For 17,794 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,142 out of 17794
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Mixed: 7,015 out of 17794
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Negative: 1,637 out of 17794
17794
movie
reviews
- By Date
- By Critic Score
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- Critic Score
Robert De Niro's second film as a director adopts a methodical approach and deliberate pace in attempting to grasp an almost forbiddingly intricate subject, with a result that is not boring, exactly, but undeniably tedious.- Variety
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Reviewed by
Justin Chang
This rambunctious, "Jumanji"-style extravaganza is a gallery of special effects in search of a story; rarely has so much production value yielded so little in terms of audience engagement.- Variety
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Brian Lowry
Full of good intentions, We Are Marshall has a game plan that's hard to fault, but as with any playbook, a scheme is only as good as how well it's executed.- Variety
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Todd McCarthy
Genuinely funny, randy and moving by turns, breezily enjoyable throughout.- Variety
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Robert Koehler
Zhang Yimou's strangest and most troubled film, abounds in hysterical, mannered Tang Dynasty-era palace intrigue and dehumanized CGI battle sequences.- Variety
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Todd McCarthy
Taken together, "Flags" and "Letters" represent a genuinely imposing achievement, one that looks at war unflinchingly -- that does not deny its necessity but above all laments the human loss it entails.- Variety
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Todd McCarthy
Intelligent scripting, solid thesping and eye-catching location shooting aren't enough to make a compelling modern film of The Painted Veil.- Variety
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Robert Koehler
The time away from the ring has done Rocky and the franchise some good, although it takes pic a good long while to gather momentum and clout before a surprisingly satisfying third-act heavyweight bout.- Variety
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Leslie Felperin
Whatever audiences might have wanted to know about sculptor-filmmaker Matthew Barney but were too embarrassed to ask is revealed in accessible documentary Matthew Barney: No Restraint.- Variety
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David Rooney
Finally. After "The Phantom of the Opera," "Rent" and "The Producers" botched the transfer from stage to screen, Dreamgirls gets it right. Bill Condon's adaptation of the 1981 show about a Motown trio's climb to crossover stardom pulls off the fundamental double-act those three musical pics all missed: It stays true to the source material while standing on its own as a fully reimagined movie.- Variety
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Todd McCarthy
For actor and director, the project seems like trying on a new coat, and it doesn't fit either of them.- Variety
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Todd McCarthy
Entirely respectable in every way, it nonetheless has a very cool body temperature and thus likely will inspire polite admiration rather than excitement among viewers.- Variety
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Todd McCarthy
Nowhere to be found is any dramatic surprise, heightening of the pulse or genuine pulling of heartstrings. Gary Winick's direction consists of button pushing, and the mechanics are palpable at every step.- Variety
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Justin Chang
Appropriating all the external trappings of big-budget fantasy but none of the requisite soul, this leaden epic never soars like the CG-rendered fire-breather at the core of its derivative mythology.- Variety
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Brian Lowry
The Pursuit of Happyness is more inspirational than creatively inspired -- imbued with the kind of uplifting, afterschool-special qualities that can trigger a major toothache.- Variety
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Jonathan Holland
Sarah Polley gives a wonderfully searching performance, as a woman in a state of extreme isolation, in The Secret Life of Words, a compellingly claustrophobic drama set mostly aboard an oil rig.- Variety
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Dennis Harvey
There is an undeniable quirky appeal to the creative world of Daniel Smith, though those who hope a behind-the-scenes look will explain his motivation or personality won't find the enigma resolved here.- Variety
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Ronnie Scheib
Richly layered picture dramatizes a landmark doctor/patient showdown, chronicles a classic case of transgenderism and reveals how aspects of Schreber's story prefigured Nazism.- Variety
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Peter Debruge
Arthouse audiences who welcome challenging material will find sustenance in film's fractured narrative and unflinching characterizations.- Variety
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Joe Leydon
An unwieldy mix of self-conscious camp and heavy-handed allegory, Automatons plays like a cheesy '50s no-budget sci-fier with serious delusions of grandeur.- Variety
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Todd McCarthy
Mel Gibson is always good for a surprise, and his latest is that Apocalypto is a remarkable film. Set in the waning days of the Mayan civilization, the picture provides a trip to a place one's never been before, offering hitherto unseen sights of exceptional vividness and power.- Variety
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Brian Lowry
Africa's enduring sorrow is ripe for drama, but Blood Diamond is, finally, a fitting metaphor for the gems: Potentially brilliant from a distance, but upon closer inspection, one likely will see the flaws.- Variety
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- Variety
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- Variety
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Justin Chang
Anchored by a terrific performance from Nick Nolte as a grizzled umpire who gets an unexpected second chance at fatherhood, this easygoing comedy-drama plays out slowly but assuredly, infusing a conventional story about a blossoming relationship with welcome reserves of honesty and humor.- Variety
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Peter Debruge
A noble cause does not a good movie make. Pic repeatedly drowns its impassioned message with music, creating an awkward hybrid between history lesson and concert documentary.- Variety
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Joe Leydon
Infused with a strong sense of moral outrage, The Empire in Africa provides more heat than light while attempting to explain the motives and methods of combatants who waged the 1991-2002 civil war in Sierra Leone.- Variety
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John Anderson
Since the documentary will likely find its home in the educational market, a more balanced approach might have made it more insightful and educational.- Variety
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Jonathan Holland
A deft, witty and emotionally rewarding study of a thirtysomething man in his roles as father and son.- Variety
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Jay Weissberg
Inland Empire may mesmerize those for whom the helmer can do no wrong, but the unconvinced and the occasional admirer will find it dull as dishwater and equally murky.- Variety
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