For 17,786 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,137 out of 17786
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Mixed: 7,013 out of 17786
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Negative: 1,636 out of 17786
17786
movie
reviews
- By Date
- By Critic Score
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- Variety
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Reviewed by
Joe Leydon
Martin hits all the right notes while subtly conveying both the appealing sophistication and the purposeful reserve of Ray. But he cannot entirely avoid being overshadowed by Dane's endearingly vulnerable, emotionally multifaceted and fearlessly open performance.- Variety
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Todd McCarthy
An ultra-arty "The Sixth Sense" that deliberately inhibits comprehension of the story until the very end -- and arguably continues to inhibit it even then -- pic features certifiably talented people on both sides of the camera collaborating on a project that probably shouldn't have been undertaken in the first place.- Variety
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Todd McCarthy
Once again making a diverting but insubstantial movie look better than it is, Downey, with haggard charm to burn, is winning all the way. Kilmer is riotous at times as an impeccably groomed, businesslike guy keen to assert his orientation at every opportunity.- Variety
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- Variety
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Reviewed by
Robert Koehler
A stunning indictment of Belgium's brutal colonization of the Congo in the late 19th century, Brit documaker Peter Bate's White King, Red Rubber, Black Death illustrates how European exploitation in Africa caused irreparable damage to the continent.- Variety
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Robert Koehler
Sincere but fairly soft piece of ennobling journalism that gives a positive spin to some of Africa's seemingly intractable problems.- Variety
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- Variety
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John Anderson
Entertaining and substantial enough to attract at least a portion of the Michael Moore audience.- Variety
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Justin Chang
Josh Stolberg launches a scalding attack on the stodgy conservatism of the American public school system, only to end up stacking the deck in egregiously smirky and simple-minded ways.- Variety
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Robert Koehler
Debuting helmer Ti West taps into the realist-horror spirit of mentor and exec producer Larry Fessenden, and makes a scarier pic than any by his master.- Variety
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Eddie Cockrell
Explores another courageous, little-known chapter in the saga of resistance and heroics during World War II.- Variety
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Dennis Harvey
A respectful, illuminating appreciation of a few of the estimated 13 million yogis in India.- Variety
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Eddie Cockrell
The Time We Killed reps avant-garde vet Jennifer Todd Reeves' most ambitious work yet, a dense-packed feature-length black-and-white journey into a beautifully restless mind.- Variety
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Jay Weissberg
An enjoyable seriocomic tale of a poor couple whose holiday-time miracle becomes a test of faith.- Variety
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Dennis Harvey
At first seems like a pleasantly pat piece of verite advocacy for convention-breaking unions. But it gets really interesting once said relationship unexpectedly dissolves in ugly fashion, offering real-life voyeuristic appeal a la "Capturing the Friedmans."- Variety
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Reviewed by
Todd McCarthy
Satisfying neither as character study nor as straight-ahead actioner.- Variety
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Leslie Felperin
Although rich in screwball silliness and sharp one-liners, film lacks the narrative drive one finds in the classic comedies of Preston Sturges, Frank Capra and Billy Wilder, whom Crowe always seems to try to emulate.- Variety
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Reviewed by
Joe Leydon
Unfortunately, interest lags between the grisly deaths, and, worse, none of the characters generates rooting interest.- Variety
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Todd McCarthy
Atom Egoyan's most mainstream and genre-oriented picture in his 20-year career applies a thick noir lacquer to a jumbled, time-jumping tale of a young female journalist prying the facts out of the aging entertainers and their cronies.- Variety
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- Variety
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- Variety
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Reviewed by
Scott Foundas
While the respectable result is a more meaningful film than just about anything Mandoki worked on during his 17 years in Hollywood ("Angel Eyes," "Message in a Bottle"), pic suffers from an overindulgence of triumph-over-adversity cliches and a meandering narrative.- Variety
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- Variety
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Reviewed by
Scott Foundas
Though the episodic structure results in a whole not quite equal to some of its parts, pic is an unusually tender, perceptive character study buoyed by stellar performances from a who's who of talented (and many underused) actresses.- Variety
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Dennis Harvey
Routine in some aspects, but compensates via psychologically sharp writing and performances.- Variety
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Derek Elley
South Korean cinema finally gets its first full-blown political satire with The President's Last Bang, a virtuoso slice of sustained black humor.- Variety
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- Critic Score
The stars of the film are the men and women of Harlan County, portrayed here not as patronized mountain folks but as human beings. (Review of Original Release)- Variety
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Reviewed by
Derek Elley
The Dark Hours surmounts some of the problems of its weak dialogue through a commanding performance by lead Kate Greenhouse and some grisly, genre-style violence.- Variety
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Todd McCarthy
A labor of love made over the course of seven years that crucially matches the energy and passion Langlois himself embodied, this deep-dish account of the life and times of the longtime head of the Cinematheque Francaise will enthrall buffs.- Variety
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