Variety's Scores

For 17,807 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17807 movie reviews
  1. Under the Boardwalk provides an amiable overview of one very famous board game's history and impact, alongside a moderately engaging portrait of players preparing for the 2009 World Monopoly Championship.
  2. The kind of willfully obscure, excessively stylized exercise that's bound to exasperate most viewers while enthralling a few.
  3. Intermittently enjoyable hokum at best.
  4. Mostly, this is the cinematic equivalent of a first-person shooter game, one where the Marines possess only slightly more personality than the faceless invaders.
  5. It's easy enough to just soak up star Matthew McConaughey's good-ol'-boy appeal and overlook the film's stilted dialogue, bizarre directorial indulgences, excessive running time and boilerplate "Law and Order"-style narrative.
    • 49 Metascore
    • 60 Critic Score
    A modestly enjoyable performance-capture creation bearing the unmistakable imprint of producer Robert Zemeckis.
  6. Though some of this material is fascinating, it feels like a rambling postscript to the real story, with Robey, with the benefit of hindsight, too eager to make "The Boys in the Band" snugly fit in the grand sweep of gay history, right down to California's Prop. 8.
  7. A painfully dull plunge into the suffocating self-absorption that seems to be killing modern romance.
  8. Absorbing documentary is a natural for artscasters.
  9. More compelling as an intellectual exercise than an emotional one, Certified Copy finds deep-thinking writer-director Abbas Kiarostami asserting there's nothing new under the Tuscan sun, particularly not his own conventional romantic drama set in rural Italy.
  10. While managing to deliver enough suspense and bloodletting to appease gore fans, steadily improving helmer Christopher Smith ("Severance") and screenwriter Dario Poloni smuggle in a merciless critique of religious delusion.
  11. Helmer-writer Eric Mendelsohn returns with his first feature in a decade and the proposition that art film still has a place in the world -- which is an exhilarating idea, especially as represented by 3 Backyards, an exquisite example of calculated execution in pursuit of elusive ideas.
  12. The candlelight flickers exquisitely even as the passions are slow to ignite in this spare, shrewdly acted but not especially vital retelling of Jane Eyre.
  13. Jonathan Hensleigh's film won't displace "Goodfellas" in anyone's hierarchy of wise-guy movies.
  14. A disappointing domestic comedy in which all but the audience get what they want.
  15. Part bromance, part sci-fi spoof and all a bit disappointing.
  16. Animism, apparitions, out-of-body experiences, sex with a catfish -- there's all that and more in Apichatpong Weerasethakul's wonderfully nutty Uncle Boonmee Who Can Recall His Past Lives.
  17. A kiss may cure the monster, but not even campy performances from Mary-Kate Olsen and Neil Patrick Harris can save this ugly snarl of cliches.
  18. A pleasant-enough all-in-one-night comedy, featuring a protagonist facing the classic "Graduate"-like existential dilemma of post-college paralysis.
  19. Signaling a new low in post-modern smug superiority, Ex Drummer tries to pass off contempt as comedy and slanted lensing as creativity.
  20. Less cohesive and accessible than "The Maid" (which the Chilean duo co-scripted and Silva helmed solo), picture nonetheless contains unforgettable scenes.
  21. With the exception of Akerman's Annie, the characters are uniformly annoying, their stories insubstantial and the tone one of smug contentment.
  22. Repugnant content, grislier than the ugliest torture porn, ought to have made the film unwatchable, but it doesn't, simply because Kim's picture is so beautifully filmed, carefully structured and viscerally engaging.
  23. Johnny Depp isn't the sort of star to blend in, so it's saying something that his turn as the world's most conspicuous chameleon in Rango is so full-bodied, you forget the actor and focus on the character.
  24. Blessed with fine performances, credible dialogue and slick production values that belie a reportedly paltry budget, The Grace Card ranks among the better religious-themed indies released in recent years.
  25. Despite amply funded f/x, including some spectacular muscle-car stunts, the movie motors to the grindhouse with squealing tires and guitars, gratuitous nudity and gore, and a scantily clad greasy-spoon waitress endearingly played by Amber Heard.
  26. Its fun first hour soon gives way to a leaden, expository approach that unwisely favors emotional stakes over speculative-fiction smarts.
  27. While the stabs at grown-up insight miss their targets, picture still packs more pure comedic punch than the Farrellys' last few offerings.
  28. This wan, mundane coming-of-ager focuses on kids enacting a pale imitation of '50s car-centered, "American Graffiti"-style time-killing, with the impediment of exceptionally dull dialogue.
  29. Splashy colors, oddball framing, super-cool threads and cranked-up retro music supply the picture's bizarre love triangle with a dance-club atmosphere that'll seduce young audiences of most any orientation.

Top Trailers