Variety's Scores

For 17,791 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17791 movie reviews
  1. Unlike the disturbingly mysterious original, Saw III is a neatly wrapped-up package that explains everything -- including Jigsaw's evil contraptions and the background of his crazed female assistant.
  2. Immaculately shot and composed as always, and moving at Ceylan's usual measured pace, this one is slightly enlivened by more likable perfs and a trim 98-minute running time.
  3. More polished and better acted than many "inspirational" biopics.
  4. It's the rare thorough documentary on a musical act whose dilemmas are faced in the here and now, one that should win over fans of the Chicks on the fence and of music docus and perhaps create a little cultural stir as well.
  5. Disappointingly, Death of a President shrinks from its promise as a piece of genuinely radical or adventurous speculative fiction.
  6. A rogues gallery of flamboyant gangsters paint an anecdote-rich portrait of the drug trade, while a steady stream of cops, coroners and crime reporters furnish social commentary.
  7. Showing a stylistic bravura and confidence rare among upcoming Spanish helmers, Ramon Salazar's campy 20 Centimeters is a self-regarding but vastly entertaining sophomore effort that fuses a wide range of influences -- Hollywood musicals, neo-realism and early-Almodovarian kitsch -- into a distinctive, giddy whole.
  8. A surprisingly conventional portrait of a decidedly unconventional man.
  9. Compelling result is handled with enough dignified artistry to quell most fears of exploitation.
  10. Should stand with the likes of "Fata Morgana" and "Lessons of Darkness" as one of helmer's best efforts at smudging the lines between docu and fiction.
  11. Result: An undeniably clever commingling of a new cast (and spoken dialogue) with a silent classic. But pic fails to engage consistently on its own terms, and begins to coast on novelty value around the midway point.
  12. Pic's quiet lucidity and matter-of-fact procedurals pack a cumulative emotional punch.
  13. It is far from unpleasant to watch an attractive cast led by Kirsten Dunst parading around Versailles accoutered in Milena Canonero's luxuriant costumes to the accompaniment of catchy pop tunes. But the writer-director's follow-up to her breakthrough second feature, "Lost in Translation," is no more nourishing than a bonbon.
  14. Writer-director Ryan Murphy strives mightily to capture the bracing hilarity, pathos and surreal incident of Burroughs' bestselling memoir, but this rudderless adaptation never gets a firm grip on the author's deadpan tone or episodic narrative style.
  15. Ambitiously tackling his biggest canvas to date, Clint Eastwood continues to defy and triumph over the customary expectations for a film career in Flags of Our Fathers.
  16. It's not really either an animal or a kids' film but rather a young adult drama that rings emotionally true.
  17. Clearly, director Nolan is aiming for something else. But the delight in sheer gamesmanship that marked his breakout "Memento" doesn't survive this project's gimmickry and aspirations toward "Les Miserables"-style epic passion.
  18. A game and winning performance by Melinda Page Hamilton is the only saving grace.
  19. PBS-bound docu constitutes a revealing look at a poorly understood chapter in American history.
  20. Stunningly played story of faith vs. family.
  21. Filmmakers' own left-leaning sympathies are occasionally felt around the margins, but Conventioneers achievement lies in its honoring the sincerity and passion on both sides.
  22. Overall, film may feel too slow and didactic for contempo urban kids conditioned by video games. However, the script is never smarmy or complacent, and shows young people engaged in collective problem-solving and decision-making that is often, quite literally, a matter of life and death.
  23. Intelligently written, brilliantly cast and thesped story of a German mail order bride in a Norwegian-American community in Minnesota just after WWI never hits a wrong note.
  24. A tonal triumph of true-life storytelling told with equal measures of tension and redemption.
  25. While his static backgrounds and stuttering character movement aren't likely to win over traditional animation fans, Hair High reps the high end of this "Sick 'n' Twisted"-type toonery.
  26. Already a master of the objective eye, Ramos uses her unobtrusive camera to uncover the frustrations inherent in a vastly imbalanced society where hope is scarce and the future is dim.
  27. Story is incidental here, as auds merely anticipate the scares.
  28. A curious hybrid -- a political/action/comedy/thriller in which Robin Williams becomes president of the United States. A movie as uneven as it sounds, "Man" is less laugh-out-loud funny than topical and suspenseful.
  29. Junky, jokey and sometimes both at once, pic marks yet another attempt by World Wrestling Entertainment to establish one of its burly superstars as a movie lead.
  30. So harsh and damning is the pic toward the current Catholic leadership -- personified by Los Angeles-based Cardinal Roger Mahony, who oversaw O'Grady's stewardship at various central California parishes in the 1970s and '80s, that charges the church operates "like the Mafia" sound spot-on.

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