For 17,786 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,137 out of 17786
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Mixed: 7,013 out of 17786
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Negative: 1,636 out of 17786
17786
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Jonathan Holland
Handles the subject of domestic violence with intelligence and compassion.- Variety
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Reviewed by
Deborah Young
More than in her previous tales of dysfunctional families like "Marriages," she (Comencini) lightens the weight of angst with well-designed subplots, secondary characters and moments of tender humor.- Variety
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Reviewed by
Todd McCarthy
Strikes some resonant chords but also hits notes that simply don't ring true and are borderline risible at times- Variety
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Deborah Young
An unforgettable journey through hell under the earth, where Satan is worshipped as king. Straight-as-an-arrow filmmaking raises this docu above the crowd.- Variety
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Eddie Cockrell
Superbly modulated yet unrelentingly grim, Mirage builds upon a remarkable performance from young Macedonian newcomer Marko Kovacevic to tell the tragic tale of a talented schoolboy driven to violence through neglect and manipulation.- Variety
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- Variety
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Reviewed by
Robert Koehler
Though it can't hide occasionally crude dramatics, pic is an undeniably bold and daring tragedy.- Variety
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- Critic Score
An apt follow-up to the two Matthew Shepard-themed movies that aired on TV in 2002.- Variety
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Reviewed by
Ronnie Scheib
Fascinating glimpse into wholly different body of laws, engrossingly evolving script and standout performances.- Variety
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Brian Lowry
An especially slight romantic comedy whose modest charms are derived largely from its supporting players.- Variety
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Robert Koehler
Besides proving to be a faithful mimic of Craven's filmmaking, Aja pours on the gore. But where Aja's version really leaps beyond Craven's both atmospherically and on the violence scale is in the second hour.- Variety
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- Variety
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Reviewed by
Todd McCarthy
Highlighted by a strong and sensual performance from Salma Hayek as the doomed heroine, elegant pic's muted quality and the central character's vexingly contrary behavior will keep auds from connecting with characters who themselves have trouble establishing bonds.- Variety
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David Rooney
This slight but appealing film's funky eccentricity feels a little contrived at times.- Variety
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Reviewed by
David Rooney
Though it's decidedly for perverse palates, some kind of cult audience seems assured for this one-note onslaught, which exercises a bizarre fascination despite its excesses.- Variety
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David Stratton
Evil is not, as the title would suggest, a horror film, at least not a conventional one. Based on the autobiographical novel by Jan Guillou and set in the mid-1950s, the film relates the experiences of a troubled young man who's enrolled into a hidebound private school.- Variety
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Robert Koehler
Game 6, the first screenplay by one of America's great living novelists, Don DeLillo, is poorly served by Michael Hoffman's flat, soporific direction.- Variety
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Joe Leydon
There's no denying the pic's overall impact as a compelling study of art as a source of transcendence. And it will come as no surprise if this well-crafted doc eventually serves as source material for a dramatic feature.- Variety
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Jay Weissberg
Scores big in the first few minutes with its atmospheric lensing of the protag's literal separation into two distinct characters, but then settles into a standard psycho-killer payback drama.- Variety
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Robert Koehler
Not that it ever rises to the level of Sidney Lumet's Gotham police pics ("Serpico," "Prince of the City"), but 16 Blocks does raise the banner for the tradition of the textured urban cop drama, spurred by action but made substantial by characters at crossroads.- Variety
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- Variety
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Reviewed by
Joe Leydon
A heady spirit of spontaneity permeates the proceedings, suggesting the entire pic, much like the concert it documents, was conceived, planned and completed in a single burst of creative enthusiasm.- Variety
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Reviewed by
Robert Koehler
Pic is hermetically sealed in a synthetic wrapping that's so total -- Sony's top-flight high-def cameras, visibly low-budget CG work, exceptionally hackneyed and imitative action and dialogue --that it arrives a nearly lifeless film.- Variety
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Robert Koehler
Imax 3-D process has lost its original novelty, and little is done in Deep Sea to find new and exciting ways of using the medium.- Variety
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Lisa Nesselson
A period drama marbled with humor, bold gestures and bittersweet consequences.- Variety
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Reviewed by
Derek Elley
Taken as a film about muddling along, "Woman" never bores the viewer with indecisive filmmaking. Basically, it's an elegant jeu, played and constructed with an almost Gallic lightness heightened by Jeong Yong-jin's bursts of music, all bouncy piano and pizzicato.- Variety
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David Stratton
Overall the charm of the film works its spell, and director Kennedy shows confidence in juggling understated comedy and gently sentimental drama.- Variety
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Ronnie Scheib
Proves as entertaining as the earlier "The War Room," which also featured Carville, but is more somber.- Variety
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Robert Koehler
Penn looks bewildered in a role that simply doesn't track, but Kechiche rises to the occasion. Stanzler's helming, shot blandly in digital vid, amounts to point-and-shoot.- Variety
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Reviewed by
Robert Koehler
Viewers unaware of the music --hugely popular among Mexicans -- and the often intensely nationalist sentiments behind it, may blanch at the open chauvinism and celebration of outlaw lifestyles. But part of the pic's strength is its presenting the cultural strain as it is, without comment.- Variety
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