Variety's Scores

For 17,810 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17810 movie reviews
  1. Strums the genre for considerable laughs, with John C. Reilly playing the title balladeer from teen to senior citizen, generating enough goodwill to offset the flat sections and a decidedly juvenile streak.
  2. A harmless and frequently humorous trifle.
  3. Remarkably eerie yet annoyingly larded with cheap horror-film shock effects, I Am Legend stands as an effective but also irksome adaptation of Richard Matheson's classic 1954 sci-fi novel.
  4. While the largely unknown cast and subtitled dialogue may present a marketing challenge, they also create a feeling of authenticity in this poignant, intimate epic, which should attract a strong following among discerning audiences.
  5. Conceit often stretches -- and breaks -- the limits of what the tales can handle, though the implication of viewers as voyeurs gives pic a subversive edge.
  6. Attempting to harness multiple genres, pic is brought down by ponderous dialogue (much of it dubbed) and an inability to connect with its characters.
  7. Both the pic's power and its problems stem from Love deliberately taking no moral position nor offering any solutions; he gives his audience what it wants at a gut level and doesn't wimp out at the end.
  8. Neither perfect nor much of a holiday, more like a fruitcake passed around from arthritic aunt to demented uncle -- stale, predictable and made with fossilized ingredients.
  9. The horrific 1937-38 massacre of more than 200,000 Chinese during the early days of the Japanese occupation gets a polished presentation in Nanking.
  10. Rarely has a book sprung so vividly to life, but also worked so enthrallingly in pure movie terms, as with Atonement, Brit helmer Joe Wright’s smart, dazzlingly upholstered adaptation of Ian McEwan’s celebrated 2001 novel.
  11. Taking control of what would otherwise be a trite and preachy fable about the need for African American families to accept their gay brethren, Devine builds a jolly and touching character from the stock figure of a Georgia mom coming to terms with her disaffected gay son.
  12. Impressively rendered but oddly uninviting adventure.
  13. Suspenseful, funny, touching, sexy and painlessly pertinent.
  14. Although clearly coming from an antiwar perspective, the story's emotional effectiveness and family grounding give the film a real shot at connecting with general audiences across the political spectrum.
  15. Guy Ritchie shoots a blank with Revolver, which replays the low-life criminal shtick from his first two features with an ill-advised overlay of pretension. The action, attitude and wise-guy talk all feel moldy this time around.
  16. Even if this isn't Schrader's best, it's hardly his worst.
  17. De Felitta seems a born documaker. He brilliantly constructs a tale born of a genuine love of jazz and a need to understand how Paris went from sensation to footnote in a generation.
  18. As a showcase for rising young star Michael Angarano and Christopher Plummer, pic offers the pleasures of connecting Hollywood traditions and generations in the spirit of Peter Bogdanovich's films about and inspired by the movies.
  19. An ultra-smart-mouthed comedy about a planned adoption that goes weirdly awry.
  20. One of the more irresponsible eruptions in the current rash of populist nonfiction cinema.
  21. Most compelling in its attempts to re-create the experience of paralysis onscreen, gorgeously lensed pic morphs into a dreamlike collage of memories and fantasies, distancing the viewer somewhat from Bauby's consciousness even as it seeks to take one deeper.
  22. Harold's thriller does have an attention-getting plot hook, but piles on too many narrative gimmicks to maintain suspense or credibility.
  23. Oswald's Ghost impresses as a concise, intelligent and rigorously well-researched piece of work.
  24. What tyro helmer Miles Brandman serves up is a tortured talkfest with a premise far less ripe than its title.
  25. Boasts dazzling hockey action, but its off-ice piousness makes for tough sledding for non-Canucks.
  26. The dangers of extremism and the virtues of uncertainty are the keys to the remarkable Protagonist, docu helmer Jessica Yu's exploration of four men's journey through dysfunction, obsession and redemption.
  27. A rousing, hilarious Bacchanal of family togetherness, Roger Paradiso's brilliantly cinematic adaptation of the second-longest running play in Off-Broadway history might be the best of the recent rash of wedding pics.
  28. A strenuously solemn film that wants to create some kind of American pastoral tragedy out of the nation's current angst with the war.
  29. Jenkins brings a rigor, intelligence and eye for the slightly absurd to the proceedings that is instantly disarming.
  30. Director Andrew Wagner draws topnotch work from a pro cast in Starting Out in the Evening, a wise, carefully observed chamber drama.

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