Variety's Scores

For 17,810 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17810 movie reviews
  1. A work of both modest enchantment and enchanting modesty, grounded in a classically Spielbergian realm where childlike wonderment crosses paths with the tough realities of young adulthood.
  2. Rather than mixing classical and modern styles the way "Step Up" did, this hip-hop-powered sequel is all about new moves, which should keep the kids coming back after the pic's initial Valentine's Day crush.
  3. A passionate, harrowing drama about rebellion, atrocity and child soldiering in Africa, Ezra is raw and violent. There's no denying the film's power, or its frankness regarding the ongoing tragedy of Africa.
  4. A warm and delightful take on cross-cultural relations that proves that sometimes a light touch is just what's needed to address serious topics.
  5. A listless romantic comedy that, almost out of desperation, turns a little more violent than necessary near the end.
  6. Paris Hilton has already ushered a remarkable three features into the Internet Movie Database's "Bottom 100." The Hottie and the Nottie will make it an even four.
  7. Closer to pics like “The Hit” and “Miller’s Crossing” than to McDonagh’s bristling, funny plays, this half-comic, half-serious account of two Irish hitmen who are sent to the titular Belgian burg to cool their heels after a job is moderately fair as a nutty character study, but overly far-fetched once the action kicks in.
  8. Ungainly titled, overlong, intermittently funny.
  9. An in-your-face double helping of fat jokes, crude slapstick, wacky Southern-black stereotypes and occasionally inspired improv.
  10. Does what it does well but too often seems a pointless exercise in British miserabilism crossed with a nasty gangster yarn.
  11. Competently made, precisely shot and buoyantly humanistic.
  12. The film toys with audience expectations and perceptions by playing fast and loose with circumstances and clues, while leading to an almost unavoidable and dismayingly obvious conclusion.
  13. Amateurish, half-hearted romantic comedy-cum-heist film twists itself into unconvincing knots to pull off a guilt-free bank robbery.
  14. Fresh from commercials and musicvids, novice helmer (and star) Nadine Labaki gathers five women around a Beirut beauty salon to address a range of issues facing Lebanese women -- from extramarital affairs to religious dictates. Low on calories and not especially original but always diverting.
  15. This slick effort is effectively creepsome until it bogs down somewhat in plot explication.
  16. Movie picks up momentum midway through, when Cyrus is joined by the three Jonas Brothers, who know exactly how to play the crowd and the cameras. As 3-D goes, watching them criss-cross in space proves more engaging than observing one strutting performer.
  17. Even the weakest "Desperate Housewives" episode packs more heat than this tepid romantic comedy-fantasy, whose basic plot gimmick has been done as far back as "The Ghost and Mrs. Muir."
  18. What makes this involving beyond its subject's slightly freakish fascination is helmer Ilana Trachtman's capturing of a complex family dynamic in which Lior isn't the only intriguing personality.
  19. By-the-numbers item, in which five American college students literally get wasted while tripping out on magic mushrooms in rural Ireland, is OK vid fodder with few real scares and not an ounce of originality.
  20. Obviously the product of minimal effort by all parties involved, Strange Wilderness is a slovenly, slapped-together stoner comedy.
  21. Despite its grim subject, the powerful storytelling projects the strongly affirmative message that it's a miracle to be alive and bear witness to those who did not survive. This memorable film, one of Techine's best, is in no way limited to gay viewers.
  22. Arguably stronger conceptually than visually, surreal mix of the unexpected and the banal is definitely not to everybody's taste. But the music is inarguably sublime.
  23. Stallone (who looks fit but mostly keeps his shirt on) has no intention of bogging the action down, but it's still a notably cheerless exercise, without knowing winks or stabs (pardon the expression) at humor. It is in all respects, rather, a completely workmanlike effort.
  24. Title refers not only to its heroine's physical gyrations but also her moral maneuverings as she strives to break out of her lower-class surroundings in this moody, intelligent take on conventional material.
  25. Lazy, lame and painfully unfunny, Meet the Spartans is yet another scrambled-genre parody.
  26. Unfolding like a better-than-average episode of a first-rate TV police procedural, Untraceable is a satisfying slice of solidly crafted meat-and-potatoes filmmaking.
  27. Functions swimmingly as both a bigscreen inflation of smallscreen icons and a fairly hilarious stand-alone.
  28. Stellar thesps gamely strive to elevate the one-note material, but gravity ultimately defeats them in this relentless downer.
  29. Money (and maybe a little bit of love) makes the world go around in Lost in Beijing, an involving, highly accessible portrait of an emotional menage a quatre in the modern-day Chinese capital.
  30. If telenovelas were convincingly real, they would no doubt look like the tumultuous world of domestic strife and libido deftly limned in Alice's House. Documaker Chico Teixeira gives a light, natural feel to his small but fetching first feature.

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