Variety's Scores

For 17,810 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17810 movie reviews
  1. Pitch perfect and brilliantly acted, 4 Months, 3 Weeks & 2 Days is a stunning achievement, helmed with a purity and honesty that captures not just the illegal abortion story at its core but the constant, unremarked negotiations necessary for survival in the final days of the Soviet bloc.
  2. The title says it all. Compact and exuberant, U2 3D may be no more than a pint-sized concert film with a lustrous surface, but the lensing is so vibrant and the music so buoyant, even nonfans may find their eyes popping and their heads bobbing.
  3. Fourth feature by Mainland helmer Lou Ye ("Suzhou River," "Purple Butterfly") shoots for metaphysical drama but ends up saying very little beneath all the poetic voiceovers, sexual encounters and political seasoning.
  4. A game, disarming lead performance from Jess Weixler, who won a jury acting prize at Sundance, goes some way toward making palatable this mish-mash, whose provocative nature could carve out a certain commercial niche.
  5. Like a tragic overture played at the wrong tempo and slightly off-key, Woody Allen's London-set Cassandra's Dream sends out more mixed signals than an inebriated telegraphist.
  6. Despite its indie-flavored shooting style, first-rate visual effects, reasonable intensity factor, nihilistic attitude and post-9/11 anxiety overlay, this punchy sci-fier is, in the end, not much different from all the marauding creature features that have come before it.
  7. Banking on the appealing chemistry of Diane Keaton and Queen Latifah -- with co-star Katie Holmes awkwardly upsetting the balance -- this strained heist comedy about three cash-strapped femmes is watchable enough for a few reels, but lacks the requisite wit and amoral energy to capitalize on its get-rich-quick premise.
  8. Frothy, funny and formulaic, 27 Dresses is a pleasantly predictable romantic comedy that sees Katherine Heigl following “Knocked Up” with smooth moves at the wheel of her first starring vehicle.
  9. Photos and video of torture at Bagram and Abu Ghraib are the most viscerally disturbing elements of Taxi to the Dark Side, but the way soft-spoken soldiers were transformed into beasts with the tacit approval of the higher-ups is just as profoundly chilling.
  10. Has almost zero plot but molto mood. It will appeal to the most faithful of the director's camp-followers and no one else.
  11. A near-claustrophobic comedy that manages to be both predictable and preachy. Solid actors in supporting roles offer minor redemption.
  12. A plodding patchwork of derivative fantasy-adventure, medieval production design, risible dialogue, unimpressive CGI trickery and haphazardly edited action sequences.
  13. Won't do anything for adult auds, but this second bigscreen adventure from the popular VeggieTales franchise should easily win over tots with its reliable menu of silly songs, easily digestible morals and wholesome (if not always fresh) produce-based characters.
  14. Documentary seems best suited to cable: Lake's informal, Oprah-like concern invites the intimacy of home viewing. But the chick-chat approach in no way undermines the gravity of the problems the docu addresses.
  15. A wonderful, serious-minded romantic comedy-drama.
  16. This decent if derivative scare machine should benefit from a lack of genre competition.
  17. Anchored by a fearless, commanding lead perf by newcomer Jonas Ball as deranged assassin Mark David Chapman, The Killing of John Lennon is a harrowing, impressionistic, widescreen tour-de-force that unfolds with the propulsive urgency of a scrapbook thrown into a howling wind.
  18. The result is one of Sayles' best films. The music, a mix of blues, seminal rock and newcomer Gary Clark Jr.'s performance, will be an obvious draw, as will the performances by some leading African-American actors.
  19. A fastidiously grim ghost story that rattles the bones of the haunted-house genre and finds plenty of fresh (but not too bloody) meat.
  20. Boldly and magnificently strange, There Will Be Blood marks a significant departure in the work of Paul Thomas Anderson.
  21. Provides enough cheap thrills and modest suspense to shake a few shekels from genre fans before really blasting off as homevid product.
  22. This autobiographical tour de force is completely accessible and art of a very high order.
  23. A feel-good film about death, a sitcom about mortality, "Ikiru" for meatheads. It's also a picture about two cancer patients confronting reality, and deciding how they want to spend their presumed last days, that has not an ounce of reality about it.
  24. Tailor-made for maximum inspirational, historical and educational impact, The Great Debaters shines a bright spotlight on a remarkable example of black achievement long forgotten in the sorry history of the Jim Crow South.
  25. Though it strikes some predictable coming-of-age notes, this moving, well-wrought adventure should appeal to fans of "E.T." and Carroll Ballard.
  26. "Ghost" with a brogue, "The Notebook" without the burden of old people, this post-life comedy will have the sentimentally challenged weeping openly, while clutching desperately to the pants-legs of boyfriends and husbands who are trying to flee up the aisle.
  27. Charlie Wilson's War is that rare Hollywood commodity these days: a smart, sophisticated entertainment for grownups.
  28. Graced with some extra star wattage courtesy of Helen Mirren and Ed Harris, this diminishing-returns sequel sends Nicolas Cage on another quest to strike it rich, get young auds excited about history and solve puzzles that are generally less stimulating than yesterday's Sudoku.
  29. Like its sister films in the surfing-movie genre, the extreme-skiing movie Steep is less a documentary than a sales pitch -- not for a product or a place, but for a sport, one its practitioners feel requires pugnacious self-promotion.
  30. Both sharp and fleet, Sweeney Todd: The Demon Barber of Fleet Street proves a satisfying screen version of Stephen Sondheim’s landmark 1979 theatrical musical.

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