Variety's Scores

For 17,791 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17791 movie reviews
  1. The four-years-in-the-making, badly recycled (not to mention awful) sequel might stain the honor of the Lampoon label if it hadn't already produced several even worse films.
  2. 3 Needles is a great discussion tool for World AIDS Awareness Day that never achieves coherent shape as a three-paneled drama.
  3. Interplay between a jaunty Freeman as an unemployed movie star and the magnetic Paz Vega as a no-nonsense grocery store checker gives pic humanity and lift.
  4. The "Hostel" similarities may strike some as too close for comfort, not only in plot outline but also in general mix of xenophobia, sexploitation, sadism and gore.
  5. Picture veers unsteadily between melodrama and light comedy, with no confidence in either.
  6. Jason Matzner's woozily romantic, gorgeously lensed directorial debut about a trailer park love triangle seems to unspool in a dream of its own, and despite some sketchy story elements, much of it is pretty intoxicating -- that is, until the unambiguous life lessons bring pic down to earth with an earnest splat.
  7. Fascinating if overly self-involved Slamdance entry is among the few U.S. pics that deliberately smudges the line between non-fiction and invention as it tells how Crumley and Buice meet online and develop a relationship.
  8. Earnest but prosaic.
  9. Begins as a morosely melancholy study of a thirtysomething couple on the verge of divorce, then devolves into an unpleasant thriller about their confrontation with psychos.
  10. Using the familiar device of cuisine as a metaphor for national identity and personal feelings, bitter-sweet pic about a man torn between his ethnicity (Greek) and the country of his birth (Turkey) makes its points lightly and entertainingly, with only a routine third act letting down the package.
  11. Sequel is no more than a cheapo campy goof, but this edition does contain a higher quota of laugh lines and an unsubtle message that efforts to make gay youth "go straight" is destined to fail.
  12. Looks at the agricultural industry across Europe through sound and images alone. Pic offers a tabula rasa in which some auds will see a horrifying indictment of the industry's cruelties, others a realistic depiction of mechanized farming, and some a soft-spoken tribute to manual labor. Meanwhile, precisely composed lensing and painstaking sound design create moments of sublime beauty.
  13. Suffered from production fits and starts and reportedly has been cut down from a longer running time to a still tedious and repetitious hour and a half.
  14. A lifeless, workmanlike comedy conceived to provide holiday shoppers an inoffensive respite from the mall.
    • 59 Metascore
    • 80 Critic Score
    Cinema's natural felicities for time and action have seldom felt as beautifully dovetailed.
  15. Not surprisingly, the pic struggles at times to flesh out even its relatively brief 90-odd-minute duration, but it delivers some genuine if generally low-brow laughs along the way.
  16. With its booming soundtrack of songs -- written by Laurent Marimbert and sung by Seigner herself -- and good chemistry between Le Besco and Seigner, pic at times has an operatic emotional intensity that will turn off some viewers but provide a guilty pleasure for others.
  17. From the first frames, when lollypops are offered to the camera, there's no escaping the saccharine miasma of whimsy enveloping Peter Cattaneo's Opal Dream.
  18. Without the songs, the underdeveloped bisexual triangle would seem shapeless. Even with the music, the film is a poorly crafted grab-bag of ideas barely elaborated upon enough to sustain a 20-minute short.
  19. Audiences coming cold to this largely faithful adaptation of Alan Bennett's clever but contrived classroom comedy won't be so wowed, given picture's irrevocably stagy feel. Nicholas Hytner's flat-footed direction doesn't help, nor do picture's younger cast members' over-rehearsed performances, although the seasoned thesps shine.
  20. Craig comes closer to the author's original conception of this exceptionally long-lived male fantasy figure than anyone since early Sean Connery.
  21. One of the very best directed animated films on record. Not surprisingly from the force behind the "Babe" movies, the attention to detail is phenomenal, the humor ample.
  22. Unlike the vast majority of rude bigscreen comedies these days, "Prison" may actually improve with repeat viewings, since its best aspects are offhand enough to be missed the first time around.
    • 57 Metascore
    • 60 Critic Score
    Life, love and addiction make a mostly bitter, but occasionally sweet, concoction in Oz drama Candy, which is sometimes hard to swallow.
  23. Richard Linklater's rough-hewn tapestry of assorted lives that feed off of and into the American meat industry is both rangy and mangy; it remains appealing for its subversive motives and revelations even as one wishes its knife would have been sharper.
  24. It will garner critical huzzahs from those it lampoons, which will broaden the duo's (Christopher Guest and Eugene Levy) fan base.
  25. Impresses as a visually exquisite, rigorously intellectual but dauntingly obscurantist fable about automatons, opera singers and herniated desire that will appeal exclusively to arthouse auds with rarefied tastes.
  26. Emilio Estevez's Bobby is a passionate outcry for peace and justice in America that becomes deeply involving by the final climactic scene.
  27. The Aura is far from being simply "Nine Queens2." Leisurely paced, studied, reticent and rural, The Aura is a quieter, richer and better-looking piece that handles its multiple manipulations with the maturity the earlier picture sometimes lacked.
  28. Picture offers unique glimpses into the hearts and minds of those who have turned reasons for hatred into a crusade for tolerance, braving the scorn of enemies and compatriots alike.

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