Variety's Scores

For 17,786 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17786 movie reviews
  1. Ellen Perry seems keenly aware, there is really no need to embellish the Fujimori story, which has enough unlikely melodrama for six Italian operas.
  2. Slick enterprise buoyed by a Motown-flavored '60s soundtrack and an appealing ensemble cast.
  3. Most successful when it is engaging, not uproarious. Glossy amusement is an updated remake of a well-regarded 1950 Brit comedy-drama starring Alec Guinness, improbably retrofitted as a star vehicle for Queen Latifah.
  4. This understated period drama may lack sufficient star power and emotional wallop to score breakthrough success with mainstream auds during its domestic theatrical run, but pic could find a warmer response in the same international markets where "Kingdom of Heaven" redeemed itself last year.
  5. The joys of farce are fumbled in April's Shower, star-director-writer Trish Doolan's arch and undernourished comedy about a bridal shower turned on its head by the bride's lesbian past.
  6. Pic offers standard mix of digitally shot interview material with the elusive main subject himself, with archive footage and talking heads to assess Berlin's impact on gay culture.
  7. Modest but spot-on co-helming debut by actress Yolande Moreau (the concierge in "Amelie") and Gilles Porte is beguiling in the slightly surreal vein of the best of contempo Belgian cinema but without the typical nasty streak.
  8. As fascinating as it is frustrating.
  9. So strong are the perceived parallels between the Peruvian situation described in State of Fear and the sociopolitical dynamics of the current U.S. war on terror that filmmakers have trouble, in post-screening Q&As, returning the discussion to the historical subject at hand.
  10. Exquisitely modulated and superbly mounted, the directing debut of skilled cinematographer Lajos Koltai went through an extended, unpredictable production history to emerge as a genuinely new way of looking at the Holocaust that is markedly different in tone from other such stories including "Schindler's List" and "The Pianist."
  11. Hostel may become something of a classic among Fangoria magazine's readership, acolytes of George Romero and audiences who thought "Saw II" was for babies.
  12. Even Sandler diehards may pass on this mostly derivative paean to compulsive computer geekdom and male sexual dysfunction.
  13. Result hovers a little uncertainly between dark comedy and urban drama, but remains compelling thanks to its gritty narrative texture, nervous energy and loose, jumpy structure, which fit well with the DV-shot production's no-frills approach.
  14. Anemic action-fantasy.
  15. An appealing film thanks to its irresistible teenage heroine, I, Taraneh, Am Fifteen delivers the message that there's a new generation of strong-minded femmes out there who aren't afraid of bucking social norms.
  16. Winning, consistently funny comedy, with lively script by veteran Colombian producer/scribe Dago Garcia ("Maximum Penalty"), The Car is driven by unusually sharp helming from newcomer Luis Orjuela, and a dynamite ensemble cast.
  17. Slapdash but strangely likeable.
  18. Super-slick street-racing pic, based on a Nipponese manga series and set in Japan, is aimed squarely at the East Asian market, which it has conquered in spades since late June release.
  19. A mixed bag of near-risible storylines, second-rate CG effects, some fabulous set pieces, somewhat cartoonish martial arts fighting and difficult international casting.
  20. Well-observed and superbly cast picture is the filmmaker's best in quite a long time.
    • 66 Metascore
    • 70 Critic Score
    Engaging doc should stir psychologists and feminists.
  21. Essentially a worst-case-scenario white-knuckler executed with terrifically focused skill and realism.
  22. A handsome chunk of widescreen entertainment that's as nimble as its rakish hero.
  23. As muddled in most respects as its title, Rumor Has It... begins with an intriguing premise...but it devolves into a bland romance spiced with too little comedy.
  24. Malick's exalted visuals and isolated metaphysical epiphanies are ill-supported by a muddled, lurching narrative, resulting in a sprawling, unfocused account of an epochal historical moment.
  25. Deftly maneuvering through audacious mood swings and tonal shifts, The Matador emerges as a quirky yet commercial commingling of black comedy, seriocomic psychodrama, heart-tugging sudser and buddy-movie farce.
  26. Beautifully made pic will spur newsy media coverage and possible consternation on both sides of the Israeli-Palestinian divide, but members of the general public will be glancing at their watches rather than having epiphanies about world peace.
  27. A tightly plotted and paced thriller whose not-so-hidden agenda is to expose the bad conscience of the world's haves toward its have-nots, "Hidden" is one of Austrian helmer Michael Haneke's most watchable and pungent works.
  28. Sometimes veering close to being a promotional film for the Special Olympics, pic will be applauded by the disability community and its advocates but quickly ignored by longtime fans of the Farrellys and Knoxville.
  29. A beautiful, complex work that challenges viewers to mentally sift interior and exterior journeys.

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