Variety's Scores

For 17,791 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17791 movie reviews
  1. Even when the story mechanics feel more than a bit secondhand, the exquisite interplay of vibrant pastel hues and almost photorealist textures (smoothly but not crucially enhanced in 3D) makes the film a continual pleasure to behold.
  2. More irrelevant than irreverent, the unworthy script from “Bill and Ted’s Excellent Adventure’s” Chris Matheson might play to apocalyptically stoned college kids, but offers nothing in the way of broader social satire, suggesting the waste of a perfectly good Reckoning — not to mention the talents of a cast far funnier than the doom-and-gloom results suggest.
  3. For a certain type of contemplative teen girl, its sensitive handling of heavy material will surely prove affecting, though the picture sometimes veers too far to the sleepy end of low-key.
  4. Director Scott Hamilton Kennedy (“The Garden”) favors formulaic uplift over investigation, failing to offer a p.o.v. on whether young creative people should be driven as mercilessly as these. Lackluster videography further dulls the pic, which culminates in frustratingly fleeting glimpses of the students’ year-end performances.
  5. Emerges as a surprisingly smart, gripping and imaginative addition to the zombie-movie canon, owing as much to scientific disaster movies like “The China Syndrome” and “Contagion” as it does to undead ur-texts like the collected works of George Romero.
  6. The film’s thudding shocks and predictability dull its edge.
  7. Righteous, captivating and entirely successful as single-issue-focused documentaries go, Gabriela Cowperthwaite’s film draws on startling video footage and testimonies from former orca trainers, building an authoritative argument on behalf of this majestic species.
  8. Bursting with cheap f/x, the pic is often tedious when not repugnant, but it’s hard to dislike.
  9. This directing debut for co-writers Rogen and Evan Goldberg offsets its slightly smug premise with a clever sense of self-parody and near-cataclysmic levels of vulgarity.
  10. Despite its dubious inhabitants, the film consistently entertains by throwing the kinds of curves one should see coming but doesn’t.
  11. This big-hearted underdog comedy from director Shawn Levy is, much like its two leads, exceedingly affable and good-natured despite being undeniably long in the tooth.
  12. Though Resnais’ gamble seems to have failed, it’s encouraging to see a director on the brink of 90 still willing to experiment in a way most helmers half his age wouldn’t dare.
  13. It takes pains to make the political personal, forging the viewer’s identification with Scahill by making persistent use of his voiceover narration and keeping him oncamera throughout.
  14. Thanks to some accomplished hocus pocus and an appealing cast, this would-be “Ocean’s Eleven” of the magic world remains watchable throughout, even as it plods along without ever quite fulfilling its potential.
  15. Helmers Mike Lerner and Maxim Pozdorovkin... don’t quite get to the issues behind the trio’s infamous performance at the historic Christ the Savior Cathedral in Moscow last year, but the young women’s vulnerability and defiance make for stirring viewing.
  16. While a local filmmaker’s perspective may have brought more dimensions, the coverage of events here is impressive and on the mark.
  17. Shyamalan is clearly a director-for-hire here, his disinterest palpable from first frame to last. Nowhere in evidence is the gifted "Sixth Sense" director who once brought intricately crafted setpieces and cinematic sleight-of-hand to even the least of his own movies.
  18. The film wrings an almost bizarre amount of political, humanistic and spiritual substance out of this limited frame. Kendall’s eye for untold stories, as well as his instinct for catching evocatively framed images on the fly, mark him as a name to watch.
  19. A romantic-comedy melodrama that’s too gentle by half.
  20. There’s much to admire in the film’s elegantly classical tempo and the way Omirbayev achieves so much with so little.
  21. This tale of a violently disillusioned medical student’s wade into the weird world of extreme body modification doesn’t develop all its narrative and thematic ideas to the fullest. But the polished pic is still outre and entertaining enough to please most jaded horror fans.
  22. Though complementary, the pic’s images and voiceover never quite fuse into a single whole.
  23. Close encounters of the charming kind infuse The History of Future Folk, which will likely be remembered as the first neo-hipster Brooklyn sci-fi movie.
  24. A nuanced, emotionally temperate study of a precocious youth.
  25. A delightfully intricate battle of wits and wills in which the question of who’s directing/seducing/torturing whom remains constantly shifting open to interpretation.
  26. There’s a certain pleasure to be had in seeing a revered auteur go off the disreputable deep end, and there’s no denying A Touch of Sin packs a visceral wallop.
  27. The film’s turn toward the tragic is hardly untelegraphed, but its emotional blows still land with crushing precision.
  28. An indelible tapestry of carefully engineered revelations and deeper human truths.
  29. A sweet but slight love story about world-weary hipster bloodsuckers.
  30. This rich, beautifully rendered film boasts an arrestingly soulful performance from Marion Cotillard.

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