Variety's Scores

For 17,786 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17786 movie reviews
  1. Functional if thoroughly uninspired movie. Because it clings to the comedy-action template of "48 Hrs.," pic feels like it could have been made 15 years ago.
  2. A film is in trouble when, despite the presence of an A-list cast and a well-regarded director, the best thing in it is a partly digitized bear.
  3. Some genuine shocks punctuate The Exorcism of Emily Rose, an unusually intelligent genre item that manages to mix full-bore horror with courtroom drama.
  4. Convincing as a portrait of a marginal man gone beyond the emotional pale.
  5. A classic case of overreaching, Steal Me boasts unorthodox camera angles, dramatic shifts in its palette and a generally adventurous visual style. What it lacks is believable dialogue, credible relationships and a serious foundation for its overripe psychology.
    • 51 Metascore
    • 50 Critic Score
    Juggles several storylines that include the personal and political, but is unable to get beyond soap-opera shtick.
  6. Unvarnished verisimilitude, visceral impact and vividly evoked emotional and physical extremes distinguish Hooligans, the impressive debut feature by German-born helmer Lexi Alexander.
  7. Wears out its welcome at 100 minutes, but could find an audience in the West as a latenight attraction at gay fests.
    • 67 Metascore
    • 70 Critic Score
    Words sometimes fail, but energy and enthusiasm triumph in Music From the Inside Out, a docu that quizzes members of the Philadelphia Orchestra about their relationship to music.
  8. Fans of the Grammy-winning musician will revel in the proximity to their idol, though second pic from talented helmer Thomas Riedelsheimer plays a tad long to those unfamiliar with his, or her, work.
  9. Slick kidnapping yarn starts off like a bat out of hell and never sags.
  10. A clunky and cheesy disaster.
  11. So far-fetched as to make "Kindergarten Cop" look comparatively austere.
  12. Inspiration is running thin in comedian Margaret Cho's fourth concert film, a routine stand-up set that compares poorly to her oft-hilarious first two.
  13. Brain-teasing, wildly unpredictable animated feature.
  14. Succeeds in capturing the book's essential themes and concerns, albeit in a hectic style that could not be more antithetical to that of the literary master of international intrigue.
  15. Despite Almereyda's strong following in arthouse circles, William Eggleston in the Real World --which requires patient if not repeat viewing -- will probably not venture far into it.
  16. Co-produced by the subject's church, this fine feature takes its cue from Malcolm's personality, treating material in a refreshingly earnest, straightforward terms sans flash or preachiness.
  17. The tilt here toward a hyperactive, buddy-movie action-adventure with loud comic archetypes is a poor fit for a film that relies on fairy tale icons and themes.
  18. Refreshing strokes of science-fact in the early sections give way to action strictly from the Ridley Scott-James Cameron playbook, but without a powerful helmer behind the camera or a memorable cast in front.
  19. As a cautionary drama on the price of fame, Undiscovered could not tread on more exhaustively discovered territory, and the result is a reel-by-reel trail of cliches.
  20. May find a following among those who stand in awe of the names Sandler, Ferrell and Spade. But Showalter pushes too far: Nerdiness, after all, can be only so attractive.
  21. A dispiritingly lazy high school comedy.
  22. A handsome package whose atmospherics outclass merely serviceable plot and character elements.
  23. While it has about as much depth and nuance as the bubblegum Sino-pop tunes that pepper its soundtrack, Formula 17 is a fresh, sweet-natured affair with an attractive young cast that should play to the gay-teen niche.
  24. A gripping,stylishly lensed thriller.
  25. Helmer -- an Arab Jew who has lived on both sides of Jerusalem and is comfortable speaking idiomatic Arabic and Hebrew -- is particularly well qualified to tackle her subject.
  26. A suitably unfussy tribute to a band that disdained even the slightest rock-star flash, We Jam Econo tells the story of the Minutemen, whose regrettably brief but brilliant career did much to expand punk's parameters during the early 1980s.
  27. A perfect example of the sad trend in contempo Latin American filmmaking to imitate old Tarantino with only a fraction of the stylistic cojones, frantic comedy dealing with two pairs of confused guys and one pair of kidnap victims is an empty exercise that loses its juice before first reel's end.
  28. Crude, sophomorically homophobic but frequently funny, pic also overstays its welcome a bit and indulges in some juvenile excesses. All told, though, The 40 Year Old Virgin delivers enough belly laughs.

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