For 17,794 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,142 out of 17794
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Mixed: 7,015 out of 17794
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Negative: 1,637 out of 17794
17794
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Joe Leydon
Intelligent, informative and unusually entertaining documentary errs only when it yanks too insistently on heartstrings while focusing on worst-case scenarios involving desperate debtors driven to suicide.- Variety
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- Variety
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Reviewed by
Joe Leydon
Although cynics likely will reject The Ultimate Gift as warmed-over Capra-corn, this predictable but pleasant drama based on Jim Stovall's popular novel may be prized by those with a taste for inspirational uplift and heart-tugging sentiment.- Variety
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Lisa Nesselson
Brisseau trains his deft camera on the crescendo of female sexual pleasure and how women can heighten the intensity of already blissful sensations via transgressive flourishes. If exiting viewers could all be asked "Was it good for you?" the likely answer is "Yes."- Variety
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Deborah Young
A flashback to the playfully tender East Euro cinema of yore with a forceful if predictable punch in the closing reel, Rajko Grlic's Border Post marks a virile comeback for the Croatian veteran after his weak-kneed "Josephine."- Variety
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Richard Kuipers
Animated combo of laughs and life lessons charts its heroine's adventures in such an accessible and cheery way, it's easy to imagine her leaping into a Stateside remake.- Variety
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Todd McCarthy
Conveying an astonishing array of information across a long narrative arc while still maintaining dramatic rhythm and tension, this adaptation of Robert Graysmith's bestseller reps by far director David Fincher's most mature and accomplished work.- Variety
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Dennis Harvey
Given his writer-producer credits on good-to-great recent sitcoms ("My Name Is Earl," "Arrested Development," "Grounded for Life"), one might expect more situational wit, or at least some snappy patter, from Brian Copeland's first bigscreen script. Instead, the humor rests primarily on slapstick wipeouts that have no physical consequence.- Variety
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Ronnie Scheib
Always surprising documentary makes excellent use of its many serendipidities.- Variety
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Todd McCarthy
Mix Brigitte Bardot in "And God Created Woman" with Carroll Baker in "Baby Doll," sex it up times 10 and you have a notion of the effect of Christina Ricci in Black Snake Moan.- Variety
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Peter Debruge
Hormonally charged comedy is bound to make parents uncomfortable, as writers Jon Lucas and Scott Moore add a sexual dimension to the kind of after-school-special premise that might appeal to 10-year-olds (but is here twisted to suit older teens).- Variety
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Jay Weissberg
With a painterly eye and a deep appreciation for the hermetic world set apart from, rather than at odds with, modern life, helmer Philip Groening takes the viewer into their cloistered world.- Variety
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Dennis Harvey
Striking and self-indulgent in equal measure, Cam Archer's first feature, Wild Tigers I Have Known, is an impressive declaration of talent that nonetheless gets a little drunk and disorderly at the trough of High Art. Arresting visual and sonic textures frequently overwhelm sketchy narrative, leaving surface provocation too seldom ballasted by deeper psychological truths or emotional impact.- Variety
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Dennis Harvey
Thornton carries the film with relaxed authority, though the earnest tone doesn't let him explore the nuttier aspects of a character who, from any reasoned distance ought look more screwy than heroic. Madsen is radiant.- Variety
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Brian Lowry
All of which goes to demonstrate that while it's easy enough to slap a colon on a lowbrow cable TV show, additional punctuation by itself isn't sufficient to actually transform it into a movie.- Variety
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- Variety
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Reviewed by
Eddie Cockrell
Picture reflects the no-nonsense storytelling skills of prolific helmer Michael Apted, whose career-long mix of feature and documentary work holds him in good stead once more.- Variety
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Ronnie Scheib
Scripter/helmer Sue Kramer's awkward freshman outing eventually coasts on the genuine charm of its leads. A strong vehicle for Heather Graham, who has never looked lovelier, "Gray" scores most convincingly in its reinvention of Carole Lombardian sexual screwiness as head-spinning gender confusion.- Variety
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Leslie Felperin
Showcasing the considerable talents of ubiquitous thesp James McAvoy ("The Last King of Scotland," "Penelope") and several other up-and-coming Brit actors, picture garnishes fairly standard college-set plot with wit, warmth and unexpected turns.- Variety
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Dennis Harvey
While one can appreciate helmer's resistance to a conventional, chronological overview, what emerges is a long, structureless muddle that does justice to neither the stellar acts nor changing countercultural times event has encompassed.- Variety
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Ronnie Scheib
Pitch-perfect central perf (by scribe and co-producer Damian Lahey), total lack of dramatic artifice and surreally situational humor make for a minor-key vignette of unmistakable, if unstable, authenticity.- Variety
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Todd McCarthy
Just as somber as "The Good Shepherd," the most recent domestic spy drama, but more tightly focused, Breach absorbingly zeroes in on how the FBI nailed the most damaging turncoat in American history.- Variety
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Justin Chang
Some literal-minded attempts at magical realism are redeemed by the film's emotional texture, winning chemistry between the tyke leads and scrupulous adherence to a childlike point of view.- Variety
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Robert Koehler
Though the superhero's fans have long awaited his close-up, the Devil's bounty hunter -- complete with a burning skull for a head and a killer motorcycle in flames --materializes in a movie that never measures up to his infernal potential.- Variety
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Robert Koehler
Not content with a straight psychological police procedural, Alvart mixes in distracting -- and unconvincing --Biblical symbolism in a curious bid for weightiness.- Variety
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Lisa Nesselson
A well-oiled script is nicely served by a multigenerational cast, a bittersweet and consistently entertaining mainstream comedy that tackles the big themes of Life and Art with unpretentious brio.- Variety
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Derek Elley
Mixes humor, tragedy, tenderness and political acumen into a well-observed coming-of-age format.- Variety
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- Critic Score
Central performance by Mirjana Karanovic is instantly endearing. Unfortunately, film coasts on thesp's ability to evoke sympathy and leaves her stranded in this yarn that's all setup and little payoff.- Variety
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Reviewed by
Derek Elley
The pic often plays like a Cliffs Notes version of a longer movie: Pacing and continuity aren't choppy, but there's enough material here for a full-length drama that would go deeper into the characters and their backgrounds. Eklavya is good as it is, but lacks tragic heft.- Variety
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Peter Debruge
Chockfull of cathartic moments, Perry's storytelling is best when it defies convention. Like the black man's Frank Capra, Perry tells stories in which every conflict is a test of faith and every victory a testament to the American underdog. Instead of following the proven formulas of screenwriting books, he earnestly shepherds his own messy structure.- Variety
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