For 17,807 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,148 out of 17807
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Mixed: 7,022 out of 17807
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Negative: 1,637 out of 17807
17807
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Dennis Harvey
The picture delivers enough of the expected goods, if seldom with the wit or panache of the series' best.- Variety
- Posted Apr 13, 2011
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Ronnie Scheib
Pic benefits greatly from Ben Kingsley's brilliantly nuanced reading of frankly bombastic narration.- Variety
- Posted Apr 13, 2011
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Jay Weissberg
Occasionally affecting but unremarkable, the picture's emotional moments are designed to pluck local heartstrings.- Variety
- Posted Apr 12, 2011
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- Variety
- Posted Apr 12, 2011
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Reviewed by
Peter Debruge
It's only natural that audiences should root for such characters to succeed, but since human nature also harbors a mean streak, it's peculiar that Dumbstruck doesn't better exploit the obvious humor of its eccentric subject.- Variety
- Posted Apr 12, 2011
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Boyd van Hoeij
Not so much a genre movie as a movie that switches between genres -- and comes out on top.- Variety
- Posted Apr 12, 2011
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Leslie Felperin
If nothing else, Armadillo proves just how well "The Hurt Locker" captured the mixture of boredom, fear, brutality and locker-room machismo that makes up the day-to-day routine of a frontline soldier.- Variety
- Posted Apr 12, 2011
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Ronnie Scheib
The two still rely on their run-on, Woody Allen-ish interlocking rhythms to smartly propel the desultory plot forward, but after countless mumblecore and slacker indies, the sense of newness is gone.- Variety
- Posted Apr 10, 2011
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Ronnie Scheib
Though initially fascinating, this two-hour travelogue soon becomes repetitive as it forsakes stark desert isolation for icon-festooned churches and overcrowded ceremonies.- Variety
- Posted Apr 10, 2011
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Ronnie Scheib
Jams affords the opportunity to hang with gifted, genre-defying fringe artists at a pivotal point in their evolving careers.- Variety
- Posted Apr 10, 2011
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Peter Debruge
Sticks faithfully to the giantscreen brand's impress-and-educate formula.- Variety
- Posted Apr 10, 2011
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Ronnie Scheib
Brit helmer Malcolm Mowbray's film assumes the constrictions of a stagebound farce, taking place on a single set in real time, and swept along in magisterially broad strokes by Jeffrey Tambor's playfully theatrical perf.- Variety
- Posted Apr 10, 2011
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Peter Debruge
Part one of a trilogy that may never see completion, this hasty, low-budget adaptation would have Ayn Rand spinning in her grave, considering how it violates the author's philosophy by allowing opportunists to exploit another's creative achievement -- in this case, hers.- Variety
- Posted Apr 10, 2011
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Leslie Felperin
Like its flight-challenged parrot protagonist, Rio takes a while to get off the ground but manages to soar by the end.- Variety
- Posted Apr 10, 2011
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Peter Debruge
Audiences can't possibly predict the upsetting twist to Landry's story, nor the welcome surprise that precedes it, but these two scenes -- both of which Webber was fortunate enough to capture on camera -- are documentary gold.- Variety
- Posted Apr 5, 2011
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Reviewed by
Peter Debruge
That skunky smell emanating from Your Highness ain't pot; it's the stink of miscalculation that surrounds an inside joke gone awry.- Variety
- Posted Apr 5, 2011
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Reviewed by
Justin Chang
Even the Brit-wit chemistry of Russell Brand and Helen Mirren can't offset the self-conscious degree to which this tame, calculated effort sticks to its source.- Variety
- Posted Apr 5, 2011
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Justin Chang
Working on a richer and more intricate canvas than she's previously attempted, Kelly Reichardt has pulled off a rare thing with Meek's Cutoff -- a low-budget period Western with a bracing feminist spin.- Variety
- Posted Apr 4, 2011
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Peter Debruge
While the absurdity builds, the intensity never does -- a problem shared by director Malcolm Venville's previous feature, "44 Inch Chest."- Variety
- Posted Apr 4, 2011
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Reviewed by
Joe Leydon
Despite a few grace notes and mildly clever twists, this handsomely produced indie is such a grating turnoff throughout its first third that its minor virtues may be discovered only by insomniac latenight cable viewers.- Variety
- Posted Apr 4, 2011
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Joe Leydon
A hagiographic portrait of the standup comic and social satirist who never quite reached beyond cult status in the U.S., American: The Bill Hicks Story might have impressed more of the unconverted had it included more performance footage of its subject.- Variety
- Posted Apr 4, 2011
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Ronnie Scheib
The major draw of Blank City lies in its generous glimpses of rare, virtually lost Super-8 and 16mm films.- Variety
- Posted Apr 4, 2011
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Reviewed by
John Anderson
If you can't dazzle 'em with brilliance, baffle 'em with genre baloney -- and enough shoplifted visual trickery to fill Quentin Tarantino's kitchen sink.- Variety
- Posted Apr 3, 2011
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Peter Debruge
Why rock, rather than hip-hop, is anybunny's guess, though either way, the basic overnight-sensation pop-star fantasy will surely appeal to a demographic weaned on "American Idol."- Variety
- Posted Mar 31, 2011
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Ronnie Scheib
With Cross jump-starting others on a liquid road to health, this glorified infomercial could saturate latenight TV after its April 1 bow.- Variety
- Posted Mar 31, 2011
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Reviewed by
Rob Nelson
Distinguished by splashy cinematography, engaging performances from Dennis Quaid and Helen Hunt as the girl's go-get-'em parents.- Variety
- Posted Mar 30, 2011
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Justin Chang
An exuberantly crafted chase thriller that pulses with energy from its adrenaline-pumping first minutes to its muted bang of a finish.- Variety
- Posted Mar 30, 2011
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Reviewed by
John Anderson
The ability to mix humor and emotion is the strong suit of this upbeat, music-saturated documentary.- Variety
- Posted Mar 30, 2011
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Reviewed by
Jordan Mintzer
Starts off promisingly but peters out as the story, told practically sans dialogue, heads nowhere consistent.- Variety
- Posted Mar 29, 2011
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Jay Weissberg
Greenspan's solid but unexceptional debut, ably carried by Brody's one-hander performance.- Variety
- Posted Mar 29, 2011
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