Variety's Scores

For 17,786 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17786 movie reviews
  1. Modestly engaging but mostly unexceptional.
  2. Martin hits all the right notes while subtly conveying both the appealing sophistication and the purposeful reserve of Ray. But he cannot entirely avoid being overshadowed by Dane's endearingly vulnerable, emotionally multifaceted and fearlessly open performance.
  3. An ultra-arty "The Sixth Sense" that deliberately inhibits comprehension of the story until the very end -- and arguably continues to inhibit it even then -- pic features certifiably talented people on both sides of the camera collaborating on a project that probably shouldn't have been undertaken in the first place.
  4. Once again making a diverting but insubstantial movie look better than it is, Downey, with haggard charm to burn, is winning all the way. Kilmer is riotous at times as an impeccably groomed, businesslike guy keen to assert his orientation at every opportunity.
  5. A powerfully affecting documentary.
  6. A stunning indictment of Belgium's brutal colonization of the Congo in the late 19th century, Brit documaker Peter Bate's White King, Red Rubber, Black Death illustrates how European exploitation in Africa caused irreparable damage to the continent.
  7. Sincere but fairly soft piece of ennobling journalism that gives a positive spin to some of Africa's seemingly intractable problems.
  8. This genuine curio maintains its mystery to the end.
  9. Entertaining and substantial enough to attract at least a portion of the Michael Moore audience.
  10. Josh Stolberg launches a scalding attack on the stodgy conservatism of the American public school system, only to end up stacking the deck in egregiously smirky and simple-minded ways.
  11. Debuting helmer Ti West taps into the realist-horror spirit of mentor and exec producer Larry Fessenden, and makes a scarier pic than any by his master.
  12. Explores another courageous, little-known chapter in the saga of resistance and heroics during World War II.
  13. A respectful, illuminating appreciation of a few of the estimated 13 million yogis in India.
  14. The Time We Killed reps avant-garde vet Jennifer Todd Reeves' most ambitious work yet, a dense-packed feature-length black-and-white journey into a beautifully restless mind.
  15. An enjoyable seriocomic tale of a poor couple whose holiday-time miracle becomes a test of faith.
  16. At first seems like a pleasantly pat piece of verite advocacy for convention-breaking unions. But it gets really interesting once said relationship unexpectedly dissolves in ugly fashion, offering real-life voyeuristic appeal a la "Capturing the Friedmans."
  17. Satisfying neither as character study nor as straight-ahead actioner.
  18. Although rich in screwball silliness and sharp one-liners, film lacks the narrative drive one finds in the classic comedies of Preston Sturges, Frank Capra and Billy Wilder, whom Crowe always seems to try to emulate.
  19. Unfortunately, interest lags between the grisly deaths, and, worse, none of the characters generates rooting interest.
  20. Atom Egoyan's most mainstream and genre-oriented picture in his 20-year career applies a thick noir lacquer to a jumbled, time-jumping tale of a young female journalist prying the facts out of the aging entertainers and their cronies.
  21. An emotionally potent story told with great dignity.
  22. Impeccably crafted but dramatically turgid.
  23. While the respectable result is a more meaningful film than just about anything Mandoki worked on during his 17 years in Hollywood ("Angel Eyes," "Message in a Bottle"), pic suffers from an overindulgence of triumph-over-adversity cliches and a meandering narrative.
  24. A respectably crafted, earnest ensemble drama.
  25. Though the episodic structure results in a whole not quite equal to some of its parts, pic is an unusually tender, perceptive character study buoyed by stellar performances from a who's who of talented (and many underused) actresses.
  26. Routine in some aspects, but compensates via psychologically sharp writing and performances.
  27. South Korean cinema finally gets its first full-blown political satire with The President's Last Bang, a virtuoso slice of sustained black humor.
    • 80 Metascore
    • 80 Critic Score
    The stars of the film are the men and women of Harlan County, portrayed here not as patronized mountain folks but as human beings. (Review of Original Release)
  28. The Dark Hours surmounts some of the problems of its weak dialogue through a commanding performance by lead Kate Greenhouse and some grisly, genre-style violence.
  29. A labor of love made over the course of seven years that crucially matches the energy and passion Langlois himself embodied, this deep-dish account of the life and times of the longtime head of the Cinematheque Francaise will enthrall buffs.

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