Variety's Scores

For 17,807 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17807 movie reviews
    • 86 Metascore
    • 70 Critic Score
    As the film patiently (perhaps too much so for some) heads toward its foregone conclusion, Beauvois gradually raises his style to a level of baroqueness reminiscent of 1995's "Don't Forget You're Going to Die."
  1. Loveless exerts a low-energy, dread-tinged fascination that intrigues rather than wows.
  2. Nothing here -- technologically, linguistically or visually -- would not be more at home decades ago, when director Stephen Herek helmed "Bill and Ted's Excellent Adventure" and "The Mighty Ducks."
  3. Though the actors don't flesh out or particularly fit their roles, they seem perfectly at ease with them and with each other.
  4. Without fully fleshed-out generic or social contexts, left-wing documentarian Philippe Diaz's preachy mix of graphic free love and polemical diatribe fails to mesh as fiction, though it does make for superior porn.
  5. Kind of a drag when it resorts to frantic slapstick and tired action-comedy tropes, but modestly engaging during stretches that suggest the project would have worked better as an exuberant musical.
  6. A flashy, lunkheaded sci-fi extravaganza sure to appeal to teenagers who like their interplanetary warfare bloodless, their high-school soaps squeaky-clean and their numbers countable on one hand.
  7. Beyond the occasional plot frissons and juicy supporting turns, it's an emotionally and psychologically threadbare exercise.
  8. Evan Ross impresses with an implosive performance as Tariq Mahdi, a moody young African-American.
  9. Manages to misfire in two seemingly incompatible directions. A puerile kiddie-comedy without the anarchic energy, and a schmaltzy romantic comedy without the sweetness.
  10. A welcome dose of honest silliness at a time when most family-oriented toons settle for smart-alecky.
  11. Tracks the race-to-the-deadline scramble of a personable young designer preparing an underfunded fashion show, but offers few threads that were not already more solidly and stylishly woven into "Unzipped," "Seamless" or "11 Hours."
  12. Winters deserves better.
  13. As much a legitimate documentary as it is a 3D concert film and teen girl squeal-delivery device, the film possesses surprising moments of candor on the toil of teenage superstardom.
  14. Iciar Bollain's fifth feature is her most ambitious and best, driving its big ideas home through a tightly knit Paul Laverty script that only falters over the final reel.
  15. The movie is witty only on occasion. But it lingers in the mind, thanks largely to its trio of actors -- especially Alex Karpovsky.
  16. Teper buries his material in gimcrack mod trappings that trivialize rather than celebrate Sassoon's accomplishments.
  17. This must-see expose entertains as it horrifies.
  18. Well intended but inert.
  19. Here he's (Trapero) lost his way, tripped up by an unexceptional script and the kind of mood-killing artificial spot lighting more often seen on TV dramas than widescreen thrillers.
  20. Calmer and less shattering than his masterly psychodrama "Secret Sunshine" (2007), Poetry is a deceptively gentle tale with a tender ache at its center, as well as a performance from Yun Jung-hee that lingers long in the memory.
  21. Though not as uproarious as "The 40-Year-Old Virgin," director Miguel Arteta's consistently entertaining white-collar laffer could do for Helms what that film did for Steve Carell.
  22. While the movie doesn't wholly succeed, there's enough to like here -- including Channing Tatum's credible performance as a tradition-bound Roman soldier.
  23. Formulaic and forgettable.
  24. The key to enjoying Sanctum is to look, not listen.
  25. All the improbable, oddball and endless love in the world can't rescue Waiting for Forever from a premise that's irresponsible at worst and an example of profoundly bad timing at best.
  26. Picture represents considerable progress for Katz, a founding member of the mumblecore movement.
  27. Based loosely and playfully on Jane Austen's "Sense and Sensibility," From Prada to Nada is a predictable but pleasant comedy.
  28. Macabre if uneven Louisiana-shot horror-meller should divert genre fans in various territories.
  29. While marred by cheap tricks and borderline camp, picture comes off as a largely low-key, intelligent effort.

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