For 17,786 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,137 out of 17786
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Mixed: 7,013 out of 17786
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Negative: 1,636 out of 17786
17786
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Jay Weissberg
A beautiful, complex work that challenges viewers to mentally sift interior and exterior journeys.- Variety
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Reviewed by
Justin Chang
Bland, canned but studiously professional sequel retains most of the principals from Fox's family-friendly 2003 hit, including the ever-reliable Steve Martin and Bonnie Hunt.- Variety
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Reviewed by
Justin Chang
The rare Hollywood remake that, by daring to reinterpret its source material within a fresh political context, actually has a reason to exist.- Variety
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Reviewed by
Justin Chang
This final production from the team of James Ivory and the late Ismail Merchant is itself adrift in more ways than one, with a literate but meandering script by "The Remains of the Day" novelist Kazuo Ishiguro that withholds emotional payoffs to an almost perverse degree.- Variety
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Justin Chang
Keaton embodies the formidable Stone matriarch with an offhand sense of humor that cuts like a knife.- Variety
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Reviewed by
Todd McCarthy
Outstandingly realized on all levels.- Variety
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Reviewed by
Derek Elley
A fairly conventional heartwarmer, lifted by likable performances, good-looking production values and (for movie buffs) a story centered on an outdoor cinema in rural China.- Variety
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Reviewed by
Todd McCarthy
So determinedly old-fashioned it makes a strong claim to being the best film musical of 1959.- Variety
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Justin Chang
Little Red Riding Hood gets a cheeky CGI makeover in Hoodwinked!, a fast-paced, fitfully clever 3-D-animated feature that will entertain tykes.- Variety
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Robert Koehler
Snowed under by misjudgment on every level, The Big White is DOA. Despite a cast that generally reads like an indie production's wish list, pic's tendency to liberally borrow from the Coen Brothers playbook of comic mayhem is exceeded only by its lack of sense of what's actually funny.- Variety
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Robert Koehler
Shrouded by memories of better times and better movies, Frank Gorshin and Rodney Dangerfield's final screen appearances are unfortunately in the thoroughly hapless and embarrassing comedy, Angels With Angles.- Variety
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Todd McCarthy
Almost too much of a good thing, Peter Jackson's remake of the film that made him want to make movies is a super-sized version of a yarn that was big to begin with, a stupendous adventure that maximizes, and sometimes oversells, its dazzling wares.- Variety
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Reviewed by
Scott Foundas
Isn't for everyone. It seems certain to confound as many viewers as it will inspire. But pic will foster a core critical contingent that will find itself transfixed and, ultimately, deeply moved by the film's ravishing power.- Variety
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Reviewed by
Dennis Harvey
Trivial-sounding hook manages to float a funny but complex meditation on identity, ethnicity and cultural expectations that should be as accessible to teens as adults.- Variety
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Reviewed by
Todd McCarthy
This ostensible gay Western is marked by a heightened degree of sensitivity and tact, as well as an outstanding performance from Heath Ledger.- Variety
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Reviewed by
Todd McCarthy
From a filmmaking point of view, this is a work that the old Hollywood moguls themselves would have been proud to present.- Variety
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Reviewed by
David Rooney
A bigscreen feature executed with a cookie-cutter small-screen sensibility, this often charming but untextured fact-based period piece is buoyed along by the redoubtable Judi Dench.- Variety
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Reviewed by
Todd McCarthy
An array of supporting craftspeople pull the viewer into a credible alternative world, even if the film itself is more prosaic than inspiring.- Variety
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Jay Weissberg
Japanese horror doesn't get more tedious.- Variety
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Reviewed by
Scott Foundas
A superb, eye-opening and often absurdly funny deconstruction of the myths and realities of global terrorism that is marked by a balance, broadmindedness and sense of historical perspective so absent from many recent political-themed documentaries.- Variety
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Reviewed by
Deborah Young
Menacing atmosphere created by Dutch helmer Paula van der Oest ("Zus & Zo") does not make up for the weak script's multiple improbabilities, flat dialogue or the discomfort of watching children, the handicapped and even animals being abused onscreen.- Variety
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Eddie Cockrell
Timely and entertaining concert documentary.- Variety
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Derek Elley
Fluff is hardly the word for Neal 'n' Nikki, a mismatched romantic comedy that makes most Bollywood twosomes look like art movies.- Variety
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Reviewed by
Deborah Young
Though convincingly set in the lower depths of Lima, the story embodies a universal truth about the experience of former soldiers in many times and places.- Variety
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Todd McCarthy
Sometimes shticky biopic overcomes its cornball conventionality to become a genial entertainment, thanks to Anthony Hopkins' exceptionally engaging performance.- Variety
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- Variety
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Reviewed by
Justin Chang
The future looks alternately grim and hysterical in Aeon Flux, a spectacularly silly sci-fier that plays like "The Matrix" crossed with "The Island" and reinterpreted as a long-lost Michael Jackson video.- Variety
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Reviewed by
Eddie Cockrell
Laugh-out-loud funny, tartly off-color and ultimately touching.- Variety
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Reviewed by
Robert Koehler
Pic displays filmmakers Kevin Harrison's and Kemp Curley's love of snowboarding, but suffers from an unjustifiably long running time, considerable repetition and a generally awkward structure.- Variety
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Reviewed by
John Anderson
It's the weird proximity of fact and fiction that could push this Penelope Spheeris-directed comedy into another cultish realm entirely.- Variety
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