Variety's Scores

For 17,786 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17786 movie reviews
  1. Despite a soulful leading performance from Max Minghella, pic feels insubstantial, echoing without equaling both the coolly ironic edge and heart of "Ghost World" and the incisive art-world outsider portrait of the director's docu feature, "Crumb."
  2. A well-made, good-looking movie it is, but between the non-stop tumult and the sense of deliberateness about its period authenticity, An American Haunting produces a lot of screaming, crying and cruelty, but not much drama.
  3. Squeaky-clean, family-friendly opus.
  4. Result is imperfect and overlong, but hugely ambitious and often breathtaking.
  5. Hillcoat and Cave have here found their most fertile ground yet for allegory-rich examinations of life and death in remote, pressure-cooker environments.
  6. Plays closer to an after-school special (with HBO-standard dialogue) than a satisfying feature film.
  7. Beautiful but lifeless, poetic but unelevated, The Mistress of Spices reps a brave but flawed attempt at that most unforgiving of contemporary genres, magical realism.
  8. Though weak in the drama department, the story of a brother and sister who love each other but have different political ideas and personal agendas effectively captures the tension of the time.
  9. The result is a tense, documentary-style drama that methodically builds a sense of dread despite the preordained outcome.
  10. Bridges gives the movie its only genuine pulse as a gym coach known for his hard and manipulative ways.
  11. This earnest weepie plays like "The Karate Kid" with a pro-literacy agenda, pushing all the right emotional buttons yet hitting quite a few wrong ones in the process.
  12. RV
    RV works up an ingratiating sweetness that partially compensates for its blunt predictability and meager laughs.
  13. A by-the-numbers ensemble dramedy that hits every underdog and gay-fish-out-of-water cliche on the nose.
  14. A handsomely produced, deeply passionate, but seriously flawed historical epic whose reach far exceeds its grasp. Somewhere inside this overlong, sometimes engaging, often tedious affair, there may be a solid, 100-minute movie.
  15. Deftly balancing epic sociopolitical scope with intimate human emotions, all polished to a high technical gloss, Deepa Mehta's Water is a profoundly moving drama.
  16. Cool, stylized lensing by onetime Fassbinder d.p. Jurgen Jurges lifts The Whore's Son above simple meller status, but uneven character development mars this otherwise commendable feature debut by Michael Sturminger.
  17. A wildly inventive, highly cinematic director's showcase that looks likely, at least in the West, to enthuse fans of Asian -- especially Korean -- genre movies more than general auds.
  18. Premise is formulaic and execution is predictable, but Brock maintains a lively pace while eliciting first-rate work from thesps.
  19. The surprisingly watchable delight strikes universal chords.
  20. Distinctive, physically ravishing indie is a natural for fests, but it's questionable whether this sometimes involving, sometimes obscure pic will have appeal beyond the specialty market.
  21. Picture's dour take on the dehumanizing process of medical treatment is leavened by black humor and dialogue that always rings true.
  22. Less accessible than recent "Cafe Lumiere," picture will appeal strongly to fans.
  23. Combining a gallery of targets including President Bush, "American Idol," the Iraq War and the overarching theme of a nation of citizens held in the thrall of phony dreams, pic and its ambitions are undermined by insistent cartoonishness and comic ineptitude.
  24. A half-hearted exercise in political paranoia, The Sentinel unravels its wrong-man scenario with business-like efficiency and an impressively jittery visual scheme, but falls far short of providing visceral or emotional thrills.
  25. In the end, Silent Hill degenerates into an overblown replay of all those "Twilight Zone" and Stephen King stories in which outsiders stumble upon a time-warped location from which there's no escape.
    • 73 Metascore
    • 70 Critic Score
    Sexual compulsion accelerates adolescent angst in the arty Down Under drama, but while Shortland shows a notable eye for detail, her distracted approach to narrative and an attitude to her characters that's cold as the movie's snowfields make pic most likely to be embraced by serious-minded fest auds.
  26. A charming but overextended yarn about some prairie tykes who mistake a table-tennis ball for a glowing pearl from the gods.
    • 91 Metascore
    • 100 Critic Score
    Repulsion is a classy, truly horrific psychological drama in which Polish director Roman Polanski draws out a remarkable performance from young French thesp, Catherine Deneuve. (Review of Original Release)
  27. Celestine Prophecy demands all skepticism be left in the lobby. That's a leap few may be willing to take -- few beyond those millions who bought the book, that is.
  28. With Mariel Hemingway a credible Sapphic Stallone, this passable action trash should satisfy as fun original programming for gay-targeted Here! cable net.

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