
  2. Shows the sort of edge in places that will be appreciated by horror fanboys of all ages, but is mostly too overwrought and over-the-top.
  3. Despite abundant talent on both sides of the camera and a bevy of eye-catching supernatural beasties, this f/x-heavy story of a literature-loving father and daughter battling dark forces unleashed from the pages of a rare tome doesn't conjure much in the way of bigscreen magic.
  4. Not helped by a wooden perf from Jim Caviezel as a humanoid alien who accidentally imports a real alien to eighth-century Earth.
  5. No one has anything to distract them from the minutiae of their love lives, which they proceed to incinerate through overanalysis. It's a moral fable, maybe, if you make half a million a year.
  6. As a young lady who can't say no to a beautiful dress or accessory, Isla Fisher is not to be denied, and her irrepressible comic personality overcomes a number of the film's impediments.
  7. As in his "Chainsaw" remake, Nispel's scare tactics amount to little more than carefully timed cattle-prod shocks, aided by high-volume speaker blasts that were beyond the budgetary reach of the early '80s films.
  8. Graced with well-chosen location eye candy, Tom Tykwer's biggest production to date is proficient but lacks the added tension and characterization to put it anywhere near the top tier of contempo action suspensers.
  9. End result feels like an uneven cross between an amateur "Project Greenlight" pic and such recent comedies as "Superbad" and "Pineapple Express," in which indie directors brought a certain edge to material that might once have felt more at home under the National Lampoon label.
  10. Don't expect a pot full of boiling bunnies, because nothing so creatively crazy ever happens in Obsessed, a "Fatal Attraction"-inspired predatory-female domestic thriller that spends much time spinning its wheels and making auds practically beg for an explanation to all the madness and obsession.
  11. Wildly uneven effort, which is notably more strained and slapdash than such earlier efforts as "Madea's Family Reunion" and "Tyler Perry's Meet the Browns."
  12. While the period drama has several redeeming features, tonally it's all over the map, veering between artsy stylization and hum-drum, sometimes almost twee melodrama.
  13. "Pathfinder" meets "Gerry" in Severed Ways: The Norse Discovery of America, a striking and virtually wordless story of two Vikings separated from their tribe and left to stumble through the North American wilderness.
  14. In style and content, Sarah Jessica Parker starrer is the kind of earnest, talky, modestly scaled social-issue pic that seems predestined for the smallscreen.
  15. Mathew Kaufman and Jon Hart's documentary is just functionally assembled, lacking the style or larger social context that distinguished similar studies like "Inside Deep Throat."
  16. Long on atmosphere yet short on dramatic tension.
  17. Schematically scripted tale revels in its multiple story arcs, but shows signs of battle fatigue in the later reels.
    • 45 Metascore
    • 50 Critic Score
    A popular Japanese manga series gets a pleasing if paint-by-numbers live-action makeover in Dragonball Evolution, which half-heartedly tries to keep the faith for its pubescent male fanbase.
  18. Zac Efron's squeaky-clean tweener-bait profile is unlikely to be threatened by 17 Again, an energetic but earthbound comic fantasy that borrows a few moves, if little inspiration, from "Big" and "It's a Wonderful Life."
  19. Despite some clever virtual-reality concepts and projections about the next frontier of globalization, Alex Rivera's ambitious directing debut lacks the vision, or the budget, to pull off its fusion of sci-fi and aspirational saga.
  20. For all the utter phoniness of Fighting -- the cockeyed, faux-verite shooting, the lurches in storytelling, the lack of character development, a contrived crisis between Shawn and his would-be girlfriend Zulay and Tatum's dopey-charming thing--Fighting's not so bad.
  21. Has moments of power and imagination, but the overworked style and heavy socially conscious bent exude an off-putting sense of self-importance, making for a picture that's more of a chore than a pleasure to sit through.
  22. Mostly clunky and vaguely unsavory.
  23. Lacks seismic guffaws but elicits many mild smiles.
  24. Luke Meyer and Andrew Neel's New World Order is less about an international cabal seeking world enslavement than about those who fervently believe such conspiracies exist and who crusade to defeat them.
    • 42 Metascore
    • 50 Critic Score
    Where the original had a vaguely tenable narrative hook (deadbeat dad finds redemption through nocturnal heroics), the new pic seems purely a vehicle for lavish visuals and cheap gags.
  25. Ultimately, nothing can save this pic from the warm fuzzies.
  26. When Coppola finds creative nirvana, he frequently has trouble delivering the full goods. Tetro represents something of a middle ground in that respect.
  27. A deliberately coarse character style that's more Gumby than Gromit.
  28. Like a passable bottle of champagne, Cheri fizzes and slides down quite easily but lacks real body and doesn't really hit the spot.

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